| Title click for details |
Creators | Key | Opus | Composed | Instrumentation | Period/style | Type | Listen | Code |
|---|---|---|---|---|---|---|---|---|---|
| Sure there is no God of love | Thomas Tomkins, composer | Songs of 3, 4, 5 & 6 parts | 3 voices | Renaissance | Songs | ||||
| Susanna Fayre | William Byrd, composer | T 253 | 3 voices | Renaissance | Songs | ||||
| Süsser Vater, Herre Got | Heinrich Isaac, composer | 3 voices | Renaissance | Songs | |||||
| Sviranje partitura 1 | Boris Klaric, composer | 2009 | 2 voices 3 voices 4 voices |
Modern | Pieces | ||||
| Sweet enslaver, can you tell (Round for 3 voices; Catch; Fair enslaver) | Luffman Atterbury, composer | C major | 3 voices | Classical | Rounds, Catches | ||||
| Glee: Sweet offspring of enraptur'd May | John Wall Callcott, composer | E flat major | 3 voices | Classical | Glees | ||||
| Sweet Prospect | William Walker, composer Samuel Stennett, librettist |
E minor | 3 voices mixed chorus |
Classical | Hymns | ||||
| Tandernaken | Jacob Obrecht, composer | 3 voices | Renaissance | Songs | |||||
| Tant con je vivrai | Adam de la Halle, composer | 3 voices | Medieval | Chansons | |||||
| Tant est mignonne ma pensee | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Tant fort me tarde | Philippe Basiron, composer | 3 voices | Renaissance | Chansons | |||||
| Tant fort me tarde ta venue | Gilles Mureau, composer | 3 voices | Renaissance | Chansons | |||||
| Tant fut gentement | Johannes Ockeghem, composer | 3 voices | Renaissance | Chansons | |||||
| Tant ha bo ocul (Tant ha bon oeul) | Loyset Compère, composer | 3 voices | Renaissance | Chansons | |||||
| Tant moins en ai | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Tant plus en ay mains (Tant plus en ay mains me contente) | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Tant plus m'efforce | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Tant que Dieu voldra (Tant que Dieu vosdra) | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Tant que Dieu voudra (Tant que Dieu voudra / Tant que Dieu vosdra) | Johannes Martini, composer | 3 voices | Renaissance | Chansons | |||||
| Tantum ergo | Heinrich Carl Breidenstein, composer | 3 voices female chorus male chorus |
Romantic | Hymns | |||||
| Tantum ergo | Carlo Carturan, composer | G minor | 3 voices male chorus female chorus |
Romantic | Hymns | ||||
| Tantum ergo | Claudio Casciolini, composer | F major | 3 voices male chorus female chorus |
Baroque | Hymns | ||||
| Tantum ergo | Giovanni Cipolla, composer | B flat major | Op.5 | 3 voices female chorus male chorus |
Romantic | Hymns | |||
| Tarsis | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Tart ara mon cueur sa plaisance (Sepulchrum signantes [contrafactum version?]) | Jean Molinet, composer | 3 voices 4 voices |
Renaissance | Chansons | |||||
| Tart ara quaresme (Tart ara quaresme prenant) | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Te dignitas presularis | Johannes Brassart, composer | 3 voices | Renaissance | Motets | |||||
| Te lucis ante terminum | Anonymous, composer | 3 voices | Renaissance | Motets | |||||
| Te lucis ante terminum | Severus Gastorius, composer | 3 voices | Baroque | Hymns | |||||
| Tel fait semblant (Tel fait semblant destre ioyeux) | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Ten is niet leden heide lanck | Anonymous, composer | 3 voices | Renaissance | Songs | |||||
| Tenes en chause | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Tenez moy en vos bras | Josquin Desprez, composer | 3 voices | Renaissance | Chansons | |||||
| Terra tremuit (Offertorium) | Carlo Carturan, composer | C major | 3 voices female chorus male chorus |
Romantic | Offertorium | ||||
| Terriblement suis fortunée | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Teutsche Lieder (Teutsche Lieder mit dreyen stimmen) | Jacob Regnart, composer | RISM R 742 | 3 voices | Renaissance | Lieder | ||||
| Teutsche Psalmen: Geistliche Psalmen (Geistliche Psalmen mit dreyen stimmen welche nit allain lieblich zu singen sonder auch auff aller hand art Instrumenten zugebrauchen. Durch ORLANDVM DE LASSO, Fuerst: Bay: Obristen Capelmeister vnd seinen Sohn RVDOLPHVM newlich componirt vnd in Truck verfertiget) | Orlande de Lassus, composer Caspar Ulenberg, librettist |
3 voices 3 Unspecified instruments |
Renaissance | Psalms | |||||
| Teütscher Villanellen, Theil 1 (Erster Theil Teütscher Villanellen mit 1., 2. und 3. Stimmen auf die Tiorba, Laute, Clavicymbel, und andere Instrumenta gerichtet) | Johann Nauwach, composer | voice and continuo 2 voices and continuo 3 voices |
Baroque | Villanelles | |||||
| The Abington Collection (The American and European Harmony, or Abington Collection of Sacred Musick. Adapted to the use of schools and congregational worship. By David Pool and Josiah Holbrook.) | Various, composer | 3 voices 4 voices mixed chorus mixed chorus and organ voices and organ |
Classical | Psalms, Hymns, Anthems | |||||
| The American Church Harp: containing a choice selection of Hymns and Tunes, comprising a variety of metres, well adapted to all Christian churches, singing schools, and private families. | Various, composer | 2 voices 3 voices |
Classical | Hymns | |||||
| The American Compiler of Sacred Harmony (The American Compiler of Sacred Harmony. No.1. Containing, The Rules of Psalmody, together with a collection of Sacred Music. Designed for the use of worshipping assemblies and singing societies. By Stephen Jenks and Elijah Griswold.) | Stephen Jenks, composer | 3 voices 4 voices mixed chorus |
Classical | Psalms, Hymns, Anthems | |||||
| The American Harmonist (The American Harmonist, containing easy and concise rules of music, together with a collection of the most approved psalm and hymn tunes, fitted to all the various metres; together with odes, anthems, and set pieces: many of which were never before published. By Stephen St. John, professor of music.) | Stephen St. John, composer | 3 voices 4 voices mixed chorus |
Classical | Psalms, Hymns, Anthems | |||||
| The American Harmony ({{TPtr}}The American Harmony or Church Music Revised containing 1st. A new and correct introduction to the grounds of music, by way of question and answer 2d. A new and compleat body of church music; adapted to every select portions of psalms, and many of them never before printed 3d. A collection of approved hymns and anthems, suited to several occasions, set by the greatest masters in the world. Composed of two, three, and four musical parts accorting to the wisest rules and fitted for all teachers, learners and musical societies by Aaron Cowling) | Aaron Cowling, composer | 1798 | 2 voices 3 voices 4 voices mixed chorus |
Classical | Psalms, Hymns, Anthems | ||||
| The American Harmony (The American Harmony: Containing, in a concise Manner, the rules of singing; together with a collection of psalm tunes, hymns, and anthems. From the most approved authors, ancient and modern.) | Nehemiah Shumway, composer | 3 voices 4 voices mixed chorus |
Classical | Psalms, Hymns, Anthems | |||||
| The American Musical Primer (The American Musical Primer; containing a correct introduction to the grounds of music, rudimental, practical, and technical. Together with a collection of tunes, of the various metres now in use in religious societies; and calculated for the improvement of youth, and the worship of God.... The whole carefully selected from some of the most celebrated European writers, both ancient and modern. By Amos Blanchard.) | Amos Blanchard, composer | 3 voices 4 voices mixed chorus |
Classical | Psalms, Hymns, Anthems | |||||
| The American Vocalist (The American Vocalist. A Selection of Tunes, Anthems, Sentences, and Hymns, Old and new: designed for the Church, the Vestry, or the Parlor. Adapted to every variety of Metre in common use, and appropriate to every occasion where God is worshipped and men are blessed. From the compositions of Billings, Holden, Maxim, Edson, Holyoke, Read, Kimball, Morgan, Wood, Swan, &c. &c., and eminent American authors now living, as well as from distinguished European composers. Embracing a greater variety of music for Congregations, Societies, Singing Schools, and Choirs, than any other collection extant. In Three Parts. By Rev. D. H. Mansfield) | Daniel Hale Mansfield, composer | voice 2 voices 3 voices 4 voices |
Classical | Anthems, Psalms, Hymns, Sacred songs | |||||
| The Ape, the Monkey, and Baboone | Thomas Weelkes, composer | 3 voices | Renaissance | Airs | |||||
| The Art of Singing (The Art of Singing; In three Parts: viz. I. The Musical Primer, II. The Christian Harmony, III. The Musical Magazine. By Andrew Law, A. M. Author of the Select Harmony, Rudiments of Music, &c.) | Andrew Law, composer | 3 voices 4 voices mixed chorus |
Classical | Methods, Psalms, Hymns, Anthems | |||||
| The Baltimore Collection of Sacred Musick (The Baltimore Collection of Sacred Musick. Selected and compiled under the direction of a committee of the Associate Reformed Presbyterian Church of Baltimore) | Various, composer | 2 voices 3 voices 4 voices mixed chorus |
Classical | Psalms, Hymns | |||||
| The Banks of the Yarrow (A Favorite Glee) | John Wall Callcott, composer | E major | 3 voices | Classical | Glees | ||||
| The Banquet of Musick | Henry Playford, composer | voice and continuo 2 voices and continuo 3 voices voice, continuo and 2 sopranos voice, 2 violins and continuo voice, mixed chorus and continuo |
Baroque | Songs, Catches |
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