Composition search
- Compositions
- for 3 voices
| Title click for details |
Creators | Key | Opus | Composed | Instrumentation | Period/style | Type | Listen | Code |
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| Amarilli mia bella | Iulio Romano, composer | 3 voices | Renaissance | Villanelle |  |
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| Amatemi ben mio | Luca Marenzio, composer | 3 voices | Renaissance | Villanelle | |
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| Amazing Grace (New Britain ; Harmony Grove) | Anonymous, composer John Newton, librettist |
C major | 3 voices mixed chorus |
Traditional (folk) | Hymns, Folksongs | |
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| American Harmony (American Harmony: containing a variety of airs, suitable for divine worship, on Thanksgivings, Ordinations, Christmas, Fasts, Funerals, and other Occasions. Together with a number of psalm tunes, in three and four parts. The whole intirely new. By Oliver Holden) | Oliver Holden, composer | 3 voices 4 voices mixed chorus |
Classical | Psalms, Hymns, Odes, Anthems | |
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| American Sunday-School Psalmody (American Sunday-School Psalmody; or Hymns and Music, for the use of Sunday-Schools and Teachers' Meetings; with a Manual of Instruction. Arranged for the American Sunday School Union, by E. Ives, Jun.) | Various, composer | 3 voices | Classical | Psalms, Hymns, Methods | |
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| Amis courons chercher la gloire (Choeurs et couplets sans accompt de Piano) | Gaetano Donizetti, composer | In.466 | 3 voices mixed chorus |
Romantic | Songs | |
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| Amor fa quando sai | Luca Marenzio, composer | 3 voices | Renaissance | Canzonettas | |
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| Amor m'ha fatto | Giovanni Maria Nanino, composer | D major | 3 voices | Renaissance | Canzonettas | |
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| Amor m'ha fatto diventar | Anonymous, composer | 3 voices | Renaissance | Villanelle | |
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| Amor n’è causa, che nel cor m’ha impresso | Claudio Merulo, composer Lodovico Ariosto, librettist |
3 voices | Renaissance | Madrigals | |
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| Amor opra che puoi (Aria à 3) | Orazio Vecchi, composer | 3 voices | Renaissance | Arias | |
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| Amor tien el suo regno | Luca Marenzio, composer | 3 voices | Renaissance | Villanelle | |
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| Amor tu voi ch'io segua | Luca Marenzio, composer | 3 voices | Renaissance | Canzonettas | |
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| Amor, che sol de i cor leggiadri ha cura | Philippe de Monte, composer | 3 voices | Renaissance | Madrigals | |
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| Amore che sospirar mi fai (Amor che sospirar mi fai) | Alexander Agricola, composer | 3 voices | Renaissance | Madrigals | |
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| Amoreux suy (Amoureux suy) | Gilles Binchois, composer | 3 voices | Renaissance | Rondeaux | |
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| Amorosi diletti a tre voci | Antonio Gualtieri, composer | RISM A/I: G 4794 | 3 voices | Baroque | Canzonettas | |
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| Amours amours (Amours amours trop me fiers) | Alexander Agricola, composer | 3 voices | Renaissance | Chansons | |
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| Amours amours trop me fiers de tes dars | Hayne van Ghizeghem, composer | 3 voices | Renaissance | Chansons | |
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| Amours amours vostre service | Anonymous, composer | 3 voices | Renaissance | Chansons | |
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| An Ape, a Lion, a Fox and an Ass | Henry Purcell, composer | D minor | Z.241 | 1686 | 3 voices | Baroque | Catches | |
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| An Introduction to Psalmody (An Introduction to Psalmody. Containing some Instruction for Young Beginners, explain'd in a familiar & easie manner, by way of Dialogue. By John Church, a Member of ye Collegiate Church of St. Peters Westminster, and Gentleman in Ordinary of His Majesty's Chapel Royal. To Which is added a Select Number of the best Psalm Tunes extant; in 3 and 4 Parts; as they are now Sung in Parish Churches & other Places of Divine Worship. Also a Collection, containing some Hymns compos'd by Dr. William Croft; & some Anthems & Hymns by Mr. Tho: Ravenscroft & the Author; for 1, 2, and 3 voices.) | John Church, composer | 3 voices 4 voices mixed chorus mixed chorus and continuo voice and continuo voices and continuo |
Baroque | Methods, Psalms, Hymns, Anthems | |
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| Anchor che co'l partire | Jean de Castro, composer | E minor | 3 voices | Renaissance | Madrigals | |
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| Symphonia Grandaeva Rediviva ; Ancient Harmony Revived (Symphonia Grandæva Rediviva. Ancient Harmony Revived, ) | Various, composer | 3 voices 4 voices mixed chorus |
Classical | Psalms, Hymns, Anthems | |
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| Ancor che col partire | Andrea Gabrieli, composer | 3 voices | Renaissance | Madrigals | |
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| Angelus ad pastores ait (Sacræ cantiunculæ liber primus, 1582) | Claudio Monteverdi, composer | SV 222 | 1582 | 3 voices | Renaissance | Sacred songs | |
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| Angelus Domini descendit | William Byrd, composer | T 115 | 3 voices | Renaissance | Sacred songs | |
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| Anima mea liquefacta est (Anima mea liquefacta est / Stirps Jesse;) | Antoine Busnois, composer | 1492 | 3 voices | Renaissance | Motets | |
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| Anima mea liquefacta est (Anima mea liquefacta est ut dilectus) | Johannes Ghiselin, composer | 3 voices | Renaissance | Motets | |
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| Anima mea liquefacta est | Leonel Power, composer | 3 voices | Renaissance | Antiphons | |
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| Anleitung zur Singkunst (Anleitung zur Singkunst, in kurzen Regeln fur Lehrer und in stufenweiser Reihe von Uebungen und Beyspielen fur Schuler, zum Gebrauch der vaterlandischen Schulen, von J. J. Walder) | Johann Jakob Walder, composer | voice 2 voices 3 voices 4 voices |
Classical | Methods, Songs, Sacred songs | |
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| Annuale che contiene tutto quello, che deve far un Organista per risponder al Choro tutto l’Anno... ({{TPtr}} :Annuale Che contiene tutto quello, che deve far un Organista, per risponder al Choro tutto l’Anno. Cioè tutti gl’Hinni delli Vesperi, tutte le Messe, cioè doppia, che serve ad ambe le classi, della Domenica, & della Beatissima Vergine Madre di Dio. Sono regolate sotto l’ordine de Toni Ecclesiastici : otto Magnificat, li cui Versetti per pigliare tutti li toni possono servire à tutte l’occorenze di risposte, ciascuno hà sua risposta breve per l’Antifona; otto Ricercate, otto Canzoni francese; quattro Fughe, la prima sopra la Bergamasca, la seconda sopra la Girometta, la terza sopra la Bassa fiamenga, la quarta sopra Ut, Re Mi, Fa, Sol, La; la Salve Regina, & il Te Deum laudamus. Di Fra Giovanbattista Fasolo D’Asti, dell’Ordine de Minori Convent. di S. Francesco. Opera ottava. Con privilegio. In Venetia. Appresso Allessandro Vincenti. MDCXXXXV.) | Giovanni Battista Fasolo, composer | Op.8 | 3 voices 4 voices organ |
Baroque | Hymns, Vespers, Masses, Magnificats, Versets, Ricercars, Fugues | |
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| Anti-Slavery Melodies (Anti-Slavery Melodies: for the Friends of Freedom. Prepared for the Hingham Anti-Slavery Society, by Jairus Lincoln.) | Jairus Lincoln, composer | 3 voices mixed chorus |
Romantic | Songs, Secular hymns | |
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| Apollonian Harmony (Apollonian Harmony: a Collection of scarce & celebrated Glees, Catches, Madrigals, Canzonetts, Rounds, & Canons, Antient & Modern, with some Originals, Composed by Aldrich, Arne, Atterbury, Battishall [sic], Boyce, Brewer, Dibdin, Eccles, Est, Giardini, Green, Handel, Harrington, Hayes, Hook, Morley, Nares, Purcell, Ravenscroft, Travers, Webbe, and other eminent Masters; most of which are sung at the Noblemens' Catch-Club, Theatres, & Public Gardens. The Words consistent with Female Delicacy. Be Merry and Wise.) | Various, composer | 2 voices 3 voices 4 voices 5 voices |
Classical | Glees, Catches, Madrigals, Canzonets, Rounds, Canons | |
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| Ard'ogn'hora il cor | Luca Marenzio, composer | 3 voices | Renaissance | Villanelle | |
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| Ardo di si bel foco | Anonymous, composer | 3 voices | Renaissance | Villanelle | |
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| Arie madrigali et corenti (Arie Madrigali et Corenti a 1, 2, 3 di B.M.) | Biagio Marini, composer | Op.3 | voice and continuo 2 voices and continuo 3 voices and continuo 2 voices 3 voices continuo and 2 sopranos violin and continuo |
Baroque | Arias, Madrigals, Courantes, Galliards, Scherzos, Balletti | |
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| Arise O Lord, and have mercy | Thomas Tomkins, composer | Musica Deo sacra & Ecclesiæ Anglicanæ | 3 voices | Renaissance | Anthems, Psalms | |
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| Arpa Davidica (Salmi et Messa concertati) | Tarquinio Merula, composer | Op.16 | 1630 | 3 voices 4 voices |
Baroque | Psalms, Masses | |
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| As Fair As Morn | John Wilbye, composer | F major | 3 voices | Renaissance | Madrigals | |
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| As Roger Last Night | Henry Purcell, composer | C minor | Z.242 | 3 voices | Baroque | Catches | |
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| As tu point veu | Adrian Willaert, composer | 3 voices | Renaissance | Chansons | |
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| Assumpta est Maria | Gregor Aichinger, composer | 3 voices mixed chorus |
Renaissance | Graduals | |
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| At her fair hands (At her faire hands) | Martin Peerson, composer | G minor | 4 voices 4 viols voice and 3 viols 2 voices and 2 viols 3 voices and viol voice and 3 Unspecified instruments 2 voices and 2 Unspecified instruments 3 voices 4 Unspecified instruments |
Baroque | Airs | |
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| Attend mine Humble Prayer | William Byrd, composer | T 251 | 3 voices | Renaissance | Songs | |
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| Au gré de me jeulx (Au gre de mes ieulx) | Antoine Busnois, composer | 3 voices | Renaissance | Chansons | |
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| Au hault de la roue de fortune | Verjus, composer | 3 voices | Renaissance | Chansons | |
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| Au joli mois de may (Je ne fais plus je ne dis ne escris [contrafactum version]) | Antoine Busnois, composer | 3 voices | Renaissance | Chansons | |
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| Au pauvre par necessité (Regina regnantium [contrafactum version]) | Antoine Busnois, composer | 3 voices | Renaissance | Chansons, Motets | |
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| Au travail suis | Barbingant, composer | 3 voices | Renaissance | Chansons | |
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| Au travail suis sans espoir de confort | Loyset Compère, composer | 3 voices | Renaissance | Chansons | |
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