| Title click for details |
Creators | Key | Opus | Composed | Instrumentation | Period/style | Type | Listen | Code |
|---|---|---|---|---|---|---|---|---|---|
| Qui ne le croit est il dampné | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Qui qu'en ait deul (Qui quen ait deul) | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Qui son couer met a dame trop amour | Jacobus Vide, composer | 3 voices | Renaissance | Chansons | |||||
| Quid tu vides | Pérotin, composer | 3 voices 3 Unspecified instruments |
Medieval | Plainchant | |||||
| Quien se podra | Anonymous, composer | 3 voices | Renaissance | Songs | |||||
| Ravi d'amours despourvu de bon sens | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Rayson aviti multo ingrosso | Anonymous, composer | 3 voices | Renaissance | Madrigals | |||||
| Recordare Domine | Carpentras, composer | 3 voices | Renaissance | Lamentations | |||||
| Recorre al corazon | Anonymous, composer | 3 voices | Renaissance | Songs | |||||
| Recours donneur | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Recueil d'airs françois, serieux et à boire (Recueil d'Airs François, Serieux - à Boire. A Une, Deux, & Trois Parties. Composé en Angleterre, par Mr. Jean Claude Gillier. En MDCCXXIII.) | Jean Claude Gillier, composer | 2 voices 3 voices voice and continuo 2 voices and continuo 3 voices and continuo voice, 2 recorders and continuo voice, 2 flutes and continuo bass voice and recorder |
Baroque | Airs | |||||
| Recueil des morceaux de musique ancienne (Recueil des morceaux de musique ancienne exécutés aux concerts de la Société de musique vocale religieuse et classique, fondée à Paris en 1843) | Joseph Napoléon Ney, composer | 3 voices 4 voices 5 voices 6 voices 8 voices 9 voices 12 voices |
Romantic | Antiphons, Motets, Psalms, Pavans, Responsories, Masses, Madrigals, Canons | |||||
| Recueil Deslauriers | Various, composer | F-Pn, Rés Vma ms 571 | voice 2 voices 2 voices and continuo 3 voices 3 voices and continuo 4 voices 4 voices and continuo 5 voices 5 voices and continuo 5 voices, 2 violins and continuo 6 voices 6 voices and continuo 7 voices mixed chorus |
Baroque | Lamentations, Masses, Motets, Sacred oratorios, Te Deum, Hymns | ||||
| Regi regis regum arcano | Henry Lawes, composer | 3 voices | Baroque | Sacred songs | |||||
| Regina celi | Cipriano de Rore, composer | 3 voices | Renaissance | Motets | |||||
| Regina celi | Adrian Willaert, composer | 3 voices | Renaissance | Motets | |||||
| Regina celi | Johannes Brassart, composer | 3 voices | Renaissance | Motets | |||||
| Regina coeli | William Byrd, composer | T 112 | 3 voices | Renaissance | Sacred songs | ||||
| Regina Coeli | Giuliano Tiburtino, composer | 3 voices | Renaissance | Hymns | |||||
| Regina coeli jubila | Michael Praetorius, composer | 3 voices | Renaissance | Motets, Sacred choruses | |||||
| Regnum meum non est de hoc mundo | Anonymous, composer | 3 voices | Renaissance | Motets | |||||
| Remedium Melancholiæ (Remedium Melancholiæ, or the Remedy of Melancholy. Being a Choice Collection of New Songs: with a Thorow-Bass for the Harpsichord, Theorbo, or Bass-Viol) | Johann Wolfgang Franck, composer | voice and continuo 3 voices 4 voices 12 voices |
Baroque | Songs, Catches | |||||
| Rendes le moi mon coeur (Rendez le moy) | Johannes Ghiselin, composer | 3 voices | Renaissance | Chansons | |||||
| Renoncier veul aux biens d'amours | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Requiem aeternam / æternam | Giovanni Battista Martini, composer | 3 voices | Baroque | Requiems | |||||
| Requiem aeternam | Giuseppe Ottavio Pitoni, composer | 1 | 3 voices | Baroque | Requiems | ||||
| Requiem in F major | Bonaventura Furlanetto, composer | F major | 1819 | 3 voices mixed chorus |
Classical | Requiems | |||
| Resolved to love | Martin Peerson, composer Henry Constable, librettist |
G major | 4 voices 4 viols voice and 3 viols 2 voices and 2 viols 3 voices and viol voice and 3 Unspecified instruments 2 voices and 2 Unspecified instruments 3 voices 4 Unspecified instruments |
Baroque | Airs | ||||
| Resvelons nous (Resvelons nous, resvelons, amoureux) | Guillaume Dufay, composer | 3 voices | Renaissance | Rondeaux | ![]() |
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| Revis en espoir | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Revival Hymns (Revival Hymns, principally selected by the Rev. R. H. Neale; set to some of the most popular and useful revival tunes: by H. W. Day Revival Hymns; principally selected by the Rev. R. H. Neale: set to some of the most familiar and useful revival tunes, many of which have never before been published; arranged and newly harmonized by H. W. Day, A. M. Editor of the Musical Visitor) |
Hartley W. Day, composer | voice 2 voices 3 voices 4 voices mixed chorus |
Romantic | Hymns, Spirituals | |||||
| Rex virtutis | Giovanni Pierluigi da Palestrina, composer | 3 voices | Renaissance | Motets | |||||
| Reyne muy noble | Anonymous, composer | 3 voices | Renaissance | Madrigals | |||||
| Ricercari a due e tre voci (Ricercari a due e tre voci. Utilissimi a chi desidera imparare presto a cantare e sonare.) | Cristoforo Piochi, composer | 2 voices 3 voices 2 Unspecified instruments 3 Unspecified instruments |
Renaissance | Ricercars | |||||
| Ricercari a due voci. | Stefano Corti, composer | Op.1 | 2 voices 3 voices 4 voices 2 Unspecified instruments |
Baroque | Ricercars, Canons | ||||
| Riens ne me plaist | Johannes Prioris, composer | 3 voices | Renaissance | Chansons | |||||
| Right blest are they | William Byrd, composer | T 246 | 3 voices | Renaissance | Songs | ||||
| Rimes françoises et italiennes (Rimes françoises et italiennes, mises en musique, à deux et à trois parties, avec une chanson à quatre) | Jan Pieterszoon Sweelinck, composer | RISM | 2 voices 3 voices 4 voices |
Renaissance | Chansons, Madrigals, Chansons | ||||
| Rippon's Selection of Psalm and Hymn Tunes ({{TPtr}} :A Selection of Psalm and Hymn Tunes, from the Best Authors, in three and four parts; adapted principally to Dr. Watts's Hymns and Psalms, and to Mr. Rippon's Selection of Hymns, containing (in a greater variety than any other volume extant) the most approved compositions which are used in London, and in the different congregations throughout England. Also, many Original Tunes never before printed; the whole forming a publication of above two hundred hymn tunes, besides other pieces. By John Rippon, A.M.) | Various, composer | 3 voices 3 voices and continuo 4 voices 4 voices and continuo 5 voices |
Classical | Hymns, Psalms, Anthems, Odes, Methods | |||||
| Robinet se veult marier / Se tu te marie / Helas pourquoy (Robinet se veult marier / Se tu ten marias / Helas pour quoy) | Anonymous, composer | 3 voices | Renaissance | Rondeaux | |||||
| Rolet ara / La tricotee / Maistre Piere | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Romerico, tu que vienes | Juan del Encina, composer | G minor | 3 voices | Renaissance | Villancicos | ||||
| Room for th' Express | Henry Purcell, composer | C major | Z.270 | 1694 | 3 voices | Baroque | Catches | ||
| Rosabelle (Glee for Three Voices) | John Wall Callcott, composer Walter Scott, librettist |
E flat major | 3 voices | Classical | Glees | ||||
| Rose plaisant (Rose playsant odorant comme grant / Ave Rex regum ditissime salva nos [contrafactum version]) | Firminus Caron, composer | 3 voices | Renaissance | Chansons, Motets | |||||
| Royne des flours (Royne des flours que ie desire tant / C'est vous) | Alexander Agricola, composer | 3 voices | Renaissance | Songs | |||||
| Royne du ciel | Loyset Compère, composer | 3 voices | Renaissance | Motets, Chansons | |||||
| S'aincy estoit | Solage, composer | 3 voices | Medieval | Ballads | |||||
| S'il advient que mon deul me tue | Michelet, composer | 3 voices | Renaissance | Chansons | |||||
| S'il convient que je preigne congie (Sil convient que ie preigne congie) | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| S'il est ainsi (S'il est ainsy) | Firminus Caron, composer | 3 voices | Renaissance | Chansons |
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