Composition search
- Compositions
- for 4 voices
| Title click for details |
Creators | Key | Opus | Composed | Instrumentation | Period/style | Type | Listen | Code |
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| 26 Motets (Mielich-Codex ; Rore-Codex) | Cipriano de Rore, composer | D-Mbs Mus.ms B | 4 voices 5 voices 6 voices 7 voices 8 voices |
Renaissance | Motets |  |
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| 27 Chansons musicales a quatre parties (Vingt et sept chansons musicales a quatre parties ; Vingt et sept chansons musicales a quatre parties, desquelles les plus convenables a la fleuste dallemant sont signees en la table cy dessoubz escripte para a. et a la fleuste a neuf trous par b, et por deux, par ab.) | Pierre Attaingnant, composer | 4 voices 4 recorders 4 flutes |
Renaissance | Chansons | |
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| 27 Newe Geistliche Gesenge (Sieben und Zwentzigk Newe Geistliche Gesenge, mit vier Stimmen componiret, und in Druck, der lieben Jugendt zu gut, verordnet, durch Iohannem Steurlein Schmalkaldensem ...) | Johann Steuerlein, composer | 4 voices | Renaissance | Sacred songs | |
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| 28 Chansons musicales (Vingt et huyt chansons musicales imprimees lan mil cinq cẽtz et troys au moys de Mars par Pierre Attaingnãt demourãt a Paris en la rue de la Harpe pres leglise sainct Cosme) | Pierre Attaingnant, composer | 4 voices | Renaissance | Chansons | |
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| 28 Chansons musicalles a quatre parties (Vingt et huyt chãsons musicalles a quattre parties impreimees par Pierre Attaingnãt) | Pierre Attaingnant, composer | 4 voices | Renaissance | Chansons | |
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| 28 Hymni Sacri (Hymni Sacri, quorum in ecclesia perfesta maxime solennia usus est, ad Harmoniam Musicam applicati a Leonarto Schrotero Torgense, Schole Magdeburgensis Musico) | Leonhard Schröter, composer | 4 voices 5 voices 6 voices 7 voices 8 voices |
Renaissance | Hymns | |
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| 29 Canons | Joseph Haydn, composer | Hob.XXVIIb:9, 43, 10, 12, 11, 39, 34, 16, 17, 14, 41, 13, 44, | 2 voices 3 voices 4 voices 5 voices 6 voices 7 voices 8 voices |
Classical | Canons | |
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| L’unziesme livre des chansons | Tielman Susato, composer | RISM B/I: 1549 | 4 voices | Renaissance | Chansons | |
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| 3 Chansons polyphoniques, Decca 451078 | Claude Le Jeune, composer | 4 voices 6 voices |
Renaissance | Chansons |  |
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| 3 Choral Pieces | Rob Peters, composer | Op.33 | 1992 | 4 voices mixed chorus |
Modern | Secular choruses, Sacred choruses | |
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| 3 falsobordone per il Miserere e il Benedictus (Miserere, Benedictus) | Giovanni Francesco Anerio, composer | 4 voices | Renaissance | Miserere, Benedictus | |
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| 3 Evangelien-Motetten (3 Gospel Motets) | Josquin Desprez, composer | 4 voices 6 voices 8 voices |
Renaissance | Motets | |
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| 3 Liturgies Joyeuses, Op. 116 | Florent Schmitt, composer | Op.116 | 1951 | 4 voices 4 voices and organ |
Modern | Sacred choruses | |
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| 3 Motets | Jacobus Clemens non Papa, composer | 4 voices 5 voices |
Renaissance | Motets | |
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| 3 Motets and a Madrigal | Gioseffo Zarlino, composer | 4 voices 5 voices 6 voices |
Renaissance | Motets, Madrigals | |
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| 30 Canons zu 2-8 Stimmen | Felix Draeseke, composer | WoO | 2 voices 2 Unspecified instruments 3 voices 3 Unspecified instruments 4 voices 4 Unspecified instruments 6 voices 6 Unspecified instruments 8 voices 8 Unspecified instruments |
Romantic | Canons | |
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| 30 Chansons musicales (Trente chansons musicales imprimees lan mil cinq centz trẽte et troys au moys de Feburier par Pierre Attaingnant demourant a Paris en la rue de la Harpe pres leglise sainct Cosme) | Pierre Attaingnant, composer | 4 voices | Renaissance | Chansons | |
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| Trente chansons musicales a quatre parties (Trẽte chãsons musicales a quatre parties nouvellement et tres correctement imprimées a Paris par Pierre Attaingnãt, demourãt en la rue de la Harpe, pres léglise Saint-Cosme, desquelles la table sensuyt) | Pierre Attaingnant, composer | 4 voices | Renaissance | Chansons | |
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| 30 Chansons tres musicales, Livre 36 (Trente sixiesme livre cõtenãt XXX. chãsõs Tres Musicales, A Quatre Cinq & Six parties, En cinq livres, Dont le cinquiesme livre contient les cinquesmes & sixiesmes parties, Le tout de la cõposition de feu Iosquin des prez, Tres corectement Imprimees Par Pierre attaingnant) | Josquin Desprez, composer | 4 voices 5 voices 6 voices |
Renaissance | Chansons | |
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| 31 Chansons a quatre parties, Livre 1 | Tielman Susato, composer | RISM B/I: 1543 | 1543 | 4 voices | Renaissance | Chansons | |
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| 31 Chansons musicales a quatre parties (Trente et une chanson musicales a quatre parties) | Pierre Attaingnant, composer | RISM B/I: 1529 | 4 voices | Renaissance | Chansons | |
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| 31 Chansons musicales a quatre parties (Trente et une chansons musicales a quatre parties) | Pierre Attaingnant, composer | 4 voices | Renaissance | Chansons | |
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| 31 Chansons musicales esleves de plusieurs livres, Livre 1 (Premier livre cõtenãt XXXI. chãsõs musicales esleves de plusieurs livres p cy devant ĩprimez : et nagueres reimprimees en ung volume p Pierre Attaingnant imprimeur et libraire de musique demoutãt a Paris en la rue d la Harpe pres leglise S. Cosme) | Pierre Attaingnant, composer | 4 voices | Renaissance | Chansons | |
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| 31 Chansons musicales esleves de plusieurs livres, Livre 2 (Second livre cõtenãt XXXI. Chãsõs musicales esleves de plusieurs livres par cy devãt ĩprimes : et nagueres reimprimees en ung volũe p Pierre Attaingnant imprimeur et libraire de musique demourãt a Paris en la rue d la Harpe pres leglise S. Cosme) | Pierre Attaingnant, composer | 4 voices | Renaissance | Chansons | |
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| Premier livre de Psalmes (Trente et un pseaumes à quatre voix mis en musique par Pierre Certon; Livre premier contenant XXXI Pseaulmes de David traduictz de latin en françois par Clément Marot et mis en musique en quatre parties séparées par Pierre Certon) | Pierre Certon, composer Clément Marot, librettist |
4 voices | Renaissance | Psalms | |
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| 34 Motetten ([Sammelhandschrift] 34 Motetten) | Various, composer | 4 voices 5 voices 5 voices and continuo mixed chorus mixed chorus and continuo 6 voices |
Baroque | Motets | |
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| 35 Canons 'Opusculum novum' (Opvscvlvm novvm. Hoc est. Canones, dvarvm, trivm, et plvrivm vocvm, ante hac neqve visi neqve prelo svbiecti, nunc primum, summa diligentia compositi & in vnum libellum redacti, un vsum & gratiam omnium artis Musicae cultorum, studiosorum & tyronum. A Rvdolpho de Lasso) | Rudolph de Lassus, composer | 2 voices 2 Unspecified instruments 3 voices 3 Unspecified instruments 4 voices 4 Unspecified instruments 5 voices 5 Unspecified instruments 6 voices 6 Unspecified instruments 7 voices 7 Unspecified instruments 8 voices 8 Unspecified instruments 9 voices 9 Unspecified instruments 10 voices 10 Unspecified instruments 12 voices 12 Unspecified instruments |
Renaissance | Canons | |
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| 36 Chansons musicales a quatre parties (Trente et six chansons musicales a quatre parties ; Trente et six chansons musicales a quatre parties imprimees a Paris par Pierre Attaingnãt) | Pierre Attaingnant, composer | 4 voices | Renaissance | Chansons | |
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| 36 Lieder, 1517 | Peter Schöffer, composer | 4 voices | Renaissance | Lieder | |
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| 37 Chansons musicales a quatre parties (Trẽte et sept chãsons musicales a quatre parties nouvellement et correctemẽt imprimees a Paris par Pierre Attaingnãt) | Pierre Attaingnant, composer | 4 voices | Renaissance | Chansons | |
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| 38 Chansons musicales a quatre parties (Trente et huyt chansons musicales a quatre parties ; Trente et huyt chãsons musicales a quatre parties nouvellemẽt imprimees a Paris p Pierre Attaingnant) | Pierre Attaingnant, composer | 4 voices | Renaissance | Chansons | |
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| 4 Canons, ULB Mus.Ms.1525 | Various, composer | 3 voices 4 voices 5 voices |
Classical | Canons | |
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| 4 Christmas Carols | Joseph Barnby, composer W. Chatterton Dix, librettist |
4 voices | Romantic | Carols | |
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| 4 Motets à 4 & 6 voix | Jean Mouton, composer | 4 voices 6 voices |
Renaissance | Motets | |
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| Štyry Slovenské národné piesnié (Vier slowakische Volklieder) | Béla Bartók, composer | Sz.70 | 1917 | 4 voices | Early 20th century | Folksongs | |
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| 40 Motets | Petrus Alamire, composer | V-CVbav MS Pal.lat. 1976-79 | 4 voices | Renaissance | Motets | |
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| 46 Gesänge (Sechs und vierzig zwei- drei- und vierstimmige Gesänge) | Ludwig Ernst Gebhardi, composer | Op.7 | 2 voices 3 voices 4 voices mixed chorus |
Romantic | Songs | |
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| 5 Canons (Fünf Canons) | Ludwig van Beethoven, composer | 1814 | 2 voices 3 voices 4 voices |
Classical | Canons | |
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| 5 Canons | Johann Samuel Endler, composer | 3 voices 4 voices 5 voices |
Baroque | Canons | |
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| 5 Masses (Misse Alexandri agricole. Le serviteur. Je ne demande. Malheur me bat. Primi toni. Secundi toni.) | Alexander Agricola, composer | 4 voices | Renaissance | Masses | |
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| 5 Masses (Brumel. Je nay dueul. Berzerette savoyene. Ut re mi fa sol la. Lomme arme. Victime paschali.) | Antoine Brumel, composer | 4 voices | Renaissance | Masses | |
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| 5 Masses (Joannes ghiselin. La belle se siet. De les armes. Gratieusa. Narayge. Je nay dueul.) | Johannes Ghiselin, composer | 4 voices | Renaissance | Masses | |
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| 5 Masses (Misse henrici Izac. Charge de deul. Misericordias Domini. Quant yay au cor. La spagna. Comme feme.) | Heinrich Isaac, composer | 4 voices | Renaissance | Masses | |
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| 5 Masses (Misse Petri de la Rue. Beate virginis. Puer natus. Sexti. Utfa. Lomme arme. Nunqua fue pena maior.) | Pierre de La Rue, composer | 4 voices | Renaissance | Masses | |
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| 5 Masses (Misse obreht. Je ne demande. Grecorum. Fortuna desperata. Malheur me bact. Salve diva parens.) | Jacob Obrecht, composer | 4 voices | Renaissance | Masses | |
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| 5 Masses (Misse De orto. Dominicalis. Jay pris amours cum duobus patrem. Lomme arme. La bella se sied. Petita camuseta.) | Marbrianus de Orto, composer | 4 voices | Renaissance | Masses | |
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| 5 Masses (Misse Antonii de Fevin. Sancta trinitas. Mente tota. Ave Marie. Le vilayn jaloys. Roberti de Fevin.) | Ottaviano Petrucci, composer | soprano, alto, tenor and bass 4 voices |
Renaissance | Masses | |
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| 5 Masses (Misse Gaspar. Ave regina celorum. O venus banth. E trop penser. Octavi toni. Se mieulx ne vient.) | Gaspar Van Weerbeke, composer | 4 voices | Renaissance | Masses | |
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| 5 Motets | Gallus Dressler, composer | 4 voices 5 voices |
Renaissance | Motets | |
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| 5 Motets | Jean Mouton, composer | 4 voices 6 voices |
Renaissance | Motets | |
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| Psalmi V (Psalms 109, 110, 111, 129, 131) | Cipriano de Rore, composer | 4 voices | Renaissance | Psalms | |
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