Composition search
- Compositions
- for 3 voices
| Title click for details |
Creators | Key | Opus | Composed | Instrumentation | Period/style | Type | Listen | Code |
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| A New and Compleat Introduction to the Grounds and Rules of Musick () | Daniel Bayley, composer | voice 3 voices mixed chorus |
Classical | Methods, Psalms |  |
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| A New and Easie Method to Learn to Sing by Book (A New and Easie Method to Learn to Sing by Book: Whereby One (who hath a good Voice and Ear) may, without other help, learn to Sing true by Notes. Design'd chiefly for, and applied to, the promoting of Psalmody; and furnished with variety of Psalm Tunes in Parts, with Directions for that kind of Singing.) | William Rogers, composer | voice viol 2 voices 3 voices 4 voices mixed chorus |
Baroque | Methods, Music theory, Psalms, Hymns | |
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| A New Selection of Sacred Music; Dyer's New-York Selection of Sacred Music; Dyer's Philadelphia Selection of Sacred Music (A New Selection of Sacred Music, comprising a great variety of approved psalm and hymn tunes, anthems, odes, and choruses: from the works of the most esteemed authors, ancient and modern, and consisting generally of tunes and pieces which have never before been published in this country) | Samuel Dyer, composer | 3 voices 4 voices voices and keyboard |
Classical | Psalms, Hymns, Anthems | |
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| A New Year's Gift (1801 A New Year's Gift for the first Year of the Nineteenth Century, being a Collection of Canzonetts, for one, two, and three Voices, containing an Invocation to the New Century, the Invitation, Orra Moor, Rural delights, the death of the Stag, and the celebrated Canzonett of Fair Oberon, the whole of the Music entirely new) | James Hook, composer | Op.97 | 3 voices voice and harp voice and piano 2 voices and harp 2 voices and piano |
Classical | Canzonets | |
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| A Paraphrase upon the Psalmes of David: by G[eorge] S[andys]: set to New Tunes for Private Devotion, and a thorough Base for Voice or Instrument. By Henry Lawes, one of the Gentlemen of His Majesties Chapell-Royall. | Henry Lawes, composer George Sandys, librettist |
voice and continuo 2 voices 3 voices 4 voices |
Baroque | Psalms | |
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| A Plain and Easy Introduction to Practical Music ({{TPtr}} :A plaine and easie introduction to practicall musicke, set down in forme of a dialogue, devided into three partes, the first teacheth to sing with all things necessary for the knowledge of prickt-song. The second treateth of descante and to sing two parts in one upon a plainsong or ground, with other things necessary for a descanter. The third and last part entreateth of composition of three, foure, five or more parts with many profitable rules to that effect. With new songs of 2, 3, 4, and 5 parts) | Thomas Morley, composer | voice 2 voices 3 voices 4 voices 5 voices 6 voices 8 voices |
Renaissance | Music theory, Methods, Songs, Canons | |
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| Aqui dirage mes pensees | Loyset Compère, composer | 3 voices | Renaissance | Chansons | |
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| A qui vens tu tes coquilles | Antoine Busnois, composer | 3 voices | Renaissance | Chansons | |
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| A quoy tient il le cuer | Anonymous, composer | 3 voices | Renaissance | Chansons | |
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| In 3 Volumes, A Selection of Glees, Duetts, Canzonets, etc. Principally taken from the 9 Books Published at different Periods from the Year 1761 by Saml. Webbe, To which are added many New Glees and Canzonets Never before Published | Samuel Webbe, composer | 2 voices 3 voices 4 voices 5 voices 6 voices 2 mixed chorus soprano, alto, tenor and bass mezzosoprano, alto, tenor and bass 2 sopranos, alto, 2 tenors, bass and continuo |
Classical | Glees, Duets, Canzonets, Odes | |
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| A Selection of Sacred Harmony, Containing Lessons explaining the Gamut, Keys, and other Characters used in Vocal Music; Also, A rich variety of Tunes approved of by the Most Eminent Teachers of Church Music in the United States. | Various, composer | 4 voices 3 voices 2 voices |
Classical | Psalms, Hymns, Anthems | |
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| A Selection of Sacred Music for the Reformed Dutch Church (A Selection of Sacred Music, carefully arranged and designed for use of the Reformed Dutch Church, in the city of New-York: and suited to the several metres in the psalms and hymns used in said church. By F. D. Allen.) | Francis D. Allen, composer | 2 voices 3 voices 4 voices mixed chorus |
Classical | Psalms, Hymns, Anthems | |
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| A Set of Glees with the Dirge in Cymbeline | Maria Hester Park, composer | Op.3 | 3 voices 4 voices mixed chorus |
Classical | Glees | |
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| A Set of Hymns and Psalm Tunes (A Set of Hymns and Psalm Tunes in Three and Four Parts Adapted to the Use of Churches and Chapels) | Edward Harwood, composer | 3 voices 4 voices mixed chorus |
Classical | Psalms, Hymns, Anthems | |
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| A Set of Services, Anthems & Psalm Tunes (A Set of Services, Anthems & Psalm Tunes for Country Choirs) | John Smith of Market Lavington, composer | 2 voices 3 voices soprano, alto, tenor and bass 5 voices voices and mixed chorus mixed chorus |
Baroque | Services, Anthems, Psalms | |
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| A Supplement to the New Version of the Psalms (A Supplement to the New Version of Psalms by N. Tate and N. Brady containing ... III. A Sett of Tunes for the foresaid New Version of the Psalms) | Various, composer Nahum Tate, librettist Nicholas Brady, librettist |
2 voices mixed chorus 3 voices |
Baroque | Psalms, Hymns | |
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| A Third Collection of New Songs (A Third Collection of New Songs, never printed before. The Words by Mr. D'Urfey. Set to Music by the best Masters in that Science, viz. Dr. John Blow, Mr. Henry Purcell, Senior Baptist, Mr. Courtiville, Mr. William Turner, Mr. Thomas Farmer, Mr. John Lenton, Mr. Samuel Akeroyd. With Thorow-Basses for the Theorbo, and Bass-Viol) | Thomas D'Urfey, composer Thomas D'Urfey, librettist |
voice and continuo voice, mixed chorus and continuo 2 voices and continuo 3 voices |
Baroque | Songs, Catches | |
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| A toujours mais vous puis donner le nom (A tousiours mais vous puis donner le nom) | Anonymous, composer | 3 voices | Renaissance | Chansons | |
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| A une dame j'ai fait veu | Antoine Busnois, composer | 3 voices | Renaissance | Chansons | |
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| A venando de mi ciudado | Anonymous, composer | 3 voices | Renaissance | Songs | |
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| A Volume of Sacred Musick containing 30 Anthems (A Volume of Sacred Musick containing Thirty Anthems, selected from the works of Handel, Purcel, Croft, and other eminent European authors. By the late Hon. John Hubbard.) | John Hubbard, composer | 2 voices and continuo 3 voices 3 voices and continuo 4 voices 4 voices and continuo 5 voices 6 voices mixed chorus |
Classical | Anthems, Psalms, Hymns | |
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| A vous madame | Johannes Ghiselin, composer | 3 voices | Renaissance | Chansons | |
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| A vous non autre servir | Pierre de La Rue, composer | 3 voices | Renaissance | Chansons | |
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| A vous sans autre (A vous sans autre me viens rendre) | Antoine Busnois, composer | 3 voices | Renaissance | Chansons | |
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| Abbé Stadler (Signor Abate . Canone a 3 voci) | Ludwig van Beethoven, composer | G minor | WoO 178 | 1820 | 3 voices | Classical | Canons | |
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| Accueilly [Accoueillie] m'a la belle (Saoullé m'a la belle / Da pacem) | Firminus Caron, composer | 3 voices 4 voices |
Renaissance | Songs | |
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| Ach Gott, ein grosse pein krencket das hertze mein | Jacob Regnart, composer | 3 voices | Renaissance | Lieder | |
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| Ach Gott, wie soll ich singen | Jacob Regnart, composer | 3 voices | Renaissance | Lieder | |
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| Ach hertzes hertz | Jacob Regnart, composer | 3 voices | Renaissance | Lieder | |
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| Ach schwacher geist | Jacob Regnart, composer | 3 voices | Renaissance | Lieder | |
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| Ach weib, du böses kraut | Jacob Regnart, composer | 3 voices | Renaissance | Lieder | |
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| Actu Oratorio | Melchior Franck, composer | 3 voices 4 voices 5 voices |
Baroque | Secular oratorios | |
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| Ad caenam agni providit (Ad caenam agni providi Cuius corpus sanctissimum) | Anonymous, composer | 3 voices | Renaissance | Motets | |
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| Ad te perenne gaudium | Orlande de Lassus, composer | 3 voices | Renaissance | Motets | |
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| Ad una fresca riva | Luca Marenzio, composer | 3 voices | Renaissance | Villanelle | |
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| Adieu adieu la seigneurie | Anonymous, composer | 3 voices | Renaissance | Chansons | |
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| Adieu bon temps | Anonymous, composer | 3 voices | Renaissance | Chansons | |
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| Adieu fillette de regnon | Heinrich Isaac, composer | 3 voices 3 Unspecified instruments |
Renaissance | Songs | |
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| Adieu joie (Adieu yoye / Adeu gioye) | Anonymous, composer | 3 voices | Renaissance | Chansons | |
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| Adieu m'amour, adieu ma joie | Guillaume Dufay, composer | 3 voices | Early 20th century | Chansons | |
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| Adieu m'amour | Alexander Agricola, composer | 3 voices | Renaissance | Chansons | |
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| Adieu m'amour, IAA 60 | Alexander Agricola, composer | 3 voices | Renaissance | Chansons | |
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| Adieu ma tres belle maistresse | Gilles Binchois, composer | 3 voices | Renaissance | Chansons, Rondeaux | |
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| Adieu madame | Anonymous, composer | 3 voices | Renaissance | Chansons | |
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| Adieu vous di la lerme | Anonymous, composer | 3 voices | Renaissance | Chansons | |
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| Adieu, adieu | Gilles Binchois, composer | 3 voices | Renaissance | Rondeaux | |
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| Adieu, ma tres bielle mestresse | Anonymous, composer | 3 voices | Renaissance | Chansons | |
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| Adieu, mon amoureuse joye | Gilles Binchois, composer | 3 voices | Renaissance | Ballads | |
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| Adiuva nos Deus | Fortunato Santini, composer | 3 voices | Renaissance | Motets | |
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| Adoramus Te Christe | Oreste Ravanello, composer | B flat minor | Op.66 No.6 | 3 voices | Classical | Sacred songs | |
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| Adoramus te Christe | Michele Saladino, composer | G minor | 3 voices | Romantic | Hymns | |
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