Composition search
- Compositions
- for 3 voices
| Title click for details |
Creators | Key | Opus | Composed | Instrumentation | Period/style | Type | Listen | Code |
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| Secular Songs | Various, composer | 3 voices 4 voices 5 voices |
Renaissance | Songs |  |
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| Sederunt in terra | Carpentras, composer | 3 voices | Renaissance | Motets | |
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| Segun las penas me days | Johannes Cornago, composer | 3 voices | Renaissance | Songs | |
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| Seigneur Leon (Benedictus qui venit [contrafactum version]) | Guillaume Dufay, composer | 3 voices | Renaissance | Chansons | |
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| Select Ayres and Dialogues | Henry Lawes, composer | voice and continuo 2 voices and continuo 3 voices 3 voices and continuo voice and lute voice and viol voice, mixed chorus and continuo |
Baroque | Airs, Songs | |
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| Select Harmony (Select Harmony: the fourth part of Christian Psalmody, consisting of a variety of tunes of approved excellence, suited to the various subjects and metres of the psalms and hymns, contained in the first three parts.) | Various, composer | 3 voices 4 voices mixed chorus |
Classical | Hymns, Psalms, Anthems | |
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| Select Harmony (Select Harmony. Containing in a plain and concise manner, the rules of singing; and easy lessons for learners; together with a choice collection of psalm and hymn tunes. By Andrew Law.) | Andrew Law, composer | 3 voices 4 voices mixed chorus |
Classical | Psalms, Hymns | |
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| Select musicall ayres and dialogues, in three bookes | John Playford, composer | voice and continuo 2 voices and continuo 3 voices 3 voices and continuo 2 voices |
Baroque | Songs, Airs | |
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| Select Psalms and Hymns for St. James’s Westminster (Select Psalms and Hymns for the use of the parish-church, and chappels belonging to the parish of St. James’s Westminster) | Raphael Courteville, composer | 3 voices 2 sopranos and bass |
Baroque | Psalms, Hymns | |
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| Selectæ, artificiosæ et elegantes fugæ (Selectæ, artificiosæ et elegantes fugæ duarum, trium, quatuor, et plurium vocum, partim ex veteribus & recentibus Musicis summa Diligentia & acurato iudicio collectæ, partim Compositæ a Iacobo Paix, Organico Palatino Lavingano.) | Jakob Paix, composer | 2 voices 3 voices 4 voices 4 Unspecified instruments |
Renaissance | Fugues, Canons | |
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| Selections from the Hymnal | John Rogers Thomas, composer | voice 2 voices 3 voices 4 voices |
Romantic | Hymns | |
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| Selig zu preisen ist der mann (Beatus vir) | Orlande de Lassus, composer | LV 928 | 3 voices | Renaissance | Songs | |
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| Selle per amours | Anonymous, composer | 3 voices | Renaissance | Chansons | |
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| Selva di varia ricreatione (Selva di Varia Ricreatione Di Horatio Vecchi, Nelle quale si contengono Varii Sogetti, À 3, à 4, à 5, à 6, à 7, à 8, à 9 & à 10 voci. Cioe Madrigali, Capricci, Balli, Arie, Iustiniane, Canzonette, Fantasie, Serenate, Dialoghi, un Lotto amoroso, con una Battaglia à Diece nel fine, & accommodatevi la Intavolatura di Liuto alle Arie, a i Balli, & alle Canzonette.) | Orazio Vecchi, composer | 3 voices 4 voices 4 voices and lute 5 voices 6 voices 7 voices 8 voices 9 voices 10 voices |
Renaissance | Pieces, Madrigals, Capriccios, Arias, Canzonettas, Serenatas | |
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| Sempre giro piangendo | Heinrich Isaac, composer | 3 voices | Renaissance | Songs | |
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| Sen gia fatto pittore (Sen gia fatto pitor) | Luca Marenzio, composer | 3 voices | Renaissance | Villanelle | |
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| Señora qual soy venido | Johannes Cornago, composer | 3 voices | Renaissance | Villancicos | |
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| Seraige (Beaulté d'amours) | Loyset Compère, composer | 3 voices | Renaissance | Chansons | |
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| Serviteur soye de par vous retenu | Alexander Agricola, composer | 3 voices | Renaissance | Chansons | |
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| Serviteur suis (Je suis malcontent / Verumtamen universa vanitas) | Heinrich Isaac, composer | 3 voices | Renaissance | Chansons | |
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| Seul en amours (Deul en amours puyt assez nuyre) | Anonymous, composer | 3 voices | Renaissance | Chansons | |
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| Seul et heureulx par fortune | Anonymous, composer | 3 voices | Renaissance | Chansons | |
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| Seule a par moi (Seule a par moy) | Antoine Busnois, composer | 3 voices | Renaissance | Chansons | |
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| Seulette suis | Anonymous, composer | 3 voices | Renaissance | Chansons | |
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| Seulle esgarée de tout joieulx plaisir | Gilles Binchois, composer | 3 voices | Renaissance | Chansons | |
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| Seullette suis sans ami | Firminus Caron, composer | 3 voices | Renaissance | Chansons | |
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| Seville Chansonnier (Manuscript, E-Sc 5-1-43 / Manuscript, F-Pnm NAF 4379) | Various, composer | 2 voices 3 voices 4 voices |
Renaissance | Chansons, Madrigals, Songs, Quodlibets, Antiphons, Rondeaux, Motets, Pieces | |
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| Shakespear's Duel and Loadstars (Duel and Lodestars) | William Shield, composer William Shakespeare, librettist |
voice and piano 3 voices |
Romantic | Songs | |
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| Should your table with plenty be crown'd (Glee for three voices) | William Shield, composer | E flat major | 3 voices 2 sopranos and bass |
Classical | Glees | |
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| Si a tort on m'a blasmee | Anonymous, composer | 3 voices | Renaissance | Chansons | |
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| Si atort on ma blamee | Anonymous, composer | 3 voices | Renaissance | Chansons | |
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| Si bibero crathere pleno ad lachrimas | Ninot le Petit, composer | 3 voices | Renaissance | Motets | |
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| Si come sete bella | Costanzo Festa, composer | 3 voices | Renaissance | Madrigals | |
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| Si dedero | Alexander Agricola, composer | 3 voices | Renaissance | Motets | |
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| Si dieu me faisoit si heulreux | Anonymous, composer | 3 voices | Renaissance | Chansons | |
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| Si Dio scendesse in terra | Anonymous, composer | 3 voices | Renaissance | Madrigals | |
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| Si dolce non sono | Francesco Landini, composer | 3 voices | Medieval | Madrigals | |
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| Si dormiero (Si dormiero o mitis Mater Christi) | Pierre de La Rue, composer | 3 voices | Renaissance | Motets | |
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| Si j'ai votre grace requise (Se jay vostre grace requise) | Anonymous, composer | 3 voices | Renaissance | Chansons | |
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| Si jeusse Marion (Si j'avoye marion) | Josquin Desprez, composer | NJE 27.35 | 3 voices | Renaissance | Chansons | |
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| Si j'ay perdu mon amy (Se je perdu mon amy je n'ai pas cause) | Josquin Desprez, composer | NJE 27.34 | 3 voices | Renaissance | Chansons | |
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| Si l’on doit prendre un bienfait pour offense | Claude Gervaise, composer | 3 voices | Renaissance | Chansons | |
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| Si par souhait | Anonymous, composer | 3 voices | Renaissance | Chansons | |
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| Si sumpsero pennas meas diluculo | Jacob Obrecht, composer | 3 voices | Renaissance | Psalms | |
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| Si vous plait que vostre soye (Sil vous plaist que vostre (je) soye) | Johannes Regis, composer | 3 voices | Renaissance | Chansons | |
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| Si vous voules que je vous face | Anonymous, composer | 3 voices | Renaissance | Chansons | |
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| Si vous voullez que je vous ame | Anonymous, composer | 3 voices | Renaissance | Chansons | |
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| Signora t'amo a fe | Anonymous, composer | 3 voices | Renaissance | Villanelle | |
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| Since just disdain began to rise (Since iust disdaine began to rise) | Martin Peerson, composer | G major | 4 voices 4 viols voice and 3 viols 2 voices and 2 viols 3 voices and viol voice and 3 Unspecified instruments 2 voices and 2 Unspecified instruments 3 voices 4 Unspecified instruments |
Baroque | Airs | |
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| Since the Duke is Return'd (Upon the Duke's Return) | Henry Purcell, composer | B flat major | Z.271 | 1685 | 3 voices | Baroque | Catches | |
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| Since Time So Kind to Us Does Prove | Henry Purcell, composer | A minor | Z.272 | 3 voices | Baroque | Catches | |
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