Composition search
- Compositions
- for 3 voices
| Title click for details |
Creators | Key | Opus | Composed | Instrumentation | Period/style | Type | Listen | Code |
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| Le sovenir | Arnolfo Giliardi, composer | 3 voices | Renaissance | Chansons |  |
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| Le tres des plus eureux de ce monde | Anonymous, composer | 3 voices | Renaissance | Chansons | |
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| Le vaghe chiome d'oro | Luca Marenzio, composer | 3 voices | Renaissance | Canzonettas | |
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| Leichter Unterricht in der Vokal Musik, enthaltend, die vornehmen Kirch-Melodien, die bey allen Religions-Verfassungen gebraeuchlich sind, auf drey Stimmen gesetzt: und mit den vornehmsten Musikalischen Stuecken, von verschiedenen Dichtern und Componisten, sammt hinreichendem Unterricht versehen, eingerichtet fuer Singschulen. Herausgegeben von Joseph Doll. | Various, composer | 2 voices 3 voices |
Classical | Psalms, Hymns, Chorales | |
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| Lembien d'amours | Anonymous, composer | 3 voices | Renaissance | Chansons | |
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| Lent et scolorito (Eíení et scolorito) | Robert Morton, composer | 3 voices | Renaissance | Madrigals | |
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| Les amours | Anonymous, composer | 3 voices | Renaissance | Chansons | |
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| Les desleaulx sont en leur saison mis | Anonymous, composer | 3 voices | Renaissance | Chansons | |
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| Les desleaux ont la saison | Johannes Ockeghem, composer | 3 voices | Renaissance | Chansons | |
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| Les desloyalles ont le temps | Anonymous, composer | 3 voices | Renaissance | Chansons | |
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| Les grans regretz (Les grands regrets que sans cesses je porte) | Alexander Agricola, composer | 3 voices | Renaissance | Chansons | |
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| Les larmes | Johannes Pullois, composer | 3 voices | Renaissance | Chansons | |
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| Les pauvres du bon Dieu | Charles Gounod, composer | E flat major | 3 voices | Romantic | Songs | |
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| Les Petits concerts de Paris (1er recueil d'airs à une, deux et trois voix) | Antoine Bailleux, composer | 2 voices and continuo voice, violin and continuo voice, 2 violins and continuo voice, flute and continuo 3 voices 3 voices, 2 violins and continuo |
Classical | |
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| Les Psaumes de David tout en musique (Les Psaumes de David tout en musique suivis des cantiques sacres. La musique en est rhythmee et disposee a trois parties (voix egales ou inegales)) | Guillaume Louis Bocquillon Wilhem, composer | 3 voices mixed chorus and organ mixed chorus and piano |
Classical | Psalms, Canticles | |
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| Les treves d'amours (Les treves d'amours et de moi) | Anonymous, composer | 3 voices | Renaissance | Chansons | |
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| Les Trois Pauvres Garçons (Trio de Monsieur Deon) | Deon, composer | D minor | 3 voices | Baroque | Trios | |
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| Lessons on the Practice of Singing (Lessons on the Practice of Singing, with an Addition of the Church Tunes, in four Parts, and a Collection of Hymns; Canons, Airs and Catches, for the Improvement of Beginners. By Cornforth Gilson, Teacher of Music in Edinburgh.) | Cornforth Gilson, composer | voice 2 voices 3 voices 4 voices 5 voices mixed chorus mixed chorus and continuo voices and continuo |
Classical | Methods, Psalms, Hymns, Canons, Catches, Airs | |
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| Let not the sinner's wealth or might | Balcher of Fulham, composer James Merrick, librettist |
D major | 3 voices | Classical | Psalms | |
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| Let the Grave Folks Go Preach (The Jovial Drinker) | Henry Purcell, composer | G major | Z.258 | 1685 | 3 voices | Baroque | Catches | |
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| Let Us Drink to the Blades | Henry Purcell, composer | C major | Z.259 | 1691 | 3 voices | Baroque | Catches | |
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| Let us the fleeting hours enjoy (Let us the fleeting hours enjoy. Glee for 3 voices) | John Stevenson, composer | G major | 3 voices | Classical | Glees | |
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| Li enseignement - De touz les biens (De touz les biens / Li enseignement / Ecce tu pulchra es amica mea) | Guillaume de Machaut, composer | M24 | 3 voices | Medieval | Motets | |
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| Liber mottetarum, trium vocum | Orlande de Lassus, composer | 3 voices | Renaissance | Motets | |
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| Liber primus sacrarum symphoniarum (Liber primus s[acrarum] symphoniarum vocibus VIII. VII. VI. V. IV. III. II. I. meditatus à Rdo. D. Bernardo Klingenstein) | Bernhard Klingenstein, composer | voice 2 voices 3 voices 4 voices 5 voices 6 voices 7 voices 8 voices |
Renaissance | Sacred songs, Motets | |
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| Licht choral | Fulvio Caldini, composer Rudolf Steiner, librettist |
Op.87b | 2004 | 3 voices | Modern | Chorales | |
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| Lieb und unfall habn unterwunden sich | Jacob Regnart, composer | 3 voices | Renaissance | Lieder | |
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| Lieb und vernunfft die hand bey mir ein Streit | Jacob Regnart, composer | 3 voices | Renaissance | Lieder | |
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| Liebe säuseln die Blätter (The Leaves Rustle Love) | Franz Schubert, composer Ludwig Christoph Heinrich Hölty, librettist |
G major | D.988 | 3 voices | Romantic | Canons | |
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| Liederstrauß für die Jugend: Zwei- und dreistimmige Gesänge | Heinrich Cornelius Sutermeister, composer | 1840 | 2 voices 3 voices |
Romantic | Lieder | |
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| Lieti felici spirti | Vincenzo Ruffo, composer | 3 voices | Renaissance | Madrigals | |
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| Lieto et contento | Heinrich Isaac, composer | 3 voices | Renaissance | Songs | |
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| Lieto non hebbi (Madrigal) | Costanzo Festa, composer | 3 voices | Renaissance | Madrigals | |
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| Life's a Bumper | Richard Wainwright, composer | E major | 3 voices | Classical | Glees | |
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| Lisa dea damisella | Anonymous, composer | 3 voices | Renaissance | Madrigals | |
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| Little Boy Blue (A favorite Glee, for three Voices) | Harriett Abrams, composer | C major | 3 voices | Classical | Glees | |
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| Liturgische Sätze (Liturgische Sätze über altevangelische Kyrie- und Gloriaweisen) | Hugo Distler, composer | Various and variably | Op.13 | 2 voices 3 voices 4 voices 5 voices 6 voices 7 voices 8 voices |
Early 20th century | Kyrie, Gloria | |
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| Livre de chansons nouvellement compose a troys parties | Jean de Castro, composer | 3 voices | Renaissance | Chansons | |
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| Livre vermeil de Montserrat (Red Book of Montserrat) | Various, composer | E-MO MS 1 | 2 voices 3 voices 4 voices |
Medieval | Sacred songs, Canons, Dances, Motets | |
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| Lo giorno mi consumo suspirando | Anonymous, composer | 3 voices | Renaissance | Madrigals | |
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| lLo sdegnato | Giovanni Giacomo Gastoldi, composer | G minor | 1594 | 3 voices 3 voices and lute lute |
Renaissance | Balletti | |
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| Lo spensierato | Giovanni Giacomo Gastoldi, composer | B flat major | 1594 | 3 voices 3 voices and lute lute |
Renaissance | Balletti | |
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| Lock up fair lids (Locke up faire lids) | Martin Peerson, composer Philip Sidney, librettist |
G minor | 4 voices 4 viols voice and 3 viols 2 voices and 2 viols 3 voices and viol voice and 3 Unspecified instruments 2 voices and 2 Unspecified instruments 3 voices 4 Unspecified instruments |
Baroque | Airs | |
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| Loing de vo tres doulce présence | Anonymous, composer | 3 voices | Renaissance | Chansons | |
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| London Cries, A Bloody Murder, A Dying Speech, The King's Speech (A Set of London Cries for three Voices, consisting of A Bloody Murder, A Dying Speech, The King's Speech &c. by A Gentleman) | Samuel Pegge Jr., composer | 1765 | 3 voices | Classical | Glees, Songs | |
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| Long have I been Perplexed (A Song of Pages) | Thomas Ravenscroft, composer | 3 voices | Renaissance | Songs, Madrigals | |
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| Lord Hear My Prayer | William Byrd, composer | T 249 | 3 voices | Renaissance | Songs | |
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| Lord in Thy Wrath Correct Me Not | William Byrd, composer | T 247 | 3 voices | Renaissance | Sacred songs | |
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| Lordly Gallants (Lordly Gallants. Glee for 3 voices) | John Wall Callcott, composer George Wither, librettist |
G major | 3 voices 3 voices and piano |
Classical | Glees | |
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| Lorraine Chansonnier (Chansonnier des ducs de Lorraine / Manuscript, F-Pnm Français 1597) | Various, composer | 3 voices 4 voices |
Renaissance | Chansons, Motets, Ballatas, Madrigals | |
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| Louisiana (Come, little children, now we may partake a little morsel) | William Walker, composer | B flat major | 3 voices mixed chorus |
Modern | Hymns | |
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