| Title click for details |
Creators | Key | Opus | Composed | Instrumentation | Period/style | Type | Listen | Code |
|---|---|---|---|---|---|---|---|---|---|
| O vos omnes | Fortunato Santini, composer | 3 voices | Renaissance | Motets | |||||
| O vos omnes (All Ye Who Pass By) | Anthony St. Pierre, composer | 2011 | female chorus male chorus 3 voices |
Modern | Sacred choruses | ||||
| O vos omnes qui transitis / O devots cueurs (Tant ay dennuy et tant de desconfort [contrafactum version]) | Loyset Compère, composer | 3 voices | Renaissance | Motets, Chansons | |||||
| O What Shall I Do | John Wilbye, composer | D major | 3 voices | Renaissance | Madrigals | ||||
| Ob sie gleich fehrt dahin | Jacob Regnart, composer | 3 voices | Renaissance | Lieder | |||||
| Oblier veult douleur et tristesse (Carmen in sol) | Alexander Agricola, composer | 3 voices | Renaissance | Chansons | |||||
| Observations upon a Late Book | Thomas Salmon, composer | 3 voices 6 voices |
Baroque | Music history, Music criticism, Canons | |||||
| Occhi dell'alma mia vivaci | Anonymous, composer | 3 voices | Renaissance | Villanelle | |||||
| Occhi dolci e suavi | Luca Marenzio, composer | 3 voices | Renaissance | Villanelle | |||||
| Occhi ladri | Giovanni Maria Nanino, composer | 3 voices | Renaissance | Madrigals | |||||
| Occhi leggiadri e belli | Pietro Vinci, composer | 3 voices | Renaissance | Madrigals | |||||
| Occhi se per pieta | Anonymous, composer | 3 voices | Renaissance | Villanelle | |||||
| Octonaires de la vanité du monde (Premier livre des octonaires de la vanité du monde, mis en musique à trois, quatre, cinq et six parties, par Paschal de l'Estocart.) | Paschal de L'Estocart, composer Antoine de Chandieu, librettist |
3 voices 4 voices 5 voices 6 voices |
Renaissance | Chansons, Sacred songs | |||||
| Octonaires de la vanité du monde (Second livre des octonaires de la vanité du monde, mis en musique à trois, quatre, cinq et six parties, par Paschal de l'Estocart.) | Paschal de L'Estocart, composer | 3 voices 4 voices 5 voices 6 voices |
Renaissance | Chansons, Sacred songs | |||||
| Octonaires de la vanité et inconstance du monde (Octonaires de la vanité et inconstance du monde. Mis en musique à 3. & à 4 parties) | Claude Le Jeune, composer | 3 voices 4 voices |
Renaissance | Sacred songs | |||||
| Odaria suavissima (Odaria suavissima ex mellifluo D. Bernardi jubilo delibata modisque musicis trivocalibus concinnata) | Andreas Hakenberger, composer | 3 voices | Baroque | Motets | |||||
| Ode en laquelle Jesus Christ (Ode, en laquelle Jesus Christ, vray Dieu et vray homme, ramentoit à tous Chrestiens les biens qu’ils obtiennent par luy. Distinguee en douze parties ou sections.) | Paschal de L'Estocart, composer | 3 voices 4 voices 5 voices 6 voices |
Renaissance | Chansons, Psalms | |||||
| Oeuvres vocales de la Renaissance par différents auteurs | Daniel Van Gilst, composer | 2 voices 3 voices 4 voices 6 voices |
Renaissance | Chansons | |||||
| Œuvres vocales et instrumentales, LD 025 | Guillaume Dufay, composer | 3 voices | Renaissance | Rondeaux | ![]() |
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| Of All the Instruments that Are | Henry Purcell, composer | C major | Z.263 | 1693 | 3 voices | Baroque | Catches | ||
| Of Flatt'ring Speech | William Byrd, composer George Whitney, librettist |
T 282 | 1611 | 3 voices | Renaissance | Songs | |||
| Ogelletto siluagio per stagione | Jacopo da Bologna, composer | 1350 | 3 voices | Medieval | Madrigals, Catches | ||||
| Oh tarry, tarry, gentle traveller (Oh! tarry, tarry, gentle traveller Glee for three voices) |
John Wall Callcott, composer | G major | 3 voices 2 sopranos and bass |
Classical | Glees | ||||
| The Gipsies; The Gypsies (Oh, who has seen the Miller's Wife? Glee for 3 Voices) | William Reeve, composer | C major | 3 voices | Classical | Glees | ||||
| Ohn dich muß ich mich aller freuden | Jacob Regnart, composer | 3 voices | Renaissance | Lieder | |||||
| Oime dov'è'l mio core? | Philippe de Monte, composer | 3 voices | Renaissance | Madrigals | |||||
| Father Kemp's Old Folks Concert Tunes (''Title-page transcription'' ) | Robert Kemp, composer | 3 voices 4 voices mixed chorus voice and piano |
Classical | Psalms, Hymns, Anthems, Songs | |||||
| Omnes qui transitis pervias (fuga trium vocum ex una, in unisono) | Anonymous, composer | 3 voices | Renaissance | Fugues | |||||
| On en dira ce qu'on voudra | Claudin de Sermisy, composer | 3 voices | Renaissance | Chansons | |||||
| Once in Our Lives | Henry Purcell, composer | C minor | Z.264 | 1686 | 3 voices | Baroque | Catches | ||
| Once, Twice, Thrice, I Julia Tried | Henry Purcell, composer | G minor | Z.265 | 3 voices | Baroque | Catches | |||
| One Industrious Insect | Henry Purcell, composer | A minor | Z.266 | 3 voices | Baroque | Catches | |||
| Op eenen tijd in minen zijn | Anonymous, composer | 3 voices | Renaissance | Songs | |||||
| Open the dore | Martin Peerson, composer | G major | 1620 | 4 voices 4 viols voice and 3 viols 2 voices and 2 viols 3 voices and viol voice and 3 Unspecified instruments 2 voices and 2 Unspecified instruments 3 voices 4 Unspecified instruments |
Baroque | Airs | |||
| Or me veult bien esperance mentir | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Or suis je bien au pire | Adrian Willaert, composer | 3 voices | Renaissance | Chansons | |||||
| Oratio Jeremiae prohetae | Anonymous, composer | 3 voices | Renaissance | Lamentations | |||||
| Orfeo, cantando | Giovanni Maria Nanino, composer | 3 voices | Renaissance | Madrigals | |||||
| Organo de cantori | Giovanni Battista Rossi, composer | 2 voices 3 voices 4 voices 5 voices continuo and 4 Unspecified instruments continuo and 5 Unspecified instruments |
Baroque | Music theory, Sacred songs, Cantilenas, Canzonas | |||||
| Organum Triplum | Pérotin, composer | 3 voices 3 Unspecified instruments |
Medieval | Motets | |||||
| Orpheo contand'a se | Anonymous, composer | 3 voices | Renaissance | Villanelle | |||||
| Ou beau chastel est prisonnier mon cueur | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Ou dois-je secours querir (Ou doy je secours querir) | Johannes Vincenet, composer | 3 voices | Renaissance | Chansons | |||||
| Oublie, oublie, oublie, oublie | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Our hasty life away doth post | Thomas Tomkins, composer | Songs of 3, 4, 5 & 6 parts | 3 voices | Renaissance | Songs | ||||
| Our School-Day Singer (Our School-Day Singer: a collection of new tunes and songs for the Day School. by Aldine S. Kieffer, author of "Glad Hosannas," "Morning Star Songster," "Song-Crowned King," "Golden City Songster," "Evening Star Songster," etc., etc.) | Aldine Silliman Kieffer, composer | voices 3 voices 4 voices |
Romantic | Hymns, Sacred songs, Chants | |||||
| Out of the deep a 3 | Thomas Tomkins, composer | Musica Deo Sacra & Ecclesiæ Anglicanæ | 3 voices | Renaissance | Anthems | ||||
| Ove lontan da la mia fida luce | Philippe de Monte, composer | 3 voices | Renaissance | Madrigals | |||||
| Ove ne vai Pastore | Anonymous, composer | 3 voices | Renaissance | Villanelle | |||||
| Pace non trovo | Anonymous, composer | 3 voices | Renaissance | Madrigals | |||||
| Pale Faces, Stand By | Henry Purcell, composer | D minor | Z.267 | 1688 | 3 voices | Baroque | Catches |
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