Compositions for 4 voices

Title click for details	Creators	Key	Opus	Composed	Instrumentation	Period/style	Type
Amours m'on fait de desplaisier	Anonymous, composer				4 voices	Renaissance	Chansons
Amours nous traite / Je m'envoy	Antoine Busnois, composer				4 voices	Renaissance	Chansons
Amours partez	Claudin de Sermisy, composer				4 voices	Renaissance	Chansons
Amur, se mi tel dao	Francesco Bonardo Perissone, composer Antonio Molino, librettist				4 voices	Renaissance	Madrigals
Amy souffrez (Amy, souffrez que je vous aime (ayme) (assuming this is the same piece...))	Pierre Moulu, composer				4 voices	Renaissance	Chansons
An den Abend (Quartet)	Leonhard von Call, composer	E flat major			4 voices male chorus	Classical	Secular choruses, Quartets
An Howres Recreation in Musicke	Richard Allison, composer				4 voices 5 voices 5 Unspecified instruments 4 Unspecified instruments	Renaissance	Songs, Sacred songs
An Introduction to Psalmody (An Introduction to Psalmody. Containing some Instruction for Young Beginners, explain'd in a familiar & easie manner, by way of Dialogue. By John Church, a Member of ye Collegiate Church of St. Peters Westminster, and Gentleman in Ordinary of His Majesty's Chapel Royal. To Which is added a Select Number of the best Psalm Tunes extant; in 3 and 4 Parts; as they are now Sung in Parish Churches & other Places of Divine Worship. Also a Collection, containing some Hymns compos'd by Dr. William Croft; & some Anthems & Hymns by Mr. Tho: Ravenscroft & the Author; for 1, 2, and 3 voices.)	John Church, composer				3 voices 4 voices mixed chorus mixed chorus and continuo voice and continuo voices and continuo	Baroque	Methods, Psalms, Hymns, Anthems
An Introduction to the Skill of Musick	Edward Betts, composer				voice voices 4 voices mixed chorus voices and organ voices, strings and continuo	Baroque	Music theory, Methods, Anthems, Psalms, Hymns, Chants
An Mälzel	Ludwig van Beethoven, composer	B flat major	WoO 162	1812	4 voices	Classical	Canons
Anchor che col partire	Bernhard Schmid II, composer				4 voices	Renaissance	Madrigals
Symphonia Grandaeva Rediviva ; Ancient Harmony Revived (Symphonia Grandæva Rediviva. Ancient Harmony Revived, being a selection of choice music for divine worship taken from old and approved authors, as Billings, Belcher, Edson, Holden, Holyoke, Maxim, Morgan, Goff, Kimball, Reed [sic], Swan, Wood, West, and others; and from several European authors, particularly from W. Tansur's original works.)	Various, composer				3 voices 4 voices mixed chorus	Classical	Psalms, Hymns, Anthems
Ancor che col partire	Giovanni Bassano, composer Alfonso d' Avalos, librettist				4 voices	Renaissance	Madrigals
Ancor che col partire	Girolamo Dalla Casa, composer				4 voices	Renaissance	Madrigals
Ancor che col partire	Giovanni Battista Spadi, composer				4 voices	Renaissance	Madrigals
Ancor che la partita	Sessa d' Aranda, composer				4 voices	Renaissance	Madrigals
Angeli, Archangeli	Andrea Gabrieli, composer				4 voices mixed chorus	Renaissance	Sacred songs
Angelus ad pastores	Anonymous, composer				4 voices	Renaissance	Motets
Angelus ad pastores	Hans Leo Hassler, composer				4 voices	Renaissance	Sacred songs
Angelus ad pastores ait a 4	Andrea Gabrieli, composer				4 voices	Renaissance	Motets
Angelus autem Domini descendit de coelo	Felice Anerio, composer				4 voices	Renaissance	Motets
Anima Christi	Filippo de Lurano, composer				4 voices	Renaissance	Sacred songs
Anima mea	Martín De Rivafrecha, composer			1500	4 voices	Renaissance	Motets
Anima mea liquefacta est	Heinrich Isaac, composer			1515	4 voices	Renaissance	Motets
Anima mea liquefacta est (Anima mea liquefacta est ut dilectus meus)	Gaspar Van Weerbeke, composer				4 voices	Renaissance	Motets
Anima mea turbata	Giovanni Pierluigi da Palestrina, composer				4 voices	Renaissance	Motets
Animam meam dilectam (Tenebræ Responsory No.3 for Good Friday)	Tomás Luis de Victoria, composer				4 voices	Renaissance	Responsories
Anleitung zur Singkunst (Anleitung zur Singkunst, in kurzen Regeln fur Lehrer und in stufenweiser Reihe von Uebungen und Beyspielen fur Schuler, zum Gebrauch der vaterlandischen Schulen, von J. J. Walder)	Johann Jakob Walder, composer				voice 2 voices 3 voices 4 voices	Classical	Methods, Songs, Sacred songs
Anna, mihi dilecta (Christe, Dei soboles [contrafactum version])	Orlande de Lassus, composer		LV 646		4 voices	Renaissance	Motets
Annelein, du singst fein	Orlande de Lassus, composer		LV 479		4 voices	Renaissance	Lieder
Annuale che contiene tutto quello, che deve far un Organista per risponder al Choro tutto l’Anno... ({{TPtr}} :Annuale Che contiene tutto quello, che deve far un Organista, per risponder al Choro tutto l’Anno. Cioè tutti gl’Hinni delli Vesperi, tutte le Messe, cioè doppia, che serve ad ambe le classi, della Domenica, & della Beatissima Vergine Madre di Dio. Sono regolate sotto l’ordine de Toni Ecclesiastici : otto Magnificat, li cui Versetti per pigliare tutti li toni possono servire à tutte l’occorenze di risposte, ciascuno hà sua risposta breve per l’Antifona; otto Ricercate, otto Canzoni francese; quattro Fughe, la prima sopra la Bergamasca, la seconda sopra la Girometta, la terza sopra la Bassa fiamenga, la quarta sopra Ut, Re Mi, Fa, Sol, La; la Salve Regina, & il Te Deum laudamus. Di Fra Giovanbattista Fasolo D’Asti, dell’Ordine de Minori Convent. di S. Francesco. Opera ottava. Con privilegio. In Venetia. Appresso Allessandro Vincenti. MDCXXXXV.)	Giovanni Battista Fasolo, composer		Op.8		3 voices 4 voices organ	Baroque	Hymns, Vespers, Masses, Magnificats, Versets, Ricercars, Fugues
Anthoni pater inclyte	Mathieu Lasson, composer				4 voices	Renaissance	Motets
Antient Carols for Christmas (Antient Carols for Christmas and other tides)	Edmund Sedding, composer				4 voices mixed chorus	Romantic	Carols
Antient Christmas Carols (A collection of antient Christmas carols)	Edmund Sedding, composer				4 voices mixed chorus	Romantic	Carols
Antiphonae omnes ({{TPtr}} :Antiphonae omnes iuxta ritum romani breviarii pro totius anni dominicis diebus / in primis, & secundis Vesperis nunc primum / a reverendo D. Hoeronymo Lambardo Canonico Regulari sancti Spiritus Venetiarum / Harmonicis, elaboratissimisque contrapunctis exornatæ nec non ad Dei honorem, ac suæ ecclesiæ commodum in lucem editæ, atque in duas partes coactæ / in scilicet ut quæ ad Vesperas in Sabbato ad Magnificat attinent in prima, quæ verò in Vesperis diei Dominicæ concinuntur in secunda habeantur.)	Girolamo Lambardi, composer		RISM-A/I: L-367		4 voices	Renaissance	Antiphons
Antiphonae septem ad Vesperas Sancti Michaelis (Quatuor vocum)	Orlande de Lassus, composer		LV Anh.4	1585	4 voices	Renaissance	Antiphons
Antiphonae	Orlande de Lassus, composer		LV Anh.3-4	1585	4 voices 6 voices	Renaissance	Antiphons
Antiphonarium vespertinum dierum festorum ({{TPtr}} :ANTIPHONARIVM / VESPERTINVM / DIERVM FESTORVM TOTIVS ANNI / iuxta ritum Romani Breuiarij iuſſu Pij V. reformati, / nunc nuper pulcherrimis contrapuntiſ / exornatum atque auĉtum. / A REVERENDO D. HIERONYMO / LAMBARDO / Canonico Regulari ſanĉti Spiritus prope Venetias. / IN TRES PARTES DISTRIBVTVM / quarum vna complectitur dies feſtos domini, altera / Proprium ſanctorum, tertia Commune)	Girolamo Lambardi, composer		RISM RISM A/I: L-366		4 voices	Renaissance	Antiphons
Aperite mihi portas	Felice Anerio, composer				4 voices	Renaissance	Antiphons
Apollonian Harmony (Apollonian Harmony: a Collection of scarce & celebrated Glees, Catches, Madrigals, Canzonetts, Rounds, & Canons, Antient & Modern, with some Originals, Composed by Aldrich, Arne, Atterbury, Battishall [sic], Boyce, Brewer, Dibdin, Eccles, Est, Giardini, Green, Handel, Harrington, Hayes, Hook, Morley, Nares, Purcell, Ravenscroft, Travers, Webbe, and other eminent Masters; most of which are sung at the Noblemens' Catch-Club, Theatres, & Public Gardens. The Words consistent with Female Delicacy. Be Merry and Wise.)	Various, composer				2 voices 3 voices 4 voices 5 voices	Classical	Glees, Catches, Madrigals, Canzonets, Rounds, Canons
Apres avoir longuement attendu	Pierre de Villiers, composer				4 voices	Renaissance	Chansons
Apri'l mio dolce carcer	Jacob Arcadelt, composer				4 voices	Renaissance	Madrigals
April is in My Mistress' Face (Aprill is in My Mistris Face)	Thomas Morley, composer			1594	4 voices	Renaissance	Madrigals
Ardant amour souvent me fait instance	Orlande de Lassus, composer		LV 174	1564	4 voices	Renaissance	Chansons
Ardenti mei desiri	Jacob Arcadelt, composer				4 voices	Renaissance	Madrigals
Ardo lungi e dappresso	Giovanni Pierluigi da Palestrina, composer				4 voices	Renaissance	Madrigals
Aria d'un sonetto (Aria de un Sonetto)	Diego Ortiz, composer				4 voices	Renaissance	Arias
Armonica (Sammlung vierstimmiger Lieder für Real- und Sekundarschulen)	Johannes Wepf, composer				4 voices childrens chorus	Romantic	Lieder
Arpa Davidica (Salmi et Messa concertati)	Tarquinio Merula, composer		Op.16	1630	3 voices 4 voices	Baroque	Psalms, Masses
Arse la fiamm'e	Orlande de Lassus, composer		LV 902		4 voices	Renaissance	Madrigals
Artificii musicali (Artificii musicali ne quali si contengono canoni in diverse maniere, contrapunti dopii, inventioni curiose, capritii, e sonate)	Giovanni Battista Vitali, composer		Op.13		2 voices 4 voices 2 Unspecified instruments 3 Unspecified instruments 4 Unspecified instruments 6 Unspecified instruments 8 Unspecified instruments 10 Unspecified instruments 12 Unspecified instruments 2 violins and continuo soprano, alto and bass 2 violins and violone violin and violone soprano and bass violin and continuo	Baroque	Canons, Sinfonias, Fugues, Balletti, Capriccios, Sonatas, Passacaglias

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