| Title click for details |
Creators | Key | Opus | Composed | Instrumentation | Period/style | Type | Listen | Code |
|---|---|---|---|---|---|---|---|---|---|
| Jesu corona virginum | Johannes de Quadris, composer | 3 voices | Renaissance | Motets | |||||
| Jesu decus angelicum (Iesu decus angelicum) | Felice Anerio, composer | 3 voices | Renaissance | Canzonettas, Sacred songs | |||||
| Jesu dulcis memoria | Anonymous, composer | 1718 | 3 voices | Baroque | Hymns | ||||
| Jesu nostra redemptio | Anonymous, composer | 3 voices | Renaissance | Motets | |||||
| Jesu rex mirabilis | Vittorio Franz, composer | E flat major | female chorus male chorus 3 voices |
Romantic | Sacred songs | ||||
| Jesu sole serenior | Ruggiero Giovannelli, composer | 3 voices female chorus male chorus |
Renaissance | Motets, Sacred choruses | |||||
| Jesu summa benignitas | Ruggiero Giovannelli, composer | 3 voices | Renaissance | Motets | |||||
| Jesu, Salvator Mundi | Menegali, composer | E minor | 3 voices | Baroque | Motets | ||||
| Jetz ists genug, ich werd nu klug | Jacob Regnart, composer | 3 voices | Renaissance | Lieder | |||||
| Jodler und Juchezer | Josef Pommer, composer | voice 2 voices 3 voices 4 voices |
Romantic | Folksongs, Canons | |||||
| Round: John ran so long | John Wall Callcott, composer | G major | 3 voices | Classical | Rounds | ||||
| Joli amours (Je loe amours) | Johannes Ghiselin, composer | 3 voices | Renaissance | Chansons | |||||
| Jolly Bacchus, hear my prayer (Glee; Jolly Bacchus, jolly Bacchus, hear my pray'r) | Francis Hutcheson, composer | C major | 3 voices | Classical | Glees | ||||
| Jone dame plaisante et belle (Bone dame plaisante et belle) | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Journaux d'airs serieux, d'airs Bachiques, et de chansonettes (Journaux &c d'airs serieux, d'airs Bachiques, et de chansonettes a deux, et a trois parties. Avec des seconds coupletz en diminution, le tout grave au burin) | Bertrand de Bacilly, composer | voice and continuo 2 voices 3 voices voices and continuo |
Baroque | Airs, Chansons | |||||
| Joye me fuit | Antoine Busnois, composer | 3 voices | Renaissance | Rondeaux | |||||
| Jungfrau, eur Scharpffe augen | Jacob Regnart, composer | 3 voices | Renaissance | Lieder | |||||
| Jungfrau, eur wanckelmut ist mir zu ohren kommen | Jacob Regnart, composer | 3 voices | Renaissance | Lieder | |||||
| Jusqu'a rascon | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Justus es Domine | Orlande de Lassus, composer | LV 617 | 3 voices | Renaissance | Motets | ||||
| Ka Lira Hawaii (He mau mele himeni a me na mele oli halelu, no na Ekalesia o Hawaii Nei pai hou ia a mahuahua, Honolulu ; Lyre of Hawaii) | Various, composer | 3 voices 4 voices |
Classical | Hymns, Psalms, Chants | |||||
| Kanon für A. | Georg L. Sothilander, composer | A minor | 2001 | 3 voices | Modern | Canons | |||
| kanony wokalne | Jakub Kowalewski, composer | 2 voices 3 voices 4 voices |
Baroque | Canons | |||||
| Kanst du gen mir so große falschheit üben | Jacob Regnart, composer | 3 voices | Renaissance | Lieder | |||||
| Carnival Songs from Renaissance | Various, composer | 3 voices 4 voices |
Renaissance | Songs | |||||
| Kein grösser freud kan sein auff dieser erden | Jacob Regnart, composer | 3 voices | Renaissance | Lieder | |||||
| Kein stund, kein tag nit ist | Jacob Regnart, composer | 3 voices | Renaissance | Lieder | |||||
| 12 Kinderlieder | Friedrich Silcher, composer | 2 voices 3 voices |
Romantic | Lieder, Folksongs | |||||
| Kleine Balladen und Lieder (Kleine Balladen und Lieder mit Klavierbegleitung) | Johann Rudolf Zumsteeg, composer | voice and keyboard voice and piano 2 voices and keyboard 2 voices and piano 3 voices |
Classical | Ballads, Lieder, Canons | |||||
| Kolędy (Na 3 głosy żeńskie opracował Stanisław Bursa) | Stanisław Bursa, composer | female chorus 3 voices |
Early 20th century | Carols | |||||
| Koral-Melodier til den Evangelisk-christelige Psalmebog | Hartenack Otto Conrad Zinck, composer | organ unison chorus and organ mixed chorus 3 voices soprano, alto, tenor and bass mixed chorus and organ |
Classical | Chorales | |||||
| Kühl, nicht lau | Ludwig van Beethoven, composer | B flat major | WoO 191 | 1825 | 3 voices | Classical | Canons | ||
| Kurz ist der Schmerz, und ewig ist die Freude, WoO 163 | Ludwig van Beethoven, composer | F minor | WoO 163 | 1813 | 3 voices | Classical | Canons | ||
| Kurz ist der Schmerz, und ewig ist die Freude, WoO 166 | Ludwig van Beethoven, composer | F major | WoO 166 | 1815 | 3 voices | Classical | Canons | ||
| Kurz, wie der Rosen | Johann Heinrich Müller, composer | A major | 3 voices | Classical | Canons | ||||
| Kyrie (Kyrie - Christe - Kyrie) | Guillaume Dufay, composer | 3 voices 3 Unspecified instruments |
Renaissance | Kyrie | |||||
| Kyrie (Chirie a tre voci per Contrapunto Corale II) | Gioacchino Rossini, composer | 3 voices | Romantic | Kyrie | |||||
| Kyrie Eleison in C | Edewede Oriwoh, composer | C major | 2016 | 3 voices | Classical | Kyrie | |||
| Kyrie (several settings) | Gilles Binchois, composer | 3 voices | Renaissance | Kyrie | |||||
| L'a je bien frique / Galoises de Savoie / J'ayme une dame (Laie bien frique / Galoises de Savoie / Jayme une dame) | Anonymous, composer | 3 voices | Renaissance | Rondeaux, Chansons | |||||
| L'aflicto cor | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| L'amata ninfa mia | Giovanni Maria Nanino, composer | F major | 3 voices | Renaissance | Canzonettas | ||||
| L'amor' e come male destinato | Giovanni Thomaso Cimello, composer | 3 voices | Renaissance | Canzonas | |||||
| L'arte musicale in Italia (Pubblicazione nazionale delle più importanti opere musicali italiane dal secolo XIV al XVIII) | Luigi Torchi, composer | 3 voices 4 voices 5 voices 5 voices and continuo 6 voices 8 voices 10 voices 12 voices soprano, 2 cornetts, 2 trombones, 2 violins and continuo soprano, 2 cornetts, trombone, 2 violins, viola and continuo tenor and continuo soprano and continuo continuo and 2 sopranos continuo and 3 sopranos 4 sopranos soprano, 2 violins and continuo |
Renaissance | Motets, Madrigals, Masses, Magnificats, Psalms, Canzonettas, Benedictus, Pastorales, Operas, Arias, Ariettas, Secular cantatas, Secular oratorios | |||||
| L'aultre d'antan (L'autre d'antan l'autrier passa / La trentanta [contrafactum version]) | Johannes Ockeghem, composer | 3 voices | Renaissance | Chansons | |||||
| L'aultre jour | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| L'aultre jour par un matin (L'aultre jour par un matin esbatre m'en aloye) | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| L'autre jour oy disputer | Anonymous, composer | 3 voices | Renaissance | Ballads | |||||
| L'écheveau de fil | Léo Delibes, composer Louis Ratisbonne, librettist |
F major | 3 voices | Romantic | Secular choruses | ||||
| L'enquerant (Lenquerant) | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| J'espoir mieulx | Johannes Martini, composer | 3 voices | Renaissance | Chansons |
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