| Title click for details |
Creators | Key | Opus | Composed | Instrumentation | Period/style | Type | Listen | Code |
|---|---|---|---|---|---|---|---|---|---|
| Pale Faces, Stand By | Henry Purcell, composer | D minor | Z.267 | 1688 | 3 voices | Baroque | Catches | ||
| Pange lingua | Giulio Bentivoglio, composer | D minor | 3 voices male chorus female chorus |
Romantic | Hymns | ||||
| Pange Lingua | Carlo Carturan, composer | G major | 3 voices | Romantic | Hymns | ||||
| Pange lingua | Giovan Battista Grazioli, composer | G major | 3 voices | Classical | Hymns | ||||
| Pange lingua gloriosi, IA 2028 | Anonymous, composer | 3 voices | Renaissance | Hymns | |||||
| Pange lingua gloriosi | Anonymous, composer | 3 voices | Renaissance | Hymns | |||||
| Par desplaisir tout plain d'anoy | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Par Dieu, madame | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Par le grant senz | Philippus de Caserta, composer | 3 voices | Medieval | Ballads | |||||
| Par le regard de vos beaux yeux (Resone unice aeterni) | Guillaume Dufay, composer | 3 voices | Renaissance | Chansons | |||||
| Par malle bouche la cruelle | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Par un jour de matinée (Par ung jour de matinee) | Alexander Agricola, composer | 3 voices | Renaissance | Chansons | |||||
| Par ung tout seul escondire (Par un tout seul escondire) | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Par vous sermens tous plains | Johannes Prioris, composer | 3 voices | Renaissance | Chansons | |||||
| Paracheve ton entreprise | Robert Morton, composer | 3 voices | Renaissance | Chansons | |||||
| Paradisus Musicus | Melchior Franck, composer | 2 voices 3 voices 4 voices |
Baroque | Lieder | |||||
| Parce Domine | Menegali, composer | 3 voices | Classical | Motets | |||||
| Parle qui veult | Anonymous, composer | 3 voices | Renaissance | Rondeaux | |||||
| Parochial Harmony (Parochial Harmony. Consisting of a Collection of Psalm-Tunes. In three and four Parts, by some of the most eminent ancient & modern Composers and others. Particularly adapted to the variety of Metres in the New Version of Psalms, and intended to supply the great Deficiency of Tunes in that Version. To which are added, Reasons for publishing this Collection and Remarks on other Publications of this Nature. By William Riley, Principal Teacher of Psalmody to the Charity Schools in London, Westminster and Parts adjacent.) | William Riley, composer | 3 voices 4 voices mixed chorus 3 voices and continuo 4 voices and continuo mixed chorus and continuo |
Baroque | Psalms | |||||
| Passione Domine secundum Joannem | William Byrd, composer | 3 voices | Renaissance | Passions | |||||
| Pater meus agricola est | Alexander Agricola, composer | 3 voices | Renaissance | Motets | |||||
| Pater noster | Giuliano Tiburtino, composer | 3 voices | Renaissance | Motets | |||||
| Pater Noster (Pater Noster voor driegelijke stemmen) | Jacques Saldiën, composer | D minor | 1981 | 3 voices | Modern | Hymns, Sacred songs | ![]() |
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| The Peasant Songs of Great Russia (As they are in the folk's harmonization. Collected and Transcribed from Phonograms by Eugenie Lineff. Chants des paysans de la Grande Russie, recueillis et transcrits de phonogrammes par Eugenie Lineff.) |
Yevgeniya Lineva, composer | voice 2 voices 3 voices voices and piano |
Romantic | Folksongs | |||||
| Péchés de vieillesse (Sins of old age) | Gioacchino Rossini, composer | 1857 | soprano, alto, tenor, bass and piano tenor and piano soprano and piano baritone and piano soprano, alto and piano alto and piano mezzosoprano and piano 2 sopranos, 2 altos, 2 tenors and 2 basses 2 sopranos, 2 altos, 2 tenors, 2 baritones, bass, piano and harmonium tenor, baritone and piano soprano, tenor and piano male chorus and 3 percussions male chorus and percussion alto, tenor and piano soprano, alto, tenor, bass and organ 4 basses, piano and harmonium 4 tenors, 2 baritones and 2 basses 2 sopranos, 2 altos and piano 2 sopranos, alto, tenor and bass piano mixed chorus mixed chorus, bells and harmonium violin and piano cello and piano horn and piano piano 4 hands 3 voices 4 voices |
Romantic | Pieces, Quartets, Ariettas, Songs, Boleros, Elegies, Duets, Ave Maria, Canzonettas, Nocturnes, Ballads, Secular choruses, Romances, Tyroliennes, Communions, Variations, Saltarellos, Preludes, Waltzes, Impromptus, Barcarolles, Polkas, Mazurkas, Studies, Scherzos, Marches, Tarantellas, Hymns, Motets, Ritournelles, Canons | ![]() |
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| Pendicose (Pendicose) | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Pensant au bien (Pensant au bien que madame ma fait) | Loyset Compère, composer | 3 voices | Renaissance | Chansons | |||||
| Penser en vous (Penser en vous ne mest point ennuyeulx) | Hayne van Ghizeghem, composer | 3 voices | Renaissance | Chansons | |||||
| Penses bien | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Pensez y se le povez faire (Pensés y celle) | Gilles Mureau, composer | 3 voices | Renaissance | Chansons | |||||
| Per faire tousjours (O di prudenza fonte [contrafactum version]) | Johannes Martini, composer | 3 voices | Renaissance | Chansons | |||||
| Per isparverare tolsi el mio sparvero | Jacopo da Bologna, composer | 1370 | 3 voices | Medieval | Songs | ||||
| Per la absencia | Anonymous, composer | 3 voices | Renaissance | Madrigals | |||||
| Per la goula | Anonymous, composer | 3 voices | Renaissance | Madrigals | |||||
| Per larghi prati | Giovanni da Cascia, composer | 3 voices soprano and 2 tenors |
Medieval | Catches | |||||
| Per qual cagion | Giovanni Maria Nanino, composer | 3 voices | Renaissance | Canzonettas | |||||
| Per te rosa gentile | Jan Pieterszoon Sweelinck, composer | 3 voices | Renaissance | Madrigals | |||||
| Per voler d'Amore | Anonymous, composer | 3 voices | Renaissance | Villanelle | |||||
| Per zenteleze | Anonymous, composer | 3 voices | Renaissance | Madrigals | |||||
| Petite Camusette | Antoine de Févin, composer | 3 voices | Renaissance | Chansons | |||||
| Phebus astris cum omnibus | Anthonius Picardus, composer | 3 voices | Renaissance | Motets | |||||
| Philadelphia Harmony (Philadelphia Harmony, or, A Collection of Psalm Tunes, Hymns, and Anthems, Selected by A. Adgate: together with The Rudiments of Music, on a New and Improved Plan by A. Adgate P.U.A. Philadelphia Harmony, or, A Collection of Psalm Tunes, Hymns, and Anthems, Selected by Adgate and Spicer, together with The Rudiments of Music, on a New and Improved Plan by A. Adgate P.U.A. Rudiments of Music. By Andrew Adgate, P.U.A.) |
Andrew Adgate, composer | 2 voices 3 voices 4 voices mixed chorus |
Classical | Psalms, Hymns, Anthems, Music theory | |||||
| Piae cantiones (Piæ cantiones ecclesiasticæ et scholasticæ vetervm episcoporum, in inclyto regno Sueciæ paszim vsurpatæ, nuper studio viri cuiusdam reuerendisz. de ecclesia Dei & schola Aboënsi in Finlandia optimè meriti accuratè à mendis correctæ, & nunc typis commissæ, opera Theodorici Petri Nylandensis. His adiecti sunt aliquot ex psalmis recentioribus) | Didrik Petri, composer | voice 2 voices 3 voices 4 voices |
Renaissance | Sacred songs, Carols | |||||
| Piagneran gli occhi mey | Arnolfo Giliardi, composer | 3 voices | Renaissance | Madrigals | |||||
| Piansi ben mio | Giovanni Maria Nanino, composer | 3 voices | Renaissance | Madrigals | |||||
| Pieces for 60 danske Kanoner (Bidrag til "60 danske Kanoner") | Carl Nielsen, composer | CNW Coll.26 | 1930 | 2 voices 3 voices |
Early 20th century | Canons | |||
| Pieśni światowe | Józef Sierosławski, composer | 2 voices 3 voices 4 voices |
Romantic | Songs | |||||
| Pieśni wielkopostne, ISB 10 | Stanisław Bursa, composer | 3 voices 2 sopranos and alto |
Early 20th century | Sacred songs | |||||
| Piśni, dumki i szumki Ruśkoho naroda (Piśni, dumki i szumki Ruśkoho naroda na Podoli, Ukraini i w Małorossyi) | Antoni Kocipiński, composer | voice 2 voices 3 voices |
Romantic | Folksongs | |||||
| Piteux adieu | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Pius qu'elle est morte (Puis quelle est morte a mourir vueil entendre) | Anonymous, composer | 3 voices | Renaissance | Chansons |
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