Composition search
- Compositions
- for 3 voices
| Title click for details |
Creators | Key | Opus | Composed | Instrumentation | Period/style | Type | Listen | Code |
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| Tous nobles ceurs (Tous nobles ceurs qui mes regrets voyez) | Pierre de La Rue, composer | 3 voices | Renaissance | Chansons |  |
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| Tousdis vous voit mon souvenir | Anonymous, composer | 3 voices | Renaissance | Chansons | |
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| Tousjours bien | Johannes Martini, composer | 3 voices | Renaissance | Chansons | |
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| Tousjours me souviendra (Tous jours me souviendra) | Johannes Martini, composer | 3 voices | Renaissance | Chansons | |
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| Tousjours me vient de mal en pis | Anonymous, composer | 3 voices | Renaissance | Chansons | |
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| Tout | Anonymous, composer | 3 voices | Renaissance | Chansons | |
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| Tout a par moy | Walter Frye, composer | 3 voices | Renaissance | Rondeaux | |
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| Tout a par moy, IAA 62 | Alexander Agricola, composer | 3 voices | Renaissance | Chansons | |
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| Tout a sa dame | Johannes Fedé, composer | 3 voices | Renaissance | Chansons | |
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| Tout bien de vous me peut venir | Anonymous, composer | 3 voices | Renaissance | Chansons | |
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| Tout joyeulx | Johannes Martini, composer | 3 voices | Renaissance | Chansons | |
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| Tout mal me vient (Tant mal me vient Dieu mercy les fortune) | Loyset Compère, composer | 3 voices | Renaissance | Chansons | |
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| Tout mon plaisir et tout mon reconfort | Anonymous, composer | 3 voices | Renaissance | Rondeaux | |
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| Toutes doux | Anonymous, composer | 3 voices | Renaissance | Chansons | |
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| Traditional Italian Songs | Various, composer | 3 voices 4 voices 5 voices |
Renaissance | Villanelle, Chansons | |
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| Très amoureux (Trays amoureulx / Madame hélas) | Petrus Congiet, composer | 3 voices | Renaissance | Chansons | |
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| Tres dolce paticiere (Tresdolce paticiere) | Anonymous, composer | 3 voices | Renaissance | Chansons | |
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| Tres doulx regart (Très douce regard) | Johannes Martini, composer | 3 voices | Renaissance | Chansons | |
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| Tres noble et plaisant damoiselle | Anonymous, composer | 3 voices | Renaissance | Chansons | |
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| Tresoriere de plaisir amoureux (Tresoriere de plaisir amoureuse) | Anonymous, composer | 3 voices | Renaissance | Rondeaux | |
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| Tricinia (Tricinia tum veterum tum recentiorum in arte musica symphonistarum, Latina, Germanica, Brabantica & Gallica, ante hac typis nunqu. excusa. Observato in disponendo Tonorum ordine, qup utentibus sint accommodatiora.) | Georg Rhau, composer | 3 voices | Renaissance | Motets, Sacred songs, Lieder, Chansons | |
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| Tricinia nova (Lieblicher Amorosischer gesaenge, mit schoenen Poetischen texten gezieret, und ettlicher massen nach Italiaenischer art mit fleiss componirt) | Melchior Franck, composer | 3 voices | Baroque | Trios, Songs | |
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| Triste et pensif suis sans mot dire | Anonymous, composer | 3 voices | Renaissance | Chansons | |
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| Tristes erant apostoli (Aurora lucis Tristes erant apostoli) | Anonymous, composer | 3 voices | Renaissance | Motets | |
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| Tristis est anima mea (Tristis est anima mea usque ad mortem) | Bernardo Pisano, composer | 3 voices | Renaissance | Motets | |
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| Tristo che gionge | Cesaro Todino, composer | 3 voices | Renaissance | Canzonas | |
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| Trium vocum cantiones, Tomus I (Trium vocum cantiones centum a praestantissimis diversarum nationum ac linguarum Musicis compositae) | Various, composer | 3 voices | Renaissance | Motets, Sacred songs, Lieder, Chansons | |
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| Triumpho de le done o chiara | Anonymous, composer | 3 voices | Renaissance | Madrigals | |
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| Trois filles estoient tout en ung tenant | Anonymous, composer | 3 voices | Renaissance | Chansons | |
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| Trois filliez estoient (Trois filles estoient tout en ung tenant) | Jean Japart, composer | 3 voices | Renaissance | Chansons | |
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| Trois vestales champêtres et trois polissons (Air sérieux en trio a capella) | François Couperin, composer | 3 voices | Baroque | Airs | |
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| Trolly Lolly Lo | Henry VIII, composer | G major | 1491 | 3 voices | Medieval | Songs | |
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| Trop suis | Anonymous, composer | 3 voices | Renaissance | Chansons | |
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| True Englishmen Drink a Good Health | Henry Purcell, composer | G minor | Z.284 | 1689 | 3 voices | Baroque | Catches | |
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| Trut avant il faut boire | Jean Richafort, composer | 3 voices | Renaissance | Chansons | |
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| Tu m’uccidi cor mio (Tu m'occidi cor mio) | Luca Marenzio, composer | 3 voices | Renaissance | Canzonettas | |
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| Tu me comandes | Anonymous, composer | 3 voices | Renaissance | Chansons | |
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| Tu me congnois | Anonymous, composer | 3 voices | Renaissance | Chansons | |
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| Tu mentis delectatio | Ruggiero Giovannelli, composer | 3 voices | Renaissance | Motets, Sacred choruses | |
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| Tuam Crucem adoremus (Mottetto per l'Invenzione et Esaltazione della Santa Croce) | Francesco Feroci, composer | 3 voices mixed chorus |
Baroque | Motets | |
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| Tui sunt coeli | Carlo Carturan, composer | C major | 3 voices female chorus male chorus |
Romantic | Offertorium | |
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| Tunc amplexus | Felice Anerio, composer | 3 voices | Renaissance | Motets | |
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| Tuoni lampi saette e terremoti | Luca Marenzio, composer | 3 voices | Renaissance | Canzonettas | |
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| Turbarum voces | William Byrd, composer | T 117 | 3 voices | Renaissance | Sacred songs | |
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| Tutta vezzosa | Alessandro Orologio, composer | 3 voices | Renaissance | Songs | |
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| 'Twas You, Sir (Catch for Three Voices) | Garrett Colley Wellesley Mornington, composer | D major | 3 voices | Classical | Catches | |
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| Tysis deple (Tisis deple) | Anonymous, composer | 3 voices | Renaissance | Motets | |
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| Ublier veuil tristisse (Il manoscritto di Firenze) | Alexander Agricola, composer | 3 voices | Renaissance | Songs | |
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| Un grand pauvre homme insanne (Se yense an mains [contrafactum version]) | Antoine Busnois, composer | 3 voices | Renaissance | Chansons | |
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| Un lauro mi difese allor dal cielo | Jacquet de Berchem, composer Francesco Petrarca, librettist |
3 voices | Renaissance | Madrigals | |
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| Una vechia sempre nostra piena (Una vechia sempiternosa) | Anonymous, composer | 3 voices | Renaissance | Ballatas | |
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