| Title click for details |
Creators | Key | Opus | Composed | Instrumentation | Period/style | Type | Listen | Code |
|---|---|---|---|---|---|---|---|---|---|
| Codex Chantilly (Codex de la Bibliothèque du Château de Chantilly, MS 564 (Chantilly, France)) | Various, composer | 1390 | 2 voices 3 voices 4 voices |
Medieval | Motets, Ballads, Rondeaux, Songs | ||||
| Codex de Madrid (Conductus y motetes del siglo XIII) | Various, composer | E-Mm 20486 | 2 voices 3 voices 4 voices |
Medieval | Motets | ||||
| Codex Faenza (Codex, I-FZc 117) | Various, composer | 2 voices 3 voices 4 voices keyboard |
Medieval | Kyrie, Gloria, Sanctus, Magnificats, Motets, Madrigals, Chansons, Songs, Pieces | |||||
| Cognovi, Domine, quia æquitas judicia tua | Orlande de Lassus, composer | 4 voices | Renaissance | Motets | |||||
| Col pensier mai | Jacob Arcadelt, composer | 4 voices | Renaissance | Madrigals | |||||
| Collectaneorum Musicorum | Jan Dismas Zelenka, composer | organ keyboard 4 voices 5 voices 6 voices bassoon, cornett, trombone, violin and continuo bassoon, 2 violins and continuo 2 violins, viola and continuo 2 violins and continuo mixed chorus, 2 trumpets, 2 violins and continuo 3 voices and continuo 3 Unspecified instruments 2 voices 4 voices 4 voices and bass 4 voices and continuo |
Baroque | Magnificats, Ricercars, Masses, Sonatas, Canons | |||||
| Collection des chœurs amusants | Wulfran Moreau, composer | 3 voices and harmonium 4 voices and harmonium 4 voices male chorus |
Romantic | Secular choruses | |||||
| Colonial Harmonist (Colonial Harmonist. Being a compilation of the most approved tunes, anthems, and chants. With a Figured Bass for the Organ and Piano Forte. Designed for all denominations of Christians. Selected and arranged by Mark Burnham.) | Mark Burnham, composer | 4 voices 4 voices and organ 4 voices and piano |
Classical | Psalms, Hymns, Anthems, Chants | |||||
| Columbian Harmony (or A Choice Collection of Psalm Tunes, Hymns, and Anthems, in Three Parts) | William B. Moore, composer | 2 voices 3 voices 4 voices mixed chorus |
Classical | Psalms, Hymns, Anthems | |||||
| Combien que faille | Anonymous, composer | 4 voices | Renaissance | Chansons | |||||
| Come Jolly Swains | William Byrd, composer | 4 voices mixed chorus |
Renaissance | Songs | |||||
| Come la notte ogni fiammella è viva | Marc Antonio Ingegneri, composer Lodovico Ariosto, librettist |
4 voices | Renaissance | Madrigals | |||||
| Come let us join the Roundelay | William Beale, composer | B flat major | 4 voices mixed chorus |
Romantic | Glees, Madrigals | ||||
| Come lume di notte in alcun porto | Orlande de Lassus, composer | 4 voices | Renaissance | Madrigals | |||||
| Come pianta | Orlande de Lassus, composer | LV 904 | 4 voices | Renaissance | Madrigals | ||||
| Come potro fidarmi di te giamai | Jacob Arcadelt, composer | 4 voices | Renaissance | Madrigals | |||||
| Come t'aggio lasciato, o vita mio (dalle "Villotte del fiore") | Filippo Azzaiolo, composer | F major | 4 voices | Renaissance | Villanelle | ||||
| Comme femme desconfortée, IAA 61 | Alexander Agricola, composer | 4 voices | Renaissance | Chansons | |||||
| Comme le feu sans chaleur ne peut estre | Claude Goudimel, composer | 1549 | 4 voices | Renaissance | Chansons | ||||
| Comme lovers follow me | Thomas Morley, composer | 4 voices | Renaissance | Madrigals | |||||
| Comment au départir | Pierre Clereau, composer | 4 voices | Renaissance | Chansons | |||||
| Comment Peult | Anonymous, composer | 4 voices 4 Unspecified instruments |
Renaissance | Chansons | |||||
| Comment peult avoir joye (Wohlauf, Gesell, von hinnen / O Jesu fili David) | Josquin Desprez, composer | hypoionic | NJE 28.7 | 4 voices | Renaissance | Chansons | |||
| Comment, mon cueur, es-tu donc dispensé | Pierre Colin, composer | No.1 | 4 voices | Renaissance | Chansons | ||||
| Compendio del trattato de’ generi e de’ modi della musica | Giovanni Battista Doni, composer | 4 voices voice and 3 Unspecified instruments |
Baroque | Music theory, Madrigals | |||||
| Compendium musicae () | Adam Gumpelzhaimer, composer | 2 voices 3 voices 4 voices |
Renaissance | Methods, Music theory, Canons, Hymns | |||||
| Dritter Theil Fest- und Aposteltägige Evangelische Sprüche | Johann Christenius, composer | 4 voices 5 voices 6 voices 7 voices 8 voices |
Baroque | Motets | |||||
| Hymns and Psalms | Thomas Stoltzer, composer | 4 voices 5 voices |
Renaissance | Hymns, Psalms | |||||
| Complete Secular Works (Lieder) | Matthias Greiter, composer | 4 voices 5 voices |
Renaissance | Lieder, Secular choruses | |||||
| Complete Works (The Complete Works of William Billings) | William Billings, composer | 3 voices 4 voices 5 voices mixed chorus |
Classical | Psalms, Anthems, Hymns, Canons, Methods, Sacred choruses | |||||
| Compositions françaises de 4 à 8 voix | Orlande de Lassus, composer | 4 voices 5 voices 6 voices 8 voices |
Renaissance | Chansons | |||||
| Con soave parlar, con dolce accento | Philippe Verdelot, composer | 4 voices | Renaissance | Madrigals | |||||
| Concentus ecclesiastico-domesticus (Kirchen vnd Hauß Musica Geistlicher Lieder, Auff den Choral Musicalischer Art Vierstim[m]ig gesetzt vnd Componiret) | Samuel Besler, composer | 4 voices | Baroque | Sacred choruses, Secular choruses | |||||
| Concentus harmonici (Concentus harmonici quattuor missarum, peritissimi musicorum Iacobi Obrecht : tam notularum, clavium, signorum, pausarum, suspiriorumque ... canonum additionibus ... sollertissime pressi : Tenor. [Altus. Discantus. Bassus]) | Jacob Obrecht, composer | RISM-A/I O.8 | 3 voices 4 voices 5 voices 6 voices 7 voices |
Renaissance | Masses | ||||
| Conceptio tua | Costanzo Porta, composer | 4 voices | Renaissance | Motets | |||||
| Concordi laetitia | Pietro Cattaneo, composer | F major | 2017 | 4 voices | Modern | Sacred choruses | |||
| Conditor alme siderum | Juan Navarro, composer | 4 voices | Renaissance | Hymns | |||||
| Conditor alme siderum | Adrian Willaert, composer | 1542 | 4 voices | Renaissance | Hymns | ||||
| Confirma hoc, Deus | Gregor Aichinger, composer | 4 voices | Renaissance | Motets | |||||
| Confitebor | Giovanni Battista Casali, composer | 4 voices | Baroque | Motets, Psalms | |||||
| Confitebor tibi Domine a4 (Psalm 111 , Octavi toni) | Adrian Willaert, composer | 4 voices | Renaissance | Psalms | |||||
| Confitebor tibi, Domine in toto corde meo | Adrian Willaert, composer | 4 voices | Renaissance | Motets, Sacred songs | |||||
| Confitemini Domino | Giovanni Pierluigi da Palestrina, composer | 4 voices | Renaissance | Motets | |||||
| Confortamini et iam nolite | Orlande de Lassus, composer | LV 865 | 4 voices | Renaissance | Motets | ||||
| Confortez moi (Confortez moy belle maistresse) | Anonymous, composer | 4 voices | Renaissance | Chansons | |||||
| Congratulamini mihi | Giovanni Pierluigi da Palestrina, composer | 4 voices | Renaissance | Motets | |||||
| Consumo la mia vita a poco a poco | Johannes Prioris, composer | 3 voices 4 voices |
Renaissance | Madrigals | |||||
| Continental Harmony. A collection of music, principally designed for Old Folks Concerts (Continental Harmony, ) | Various, composer | 4 voices mixed chorus mixed chorus and organ |
Classical | Psalms, Hymns, Anthems | |||||
| Continuatio cantionum sacrarum (Continuatio Cantionum sacrarum quatuor, quinque, sex, septem, octo et plurium vocum, de festis praecipuis anni, a praestantissimis Italiae Musicis nuperrime concinnatarum) | Friedrich Lindner, composer | 4 voices 5 voices 6 voices 7 voices 8 voices 10 voices 12 voices |
Renaissance | Motets, Sacred songs | |||||
| Contrapunctus seu figurata musica super plano cantu missarum solennium totius anni | Stephani Guaynard, composer | 4 voices mixed chorus |
Renaissance | Masses, Antiphons, Motets | |||||
| Convito musicale | Orazio Vecchi, composer | 3 voices 4 voices 5 voices 6 voices 7 voices 8 voices |
Renaissance | Madrigals, Canzonas, Canzonettas |
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