Composition search
- Compositions
- for 3 voices
| Title click for details |
Creators | Key | Opus | Composed | Instrumentation | Period/style | Type | Listen | Code |
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| Pour refraindre mon appetit | Anonymous, composer | 3 voices | Renaissance | Chansons |  |
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| Pour regard d'oeul somble (Pour regard doeil semble samblant amoureux) | Firminus Caron, composer | 3 voices | Renaissance | Chansons | |
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| Pour toutes fleurs | Johannes Pullois, composer | 3 voices | Renaissance | Chansons | |
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| Pour une suis desconforté (So ys emprentid / Suis soyez aprentis en amours / Sancta Maria succurre [contrafactum version]) | John Bedyngham, composer | 3 voices | Renaissance | Chansons | |
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| Pour vous ne fay que souspirer | Anonymous, composer | 3 voices | Renaissance | Chansons | |
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| Pour vous servir belle dame | Anonymous, composer | 3 voices | Renaissance | Chansons | |
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| Pour voz plaisirs et solas | Alexander Agricola, composer | 3 voices | Renaissance | Chansons | |
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| Pourquoy tant / Pour quelque paine (Pour ce quelpaine / Pourquoi tant / Pour quel paine / Velupern laet ons) | Alexander Agricola, composer | 3 voices | Renaissance | Chansons | |
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| Pourtant se mon voloir | Firminus Caron, composer | 3 voices | Renaissance | Chansons | |
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| Pourtant si je suis brunette | Pierre de Villiers, composer | 3 voices | Renaissance | Chansons | |
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| Pox on You for a Fop (Plague on You for a Fop) | Henry Purcell, composer | C major | Z.268 | 3 voices | Baroque | Catches | |
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| Practischer Cursus der Chevé’schen Elementar-Gesang-Methode (Practischer Cursus der Chevé’schen Elementar-Gesang-Methode. Zunächst für Elementar- und Kreisschulen, nebst einem kurzen Vorworte für Lehrer) | Carl Oettel, composer | voice 2 voices 3 voices |
Romantic | Methods, Lieder | |
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| Praktická cvičení ve zpěvu (Ku potřebám na školách středních i na vyšších ústavech dívčích) | Ferdinand Heller, composer | voice 2 voices 3 voices |
Romantic | Methods, Exercises, Solfeggios | |
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| Preces ecclesiasticæ | Eustache Du Caurroy, composer | 3 voices 4 voices 5 voices 6 voices 7 voices |
Renaissance | Motets | |
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| Premier livre des chansons a troix parties (Premier livre des chansons a troix parties auquel sont contenues trente et une nouvelles chansons, convenables tant à la voix comme aux instrumentz composees en Anuers par Thilman Susato.) | Tielman Susato, composer | 2 voices 3 voices |
Renaissance | Chansons | |
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| Prens ton con grosse garsse noyre | Jean Mouton, composer | 3 voices | Renaissance | Chansons | |
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| Presque transi ung peu moins qu’estre mort | Johannes Ockeghem, composer | 3 voices | Renaissance | Chansons | |
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| Princesse de toute beaulte | Alexander Agricola, composer | 3 voices | Renaissance | Chansons | |
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| Princhesse of Youth and Florer | Anonymous, composer | 3 voices | Renaissance | Songs | |
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| Private Music (Private Musicke. Or the First Booke of Ayres and Dialogues. Contayning Songs of 4. 5. and 6. parts, of severall sorts, and being ''Verse'' and ''Chorus'', is fit for Voyces and Viols. And for want of ''Viols'', they may be performed to ''either the'' Virginall ''or'' Lute, ''where the proficient'' can play upon the Ground, or for a shift to the Base Viol alone. ''All made and composed, according to the rules of Art'', by M. P. Batchelar of musicke.) | Martin Peerson, composer | RISM A/I: P 1135 | 1620 | 4 voices 4 viols voice and 3 viols 2 voices and 2 viols 3 voices and viol voice and 3 Unspecified instruments 2 voices and 2 Unspecified instruments 3 voices 4 Unspecified instruments |
Baroque | Airs | |
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| Prochain de deul, longain de joye | Anonymous, composer | 3 voices | Renaissance | Chansons | |
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| Psalm 19 | Eliza Ann Stute, composer | G major | keyboard 3 voices |
Classical | Psalms | |
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| Psalm 7 | Benjamin Cooke, composer | G major | 3 voices | Classical | Psalms | |
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| Psalmes, Songs, and Sonnets | William Byrd, composer | RISM A/I: B 5221 | 1611 | 3 voices 4 voices 5 voices 6 voices 3 viols 4 viols 5 viols 6 viols voice |
Renaissance | Psalms, Songs | |
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| Psalmodia Regia (Psalmodia Regia, das ist: Außerlesene Sprüche aus den ersten 25. Psalmen, des geistreichen königlichen Propheten Davids, Mit 2. 3. 4. und 5. Stimmen Beydes Vocaliter und auch Instrumentaliter zu gebrauchen, Componirt und gesetzt Von Samuele Michaele, Dresdensi, Organ. Lipsiæ ad D. Nicolai.) | Samuel Michael, composer | 2 voices 3 voices 4 voices 5 voices mixed chorus 2 Unspecified instruments 3 Unspecified instruments 4 Unspecified instruments 5 Unspecified instruments |
Renaissance | Psalms | |
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| Psalmody: or a Collection of Psalm Tunes in the Ancient and Modern Stiles, with Several Festival Hymns, All set in a very easy Manner (chiefly designed for the Use of Country Churches) for one, two, three, and four Voices, with Choruses. The whole so contrived as to be Sung with or without an Organ. To which are added, Canons for three, four, five, and six Voices, with a Thorough Bass. | John Alcock Sr., composer | voices and continuo mixed chorus and continuo 2 voices and continuo 3 voices and continuo 4 voices and continuo 5 voices and continuo 6 voices and continuo voice, mixed chorus and continuo mixed chorus 2 voices 3 voices 4 voices 5 voices 6 voices |
Baroque | Psalms, Hymns, Canons | |
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| Psalms (Psalms, selected from the version of the Revd. Jas. Merrick, A. M. The Music partly New, and partly Chosen, from the Works of the most Eminent Composers, By the Revd. W. D. Tattersall, A. M.) | William de Chair Tattersall, composer James Merrick, librettist |
3 voices soprano, alto, tenor and bass |
Classical | Psalms, Canons | |
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| Pseaumes en vers mezurez | Claude Le Jeune, composer Jean-Antoine de Baïf, librettist |
2 voices 3 voices soprano, alto, tenor and bass 5 voices 6 voices 7 voices 8 voices 2 mixed chorus |
Renaissance | Psalms | |
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| Pucellotte que Dieu vos guart (Pucellete) | Antoine Busnois, composer | 3 voices | Renaissance | Chansons | |
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| Puer natus est | Cristóbal de Morales, composer | 3 voices | Renaissance | Motets | |
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| Puer nobis nascitur | David Scheidemann, composer | F major | 3 voices | Renaissance | Hymns | |
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| Pues que Dios te fizo tal | Johannes Cornago, composer | 3 voices | Renaissance | Villancicos | |
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| Puis fortuna m'avis en tal parti | Anonymous, composer | 3 voices | Renaissance | Chansons | |
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| Puis qu'a vous servir me suis mis | Anonymous, composer | 3 voices | Renaissance | Chansons | |
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| Puis qu'en oubli | Guillaume de Machaut, composer | 3 voices | Medieval | Rondeaux | |
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| Puis qu'il vous plaist (Puisquil vous plest) | Anonymous, composer | 3 voices | Renaissance | Rondeaux | |
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| Puis que je voy (Puis que je voy belle que ne m'amés) | Arnold de Lantins, composer | 3 voices | Renaissance | Rondeaux | |
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| Puisqu'a vous servir me suis mis | Anonymous, composer | 3 voices | Renaissance | Chansons | |
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| Puisqu'Atropos a ravi Diopee | Anonymous, composer | 3 voices | Renaissance | Chansons | |
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| Puisqu'aultrement ne puis avoir | Jean Delahaye, composer | 3 voices | Renaissance | Chansons | |
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| Puisqu'il convient que le depart se face | Jean Delahaye, composer | 3 voices | Renaissance | Chansons | |
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| Puisque c'est force que icy je demeure | Anonymous, composer | 3 voices | Renaissance | Chansons | |
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| Puisque fortune (Puisque fortune / Respice unigete) | Johannes Pullois, composer | 3 voices | Renaissance | Chansons, Motets | |
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| Puisque je suis infortune | Horlay, composer | 3 voices | Renaissance | Rondeaux | |
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| Puisque je vis le regard gracieux | Anonymous, composer | 3 voices | Renaissance | Chansons | |
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| Puisque m'amour | John Dunstaple, composer | 3 voices | Renaissance | Chansons | |
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| Puisque si bien m'est advenu (Aime la plus bella [contrafactum version]) | Loyset Compère, composer | 3 voices | Renaissance | Chansons | |
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| Puisque vous estez camieur | Guillaume Dufay, composer | 3 voices | Renaissance | Chansons | |
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| Qaerite primum | Claudio Casciolini, composer | E flat major | 3 voices male chorus female chorus |
Baroque | Sacred choruses | |
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| Qu’ara d’amours belle qui le gant | Anonymous, composer | 3 voices | Renaissance | Chansons | |
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| Qu'en dictez vous suis je en danger | Pietrequin Bonnel, composer | 3 voices | Renaissance | Chansons | |
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