Composition search
- Compositions
- for 4 voices
| Title click for details |
Creators | Key | Opus | Composed | Instrumentation | Period/style | Type | Listen | Code |
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| Bon temps | Anonymous, composer | 4 voices | Renaissance | Chansons |  |
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| Bona sera | Antonio Scandello, composer | F major | 4 voices | Renaissance | Canzonas | |
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| Bramo veder un dì per mia vendetta | Marc Antonio Ingegneri, composer | 4 voices | Renaissance | Madrigals | |
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| Columbian and European Harmony ; Songs of the Temple ; Bridgewater Collection (Templi Carmina. Songs of the Temple, or Bridgewater Collection of Sacred Music.) | Bartholomew Brown, composer | 3 voices 4 voices mixed chorus voices and organ mixed chorus and organ mixed chorus and continuo voices and continuo |
Classical | Psalms, Hymns, Anthems | |
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| British Psalmody (British Psalmody; Being a New and Complete Sett of One Hundred and Sixty [160] Psalm and Hymn Tunes; All in four parts and correctly figured for the organ. Originally Compiled by the Late A[aron]: Williams. To which are added several Originals & the most approved Tunes that have lately been introduced, and are now used in the principal Churches, Chapels, and Dissenting Congregations throughout The Kingdom, some of which were never before Printed in Score. The whole adapted to suitable Words, arranged in their several Metres, with their different Names, and the Names of their respective Authors, where they can be ascertained.) | Aaron Williams, composer | 4 voices mixed chorus |
Classical | Psalms, Hymns | |
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| Brunette je vous ay amée lonc temps | Anonymous, composer | 4 voices | Renaissance | Chansons | |
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| Bummelirstu mir, so bummelir ich dir | Anonymous, composer | 4 voices | Renaissance | Lieder | |
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| Burial Services | William Croft, composer | 4 voices mixed chorus |
Baroque | Services | |
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| Burial Service | Richard Goodson, composer | 4 voices | Baroque | Services | |
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| C'est a grant tort | Claudin de Sermisy, composer | 4 voices | Renaissance | Chansons | |
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| Cest mal cherche | Alexander Agricola, composer | 3 voices 4 voices |
Renaissance | Rondeaux | |
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| C’est a bon droit que mon cœur se lamente | Clément Janequin, composer | 1533 | 4 voices | Renaissance | Chansons | |
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| Cadet Rousselle (Chanson populaire à 4 voix mixtes) | Joseph Noyon, composer | 4 voices mixed chorus |
Early 20th century | Folksongs | |
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| Caecilia virgo gloriosa | Jacobus Clemens non Papa, composer | 4 voices | Renaissance | Motets | |
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| Caeli caelorum laudate Deum | Giuseppe Paolucci, composer | 4 voices | Classical | Antiphons, Canons | |
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| Calami Sonum ferentes | Cipriano de Rore, composer Giovan Battista Pigna, librettist |
4 voices | Renaissance | Madrigals, Motets | |
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| Calde lacrime | Petrus Organista, composer | 4 voices | Renaissance | Madrigals | |
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| Caligaverunt oculi mei | Paolo Aretino, composer Sacred music, librettist |
C major | 4 voices | Renaissance | Responsories | |
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| Caligaverunt oculi mei | Michael Haydn, composer | 4 voices | Classical | Responsories | |
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| Caligaverunt oculi mei (Tenebræ Responsory No.6 for Good Friday) | Tomás Luis de Victoria, composer | 4 voices | Renaissance | Responsories | |
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| Caligaverunt oculi mei | Annibale Zoilo, composer | 4 voices | Renaissance | Responsories | |
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| Call Forth Such Numbers | Benjamin Cooke, composer David Garrick, librettist |
4 voices | Classical | Glees | |
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| Can a maid (Can a mayde that is well bred) | Martin Peerson, composer | G major | 4 voices 4 viols voice and 3 viols 2 voices and 2 viols 3 voices and viol voice and 3 Unspecified instruments 2 voices and 2 Unspecified instruments 3 voices 4 Unspecified instruments |
Baroque | Airs | |
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| Canadian Church Psalmody (Under the santion of the honourable and right reverend the Lord Bishop of Toronto. Canadian Church Psalmody; consisting of Psalm Tunes, Chants, Anthems, &c. with introductory lessons and exercises in sacred music. Edited by J. P. Clarke, organist of Christ Church, Hamilton.) | Various, composer | 4 voices 4 voices and organ |
Classical | Psalms, Anthems, Chants, Hymns | |
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| Cancioneiro Musical de Belém (Chansonnier, P-Lma Ms 3391) | Various, composer | 1560 | 3 voices 4 voices |
Renaissance | Madrigals, Cantigas, Villancicos | |
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| Cancioneiro musical de Paris (Manuscript, F-Peb Jean Masson 56 / Cancioneiro musical da Escola de Belas Artes de Paris / Cancioneiro musical Masson 56 / Cancioneiro de l'École Supérieure de Beaux-Arts de Paris / Chansonnier de Jean Masson) | Various, composer | 1520 | voice 2 voices 3 voices 4 voices |
Renaissance | Cantigas, Villancicos, Romances, Songs, Sacred songs, Motets, Hymns | |
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| Cancionero de Juana I de Castilla (Cancionero de Juana la Loca / Song Book of Joan the Mad) | Various, composer | 4 voices | Renaissance | Motets, Chansons, Songs | |
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| Cancionero de la Colombina (Cancionero de la Biblioteca Capitular y Colombina, Ms. 7-I-28. (Sevilla, Catedral Metropolitana)) | Various, composer | voice 2 voices 3 voices 4 voices |
Renaissance | Canciones, Villancicos, Romances, Chansons, Motets | |
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| Cancionero de la Sablonara (Colleccion de Canciones, Romances, Seguidillas castellanas, puestas en musica á dos, á tres y á cuatro por los maestres Miguel de Arizo, Juan Blas, Capitan, Gabriel Diaz, Diego Gomez, Manuel Machado, Palomares, Pujol, Alvaro de los Rios, Juan de Torres / Cancionero musical y poético del siglo XVII) | Claudio de la Sablonara, composer | 4 voices 3 voices 2 voices |
Renaissance | Songs | |
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| Cancionero de Montecassino (Cancionero Musical de Montecassino / Manuscript, I-MC 871) | Various, composer | 2 voices 3 voices 4 voices |
Renaissance | Sacred songs, Motets, Psalms, Hymns, Magnificats, Lamentations, Miserere, Chansons, Rondeaux | |
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| Cancionero Musical de Palacio (Cancionero de Palacio ; Cancionero de Barbieri ; Chansonnier) | Various, composer | E-Mp MS 1335 | 1505 | voice 2 voices 3 voices 4 voices |
Renaissance | Villancicos, Romances, Frottolas, Songs | |
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| Cancionero de Uppsala / Cancionero del Duque de Calabria / Cancionero de Venecia ({{TPtr}} :Villancicos de diversos autores, a dos, y a tres, y a quatro, y a cinco bozes, agora nuevamente corregidos. Ay mas ocho tonos de Canto llano, y ocho tonos de Canto de Organo para que puedam aprovechar los que a cantar començaren.) | Various, composer | voice 2 voices 3 voices 4 voices 5 voices |
Renaissance | Villancicos, Plainchant | |
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| Cancionero de Montecassino | Various, composer | 1480 | voice 2 voices 3 voices 4 voices |
Renaissance | Masses, Magnificats, Psalms, Hymns, Lamentations, Motets, Chansons, Madrigals, Songs, Motets | |
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| Canciones y villanescas espirituales | Francisco Guerrero, composer | 3 voices 4 voices 5 voices |
Renaissance | Sacred songs, Villanelle | |
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| Cando pinso al turmendo | Andrea Gabrieli, composer Antonio Molino, librettist |
4 voices | Renaissance | Madrigals | |
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| Caniadau Seion (Caniadau Seion; sef casgliad o donau addas i'w canu yn yr addoliad dwyfol: yn cynwys nifer lluosog o erddyganau gwreiddiol, yn nghyda phigion o'r goreuon o waith yr awduron goraf, hen a diwedddar, wedi eu trefnu yn unol a phriod-ddull cerddoriaeth eglwysig gymreig. Gan Richard Mills, Llanidloes.) | Richard Mills, composer | 2 voices 3 voices 4 voices mixed chorus |
Classical | Psalms, Hymns, Anthems | |
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| Canite tuba in Sion | Jacob Regnart, composer | 4 voices | Renaissance | Motets | |
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| In Manus Tuas (Canone a S. Cecilia) | Caesar Tudinus Adriensis, composer | 1577 | 4 voices | Renaissance | Canons | |
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| Canon à 4 (Lebet wohl wir müssen scheiden) | Georg Gerson, composer | C major | WoO 20 | 4 voices | Romantic | Canons | |
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| Canon alpha cum omega (Canon alpha cum omega, bicinium, tricinium, quadricinium cum ditono, ac semiditono constat) | Andrea Basili, composer | 2 voices 3 voices 4 voices 2 Unspecified instruments 3 Unspecified instruments 4 Unspecified instruments |
Classical | Canons | |
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| Canon for 4 Voices (Bona nox, bist a rechta Ox) | Wolfgang Amadeus Mozart, composer | A major | K.561 | 1788 | 4 voices | Classical | Canons | |
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| Canon for 4 Voices (Lacrimoso son io) | Wolfgang Amadeus Mozart, composer | A minor | K.555 | 1788 | 4 voices | Classical | Canons | |
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| Canon for 4 Voices in B-flat major (Gehn wir im Prater) | Wolfgang Amadeus Mozart, composer | B flat major | K.558 | 1788 | 4 voices | Classical | Canons | |
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| Canon for 4 voices or instruments | Wolfgang Amadeus Mozart, composer | B flat major | K.562a | 4 voices | Classical | Canons | |
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| Canon for 4 Voices (Alleluia) | Wolfgang Amadeus Mozart, composer | C major | K.553 | 1788 | 4 voices | Classical | Canons | |
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| Canon for 4 Voices | Wolfgang Amadeus Mozart, composer | C major | K.Anh.191 | 1782 | 4 voices | Classical | Canons | |
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| Canon for 4 Voices (Ave Maria) | Wolfgang Amadeus Mozart, composer | F major | K.554 | 1788 | 4 voices | Classical | Canons, Ave Maria | |
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| Canon for 4 Voices (O du eselhafter Martin) | Wolfgang Amadeus Mozart, composer | F major | K.560 | 1783 | 4 voices | Classical | Canons | |
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| Canon for 4 Voices (Nascoso è il mio sol) | Wolfgang Amadeus Mozart, composer | F minor | K.557 | 1788 | 4 voices | Classical | Canons | |
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| Canon for 4 Voices in G major (Lieber Freistädtler, lieber Gaulimauli ; Wer nicht liebt Wein und Weiber und Gesang) | Wolfgang Amadeus Mozart, composer | G major | K.232 | 1787 | 4 voices | Classical | Canons | |
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| Canon for 4 Voices (G'rechtelt's enk) | Wolfgang Amadeus Mozart, composer | G major | K.556 | 1788 | 4 voices | Classical | Canons | |
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