| Title click for details |
Creators | Key | Opus | Composed | Instrumentation | Period/style | Type | Listen | Code |
|---|---|---|---|---|---|---|---|---|---|
| The Banquet of Musick | Henry Playford, composer | voice and continuo 2 voices and continuo 3 voices voice, continuo and 2 sopranos voice, 2 violins and continuo voice, mixed chorus and continuo |
Baroque | Songs, Catches | |||||
| The Beauties of Harmony (The Beauties of Harmony, containing the Rudiments of Music on a New and Improved Plan; Including, with the Rules of Singing, an Explanation of the Rules and Principles of Composition. Together with an Extensive Collection of Sacred Music, consisting of Plain Tunes, Fuges, Anthems, &c. some of which are entirely new. To the whole is added an Appendix, containing Explanations of Musical Terms, Characters, &c. original and selected.) | Freeman Lewis, composer | 3 voices 4 voices mixed chorus |
Classical | Psalms, Hymns, Anthems, Methods | |||||
| The Beauties of Melody | W. H. Plumstead, composer | voice and piano 2 voices and piano 2 voices 3 voices |
Romantic | Songs, Airs, Duets, Glees | |||||
| The Bells of St. Michael's Tower (The Bells of St. Michael's Tow'r, a favorite glee for three voices, sung by the Messrs Knyvetts at the Nobility's Concerts, composed by Wm. Knyvett) | William Knyvett, composer | D major (or G major as sung by the Messrs. Knyvett) | 3 voices | Classical | Glees | ||||
| The Boston Melodeon (The Boston Melodeon: a collection of secular melodies, consisting of songs, glees, rounds, catches, &c. including many of the most popular pieces of the day. Arranged and harmonized for four [4] voices. By E. L. White, teacher of the piano forte and organ.) | Edward Little White, composer | 3 voices 4 voices voices and piano mixed chorus |
Romantic | Songs, Glees, Rounds, Catches | |||||
| The Canadian Warbler (The Canadian Warbler. A new collection of hymns & tunes for Sabbath Schools. By L. C. Everett) | Lemuel C Everett, composer | 3 voices 4 voices mixed chorus |
Romantic | Hymns, Psalms, Sacred songs | |||||
| The Carcanet (The Carcanet. A New Musical Album for the Year 1842; edited and arranged by Joseph de Begnis) | Giuseppe De Begnis, composer | voice and piano 2 voices and piano 3 voices and piano 4 voices and piano violin and cello violin 3 voices |
Classical | Arias, Ariettas, Cavatinas, Duets, Trios, Rondos, Pieces, Canons | |||||
| The Catch Club or Merry Companions, being a Choice Collection of the most Diverting Catches for Three and Four Voices. Compos’d by the late Mr. Henry Purcell, Dr. Blow, etc. [1st Part and 2nd Part.] | John Walsh, composer | 3 voices 3 voices and continuo 4 voices 8 voices |
Baroque | Catches | |||||
| The Cathedral Magazine (The Cathedral Magazine, or Divine Harmony. being a Collection of the most Valuable & Useful Anthems in Score. Several of which are Selected, from the Works of the most Eminent Authors, both Antient and Modern. The whole Selected, and carefully revised, by Able Masters) | Various, composer | voices, mixed chorus and organ 3 voices 3 voices and organ 5 voices and continuo 2 mixed chorus and continuo soprano, alto, tenor and bass soprano, alto, tenor, bass and continuo 5 voices and continuo |
Baroque | Anthems | |||||
| The Charlestown Collection of Sacred Songs Adapted to Public and Private Devotion. Principally Original Compositions. By Oliver Holden. | Oliver Holden, composer | 3 voices 4 voices mixed chorus |
Classical | Sacred songs, Hymns, Psalms, Anthems | |||||
| The Cherokee Singing Book (ᏗᎧᏃᎩᏒ ᏗᏓᏕᏲᎲᏍᎩ) | Lowell Mason, composer | 2 voices 3 voices 4 voices mixed chorus |
Classical | Hymns | |||||
| The Choir (The Choir: A Collection of Sacred Vocal Music for the use of the congregations and families of the Presbyterian Church of the Lower Provinces, B.N.A. [British North America, i.e. Canada] prepared by a committee appointed by synod.) | Various, composer | 3 voices soprano, alto, tenor and bass mixed chorus |
Romantic | Psalms, Hymns, Anthems | |||||
| The Chorister's Companion (The Chorister's Companion, containing a concise introduction to the grounds of music. A variety of plain Psalm Tunes and Occasional Pieces, Original and Selected, in two parts. I. An introduction to the grounds of music, and a variety of tunes suited to all the metres now used in the American churches. II. A variety of anthems, odes and occasional pieces. By Edward Hartwell.) | Edward Hartwell, composer | 3 voices 4 voices mixed chorus |
Classical | Psalms, Hymns, Anthems, Odes | |||||
| The Chorister's Companion (The Chorister's Companion, ) | Various, composer | 3 voices 4 voices mixed chorus |
Baroque | Psalms, Hymns, Anthems | |||||
| The Christian Harmonist: containing a set of tunes adapted to all the metres in Mr. Rippon's Selection of Hymns, in the Collection of Hymns by Mr. Joshua Smith, and in Dr. Watts's Psalms and Hymns. To which are added, Hymns on Particular Subjects, set throughout; Two Anthems, and a Funeral Dirge; with a concise introduction of practical principles. The whole in a familiar Style, designed for the Use of the Baptist Churches in the United States. Selected and Composed by Samuel Holyoke, A.M. | Samuel Holyoke, composer | 3 voices 4 voices mixed chorus |
Classical | Psalms, Hymns, Anthems | |||||
| The Christian Harmony (The Christian Harmony; or, Songster's Companion) | Jeremiah Ingalls, composer | 3 voices 4 voices mixed chorus |
Classical | Psalms, Hymns, Sacred songs, Spirituals, Folksongs | |||||
| The Christian Harp (The Christian Harp: a collection of hymns and tunes, for the use of social, religious meetings, and Sabbath schools. Compiled by a Committee of the New-England Christian Convention.) | Various, composer | voice 2 voices 3 voices 4 voices mixed chorus |
Romantic | Hymns, Psalms, Sacred songs | |||||
| The Christian Harp and Sabbath School Songster. Designed for the use of the social religious circle, revivals, and the Sabbath School. (The Christian Harp: for Sabbath Schools and Revivals) | Various, composer | 2 voices 3 voices 4 voices |
Classical | Hymns, Sacred songs | |||||
| The Christian Minstrel (The Christian Minstrel: a new system of musical notation; with a collection of Psalm Tunes, Anthems, and Chants, selected from the Most Popular Works in Europe and America. Designed for the use of Churches, Singing-Schools, and Societies. By J. B. Aikin.) | Jesse Bowman Aikin, composer | 2 voices 3 voices 4 voices mixed chorus voices and organ voices and piano |
Classical | Psalms, Hymns, Anthems, Chants | |||||
| The Christian Psalmist (The Christian Psalmist, a collection of tunes and hymns of various metres, original and selected: for the use of the Church of God, Bible Classes, and Singing Societies. Embracing the Round Note, the Numeral, and the Patent Note Systems of Notation. By Silas W. Leonard and A. D. Fillmore.) | Silas White Leonard, composer | 2 voices 3 voices 4 voices mixed chorus |
Romantic | Hymns, Psalms | |||||
| The Christian Sacrifice of Praises (The Christian Sacrifice of Praises, consisting of Select Psalms and Hymns, with Doxologies and Proper Tunes. For the Use of the Religious Society of Romney. Collected by the Author of the Christian's Daily Manual. [i.e. John Deffray]) | John Deffray, composer | 2 voices 3 voices mixed chorus |
Baroque | Psalms, Hymns | |||||
| The Christian's Harp, containing a choice selection of Psalm and Hymn Tunes, Suited to the various Metres now in use among the different Religious Denominations in the United States: designed for the use of Public and Family Worship, by Samuel Wakefield, Esq. | Samuel Wakefield, composer | 2 voices 3 voices |
Classical | Psalms, Hymns | |||||
| The Columbian Harmonist (The Columbian harmonist : in two parts : to which is prefixed A dissertation upon the true taste in church music) | Timothy Flint, composer | 3 voices 4 voices mixed chorus |
Classical | Psalms, Hymns, Anthems | |||||
| The Columbian Harmonist (''Title-page transcriptions'' ) | Daniel Read, composer | 3 voices 4 voices mixed chorus mixed chorus |
Classical | Psalms, Hymns, Anthems | |||||
| The Columbian Harmony (The Columbian Harmony. Containing the Rules of Psalmody; together with a Collection of Sacred Music. Designed for the use of Worshiping Assemblies & Singing Societies. By Joseph Stone and Abraham Wood.) | Joseph Stone, composer | 3 voices 4 voices mixed chorus |
Classical | Psalms, Hymns, Anthems | |||||
| The Columbian Repository of Sacred Harmony (The Columbian Repository of Sacred Harmony. ) | Samuel Holyoke, composer | 3 voices 4 voices mixed chorus |
Classical | Psalms, Hymns, Sacred songs, Anthems | |||||
| The Columbian Sacred Harmonist (The Columbian Sacred Harmonist: or, Collection of Grammatical Music. By O. Shaw, A. Albee, and H. Mann.) | Oliver Shaw, composer | 3 voices 4 voices mixed chorus |
Classical | Psalms, Hymns, Anthems | |||||
| The Columbian Song Book (The Columbian Song Book. In two parts containing a choice collection of songs, duets, glees, rounds, and devotional music, for the school room. By Asa Fitz) | Asa Fitz, composer | 2 voices 3 voices 4 voices mixed chorus |
Classical | Hymns, Sacred songs, Glees, Rounds, Catches, Secular choruses | |||||
| The Compleat Psalmodist (The Compleat Psalmodist: or the Organist's, Parish-Clerk's and Psalm-Singer's Companion ... The whole set in Score, for 1, 2, 3, 4, and 5 Voices, with the Basses figured for the Organ; principally designed for the use of Country Choirs.) | John Arnold, composer | 4 voices 4 voices and organ 5 voices 3 voices 2 voices voice |
Baroque | Methods, Anthems, Psalms, Hymns, Canons | |||||
| The Complete Pocket Song Book (The Complete Pocket Song Book. In two parts. I. Containing an introduction to the grounds of music. II. A favourite collection of songs. By Eliphalet Mason.) | Eliphalet Mason, composer | voice 2 voices 3 voices |
Classical | Folksongs, Odes, Ballads | |||||
| The Delaware Harmony (The Delaware Harmony: a collection of psalm and hymn tunes, from the most approved authors: together with several tunes never before published: containing the rudiments of music on a plain and concise plan. By Azariah Fobes, Teacher of Psalmody, in Wilmington, (Del.)) | Azariah Fobes, composer | 3 voices 4 voices mixed chorus |
Classical | Psalms, Hymns, Odes | |||||
| The Delights of Harmony; or Norfolk Compiler. Being a new collection of Psalm Tunes, Hymns and Anthems; with a variety of set pieces, from the most approved American and European Authors. Likewise, the necessary rules of Psalmody made easy. The whole particularly designed for the use of Singing Schools and Musical Societies in the United States. | Stephen Jenks, composer | 3 voices 4 voices mixed chorus |
Classical | Psalms, Hymns, Anthems | |||||
| The Devotional Harmonist (The Devotional Harmonist: a collection of sacred music, comprising a large variety of new and original tunes, sentences, anthems, etc., in addition to the most popular tunes in common use. Presenting a greater number of metres than any book heretofore published. To which is prefixed a progressive system of elementary instruction for schools and private tuition. Edited by Charles Dingley, teacher of music, editor of The Family Minstrel, Sunday-School Harmonist, etc., etc.) | Charles Dingley, composer | 3 voices 4 voices mixed chorus voices and organ mixed chorus and organ |
Classical | Psalms, Hymns, Anthems | |||||
| The Easy Instructor ({{TPtr}} :The Easy Instructor, or, a new method of teaching Sacred Harmony. Containing, The Rudiments of Music on an improved Plan, wherein the Naming and Timing of the Notes are familiarized to the weakest Capacity. With a choice Collection of Psalm Tunes and Anthems from the most celebrated Authors, with a Number composed in Europe and America, entirely new; suited to all the Metres sung in the different Churches in the United States. Published for the use of Singing Societies in general, but more particularly for those who have not the advantage of an Instructor. By William Little and William Smith.) | Various, composer | 3 voices 4 voices mixed chorus |
Classical | Psalms, Anthems, Hymns, Methods | |||||
| The Edinburgh Collection of Glees, Catches, Duetts, etc. (The Edinburgh Collection of Glees, Catches, Duetts, &c. selected from the works of the most eminent composers ancient and modern, all as revised by the late Niel Gow Junr.) | Niel Gow Jr., composer | 3 voices 4 voices 5 voices |
Classical | Glees, Catches, Madrigals, Duets | |||||
| The English Madrigal School | Edmund Horace Fellowes, composer | 2 voices 3 voices 4 voices |
Renaissance | Madrigals, Canzonets | |||||
| The Eolian Harp (The Eolian Harp. A Collection of Hymns and Tunes for Sunday Schools and Band of Hope Meetings by Rev. J. W. Dadmun, author of 'Revival Melodies') | John William Dadmun, composer | 3 voices mixed chorus |
Romantic | Hymns, Sacred songs | |||||
| The Essex Harmony ({{TPtr}} :The Essex Harmony: Being a Choice Collection Of the most Celebrated Songs and Catches, For Two, Three, Four, and Five Voices: From the Works of the most eminent Masters. Principally published for the Use of all Musical Societies, Catch-Clubs, &c. both in Town and Country.) | John Arnold, composer | 2 voices 2 voices and mixed chorus 2 voices and continuo voices, mixed chorus and continuo 3 voices and continuo 3 voices 4 voices |
Baroque | Songs, Catches, Glees, Canons | |||||
| The Essex Harmony (The Essex Harmony, ) | Daniel Bayley, composer | 2 voices 3 voices 4 voices mixed chorus |
Classical | Psalms, Hymns | |||||
| The Evangelical Harmony (The Evangelical Harmony. Containing a great variety of Airs, suitable for Divine Worship: besides a number of favourite pieces of music, selected from different authors, chiefly original. To which is prefixed, a concise introduction to the grounds of music. By Daniel Belknap.) | Daniel Belknap, composer | 3 voices 4 voices mixed chorus |
Classical | Psalms, Hymns, Anthems | |||||
| The Evangelical Harp (The Evangelical Harp: A New Collection of Hymns and Tunes ; Designed for revivals of religion, and for family and social worship) | Jacob Knapp, composer | voice 2 voices 3 voices mixed chorus |
Classical | Hymns, Sacred songs | |||||
| The Evangelical Psalmodist (The Evangelical Psalmodist: An Original Work; consisting of Plain Tunes, Fuges and Set Pieces, in three and four parts; suitable for schools and singing societies. By Warwick Palfray.) | Warwick Palfray, composer | 3 voices 4 voices mixed chorus |
Classical | Psalms, Hymns, Anthems, Elegies | |||||
| The Fayrfax Manuscript (Choirbook) | Various, composer | GB-Lbl Add.Ms.5465 | 1500 | 3 voices 4 voices mixed chorus organ |
Renaissance | Songs, Sacred songs, Carols, Pieces | |||
| The Federal Harmony | Various, composer | 3 voices 4 voices |
Classical | Psalms, Hymns, Anthems, Methods | |||||
| The First Church Collection of Sacred Musick (The First Church Collection of Sacred Musick: for the use of religious societies) | Various, composer | 3 voices 4 voices mixed chorus |
Classical | Psalms, Hymns, Anthems | |||||
| The First Nowell | Felibunda, composer | B flat major | 2020 | 3 voices | Classical | Carols | |||
| The First Set of English Madrigales to 3, 4, 5 and 6 Voices | Thomas Bateson, composer | 3 voices 4 voices 5 voices 6 voices |
Renaissance | Madrigals | |||||
| The First Set of English Madrigals | John Wilbye, composer | 3 voices 4 voices 5 voices 6 voices |
Renaissance | Madrigals | |||||
| The Fryar of Orders Gray (The Friar of Orders Grey; Glee for Three Voices) | John Wall Callcott, composer | E flat major | 3 voices | Classical | Glees | ||||
| The Gamut, or Scale of Music (The Gamut, or Scale of Music: being a plain and concise system of rudiments, or introduction to practical psalmody. For the Use of Singing Schools. By Alling Brown.) | Alling Brown, composer | voice 3 voices 4 voices mixed chorus |
Classical | Methods, Hymns, Psalms | |||||
| The Gentleman and Lady's Musical Companion (The Gentleman and Lady's Musical Companion. Containing, A variety of Excellent Anthems, Tunes, Hymns, &c. - Collected from the best Authors; with a short Explanation of the Rules of Musick: The Whole corrected and rendered Plain. By John Stickney.) | John Stickney, composer | 3 voices 4 voices mixed chorus |
Classical | Anthems, Psalms, Hymns, Canons |
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