Composition search
- Compositions
- for 3 voices
| Title click for details |
Creators | Key | Opus | Composed | Instrumentation | Period/style | Type | Listen | Code |
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| Musica Sacra (Musica Sacra, being a Choice Collection of Psalm and Hymn Tunes, and Chants, In Three Parts, with a Figured Bass, As they are used in the Right Hon. the Countess of Huntingdon’s Chapels, in Bath, Bristol, &c. *** Many of the Tunes were never before printed.) | Various, composer | 3 voices mixed chorus and organ |
Classical | Psalms, Hymns, Chants, Anthems |  |
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| Musical Illustrations of Bishop Percy's Reliques of Ancient English Poetry (Musical Illustrations of Bishop Percy's Reliques of Ancient English Poetry. A Collection of Old Ballad Tunes, etc. chiefly from rare MSS. and early printed books. Deciphered from the obsolete notation, and harmonized and arranged according to moder usage. Ancient Melodies, to Percy's Reliques.) | Edward Francis Rimbault, composer | 3 voices | Classical | Folksongs, Ballads, Songs | |
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| Musical Monitor, or New-York Collection of Church Musick (Musical Monitor, or New-York Collection of Devotional Church Music. Compiled for the promotion and improvement of devotional church music. By Ephraim Reed. Musical Monitor, or New-York Collection of Church Musick: to which is prefixed, the Elementary Class-Book, being an Introduction to the Science of Musick, arranged and systematized by William J. Edson. Together with a Choice Collection of Psalm and Hymn Tunes, Set-Pieces, and Anthems, [harmonized for two, three, and four voices, and] adapted to Publick Worship. By Ephraim Reed.) |
Various, composer | 2 voices 3 voices 4 voices mixed chorus voices and organ voices and piano |
Classical | Hymns, Psalms, Anthems | |
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| The Musical Repository (Musical Repository, being a collection of popular music, principally original, and adapted to the use of Sabbath-Schools, and other juvenile institutions.) | Samuel Ashmead, composer | 3 voices 4 voices mixed chorus |
Romantic | Hymns, Sacred songs | |
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| Musicalische Kürbs-Hütte : welche uns erinnert Menschlicher Hinfälligkeit, geschrieben und in 3. Stimmen () | Heinrich Albert, composer | 3 voices 3 voices and continuo |
Baroque | Songs | |
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| Musikalisches Schulgesangbuch | Ernst Anschütz, composer | voice 2 voices 3 voices 4 voices |
Traditional (folk) | Folksongs, Chorales, Canons | |
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| Musikaliskt Tidsfördrif | Various, composer | keyboard voice and keyboard voice and piano 2 voices and keyboard violin and cello zither violin and keyboard violin and piano voice, mixed chorus and keyboard mixed chorus and keyboard harp harp and violin organ mixed chorus male chorus 3 voices piano 4 hands |
Classical | Dances, Songs | |
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| Musique (Musique de Guillaume Costeley, organiste et vallet de chambre, du Roy) | Guillaume Costeley, composer | 3 voices 4 voices 5 voices 6 voices mixed chorus |
Renaissance | Chansons | |
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| My Flocks Feed Not | Thomas Weelkes, composer | 3 voices | Renaissance | Madrigals | |
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| My God my God O tell me | Benjamin Cooke, composer James Merrick, librettist |
D major | 3 voices | Classical | Psalms | |
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| My Lady's Coachman, John (Thee Pensioner) | Henry Purcell, composer | C major | Z.260 | 1688 | 3 voices | Baroque | Catches | |
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| My Little Song Book (My Little Song Book; designed for the use of Sabbath and Juvenile Singing Schools. By Asa Fitz) | Asa Fitz, composer | 2 voices 3 voices voices and piano |
Classical | Sacred songs, Hymns | |
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| My my | Heinrich Isaac, composer | 3 voices | Renaissance | Pieces | |
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| My saviour deigns to save | Benjamin Cooke, composer James Merrick, librettist |
A major | 3 voices | Classical | Psalms | |
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| Myn hert lyt smert je langher so meer | Anonymous, composer | 3 voices | Renaissance | Songs | |
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| N'as tu point? | Jacob Vredeman, composer | 3 voices | Renaissance | Chansons | |
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| N'est ce pas bien pour departir | Anonymous, composer | 3 voices | Renaissance | Chansons | |
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| N'est-il secours | Anonymous, composer | 3 voices | Renaissance | Chansons | |
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| Nʹaray je jamais mieulx que jʹay | Robert Morton, composer | 3 voices | Renaissance | Chansons | |
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| Nach frauen gunst streb nit so sehr! | Jacob Regnart, composer | 3 voices | Renaissance | Lieder | |
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| Nach meiner lieb vil hundert knaben trachten | Jacob Regnart, composer | 3 voices | Renaissance | Lieder | |
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| Nam edunt de micis / Biblis | Anonymous, composer | 3 voices | Renaissance | Motets | |
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| Ne doibt on prendre | Loyset Compère, composer | F major | 3 voices | Renaissance | Chansons | |
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| Ne doy je bien celui amer | Anonymous, composer | 3 voices | Renaissance | Chansons | |
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| Ne je ne dors ne je ne veille | Guillaume Dufay, composer | 3 voices | Renaissance | Chansons | |
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| Ne laeteris inimica mea | Damião de Góis, composer | 3 voices | Renaissance | Motets | |
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| Ne me veilles ma chere dame | Anonymous, composer | 3 voices | Renaissance | Chansons | |
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| Ne pour cela | Anonymous, composer | 3 voices | Renaissance | Chansons | |
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| Ne pur si duro esilio & lontanza | Philippe de Monte, composer | 3 voices | Renaissance | Madrigals | |
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| Ne vous hastem pas (Adieu ma dame) | Loyset Compère, composer | 3 voices | Renaissance | Chansons | |
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| Ne vous plaindes de mes yeulx | Anonymous, composer | 3 voices | Renaissance | Rondeaux | |
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| Nec mihi nec tibi (Nec mihi nec tibi sit, sed dividatur) | Jacob Obrecht, composer | 3 voices | Renaissance | Motets | |
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| Nel cuor si destruge | Anonymous, composer | 3 voices | Renaissance | Madrigals | |
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| Nell' Apparir del Sempiterno Sole (Nel'apparir del sempiterno Sole) | Francisco Soto de Langa, composer | 3 voices | Renaissance | Sacred songs | |
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| Nella casa troverete | Samuel Wesley, composer | F major | 3 voices | Classical | Glees | |
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| Nelson of the Nile (Catch for Three Voices) | John Wall Callcott, composer | B flat major | 3 voices | Classical | Catches | |
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| Dodekatonon Musicum Tricionorum novis ({{TPtr}} :ΔΩδεκατονον MuSiCuM TricionoruM novis iisdemquE lepidissimis exemplis ILLuSTRATuM. Neue auserlesene Tricinia, auf Treflich lustige Texte gesetzet, aus etlichen guten, doch bisher nicht publicirten Autoribus zusammen gelesen und jetz erstmals den Liebhabern der Music zu gefallen en den Druck verfertiget, von Henningo Dedekindo) | Henning Dedekind, composer | 3 voices | Renaissance | Trios, Lieder, Sacred songs | |
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| Neue kurtzweilige Teutsche Liedlein mit 3 Stimmen (Neue kurtzweilige Teutsche Liedlein mit dreyen stimmen, nach art der Welschen Villanellen componirt) | Franz Joachim Brechtel, composer | 3 voices 4 voices |
Renaissance | Lieder | |
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| New Brunswick Church Harmony (New Brunswick Church Harmony. A Collection from approved English and American Authors, by Zebulon Estey) | Various, composer | 3 voices 4 voices |
Classical | Psalms, Hymns, Anthems | |
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| New England Harmony. Containing, a variety of Psalm Tunes, in Three and Four Parts, adapted to all Metres: also, a number of Set Pieces, of several verses each, together with a number of Anthems. | Timothy Swan, composer | 3 voices 4 voices mixed chorus |
Classical | Psalms, Anthems, Hymns | |
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| New Sabbath School Bell No. 2 (New Sabbath School Bell No.2. ) | Horace Waters, composer | 2 voices 3 voices 4 voices mixed chorus voices and keyboard |
Romantic | Hymns, Sacred songs | |
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| Newe Deudsche Lieder, Theil 1 (Gregorii Langii Havelbergensis Newer Deudscher Lieder, mit dreyen Stimmen, welche nicht allein lieblich zu singen, sondern auch auff allerley Instrumenten zu gebrauchen) | Gregor Lange, composer | 3 voices 3 Unspecified instruments |
Renaissance | Lieder | |
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| Newe Deudsche Lieder (Der Ander Theil, Newer Deudsher Lieder, mit dreyen Stimmen, welche nicht allein lieblich zu singen, sondern auch auff allerley Jnstrumenten zu gebrauchen) | Gregor Lange, composer | 3 voices 3 Unspecified instruments |
Renaissance | Lieder | |
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| Newe kurtzweilige Teutsche Liedtlein (Newe kurtzweilige Teutsche Liedtlein, zu dreyen Stimmen, Welche gantz Lieblich zu singen, und auff Instrumenten Zugebrauchen, auff ein sondere arth und Manier gesetzt) | Otto Siegfried Harnisch, composer | 3 voices | Renaissance | Lieder, Sacred songs | |
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| Newe Teutsche Geistliche Lieder (Der [Erste] [Ander] Theil Newe Teutscher Geistlicher Lieder ... mit 3. Stimmen zu singen und auff allerley Instrumenten zu gebrauchen) | Johannes Wendius, composer | 3 voices 2 sopranos and bass |
Renaissance | Sacred songs, Lieder | |
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| Newe teutsche Lieder (Newe teutsche Lieder … welche gantz lieblich zu singen, auch auff allerley Instrumenten zu gebrauchen) | Anton Gosswin, composer | 3 voices 3 Unspecified instruments |
Renaissance | Lieder, Sacred songs | |
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| Newe Teutsche Lieder (Newe Teutsche Lieder mit dreyen stimmen, woelche lieblich zu singen, und auff allerley Instrumenten zugebrauchen) | Ivo de Vento, composer | 3 voices 3 Unspecified instruments |
Renaissance | Lieder, Sacred songs | |
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| Newe Teutsche Lieder zu drey Stimmen nach art der Welschen Villanellen (Newe Teutsche Lieder zu drey Stimmen nach art der Welschen Villanellen, gantz kurtzweilig zu singen, auch auff allerley Seytenspil zu gebrauchen) | Leonhard Lechner, composer | RISM A/I: L 1288 | 3 voices 4 voices |
Renaissance | Lieder, Villanelle | |
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| Nicht loss mich leib (Nicht loss mich orth entgelden / Nicht lasz mich hart entgelten / Niet laes mich leib) | Anonymous, composer | 3 voices | Renaissance | Songs | |
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| No more I will thy love importune | Thomas Tomkins, composer | Songs of 3, 4, 5 & 6 parts | 3 voices | Renaissance | Songs | |
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| Noch lass ich mich nit krencken des Dichters | Jacob Regnart, composer | 3 voices | Renaissance | Lieder | |
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