| Title click for details |
Creators | Key | Opus | Composed | Instrumentation | Period/style | Type | Listen | Code |
|---|---|---|---|---|---|---|---|---|---|
| Summe summi | Gilet Velut, composer | 4 voices | Renaissance | Motets | |||||
| Summer is Gone | Samuel Coleridge-Taylor, composer Christina Rossetti, librettist |
A minor | 4 voices | Romantic | Songs | ||||
| Summus secretarius | Johannes Brassart, composer | 4 voices | Renaissance | Motets | |||||
| Super flumina Babylonis | Nicolas Gombert, composer | 4 voices | Renaissance | Motets | |||||
| Sur la rousée fault aller | Pierre Passereau, composer | 4 voices | Renaissance | Chansons | |||||
| Sur le joli jonc | Pierre Passereau, composer | 4 voices | Renaissance | Chansons | |||||
| Sur le pont davignon (Sur le pont d'Avignon) | Anonymous, composer | 4 voices | Renaissance | Songs | |||||
| Sur tous regrets le mien plus pitieux | Jean Richafort, composer | 4 voices | Renaissance | Chansons | |||||
| Surge amica mea speciosa mea et veni | Anonymous, composer | 4 voices | Renaissance | Motets | |||||
| Surge propera amica mea (Motecta in Festo Visitationis B. Mariæ) | Giovanni Pierluigi da Palestrina, composer | 4 voices | Renaissance | Motets | |||||
| Surrexi (Invitatorio per coro a 4 voci) | Andrea Basili, composer | F major | 1750 | 4 voices mixed chorus |
Baroque | Sacred choruses | |||
| Surrexit Pastor bonus | Giovanni Pierluigi da Palestrina, composer | 4 voices | Renaissance | Motets | |||||
| Sus approchez ces lèvres vermeillettes | Clément Janequin, composer | 4 voices | Renaissance | Chansons | |||||
| Sus, sus, ma seur, prendz bon couraige | Frougy, composer | 1549 | 4 voices | Renaissance | Chansons | ||||
| Susanne un jour | Didier Lupi Second, composer Guillaume Guéroult, librettist |
4 voices | Renaissance | Chansons, Sacred songs | |||||
| Sviranje partitura 1 | Boris Klaric, composer | 2009 | 2 voices 3 voices 4 voices |
Modern | Pieces | ||||
| Sweet Sung Praises | Gary Bachlund, composer | 1996 | 4 voices mixed chorus |
Modern | Sacred choruses | ||||
| Swynol Ganiadau (Swynol Ganiadau detholiad o donau ac emynau at wasanaeth yr Ysgolion Sabbathol, y Cymdeithasau Ymdrechol, Cyfarfodydd Gweddi a Dirwestol, &c. gan y Parch. J. A. Jones.) | J. A. Jones, composer | 4 voices mixed chorus |
Romantic | Hymns, Sacred songs, Chants | |||||
| Sy celle la qui oncques ne fut myenne | Clément Janequin, composer | 4 voices | Renaissance | Chansons | |||||
| Sy mon travail vous peut donner | Sandrin, composer | 4 voices | Renaissance | Chansons | |||||
| Symphonia angelica (Symphonia angelica di diversi eccellentissimi musici a IIII, V et VI voci, nuovamente raccolta per Huberto Waelrant, et data im luce : Nella quale si contiene una scielta di migliori madrigali che hoggidi si cantino) | Hubert Waelrant, composer | 4 voices 5 voices 6 voices |
Renaissance | Madrigals | |||||
| Symphoniae iucundae arque adeo breves quatuor vocum | Various, composer | 4 voices | Renaissance | Motets | |||||
| T'meiskin was jonck (De tous in buse) | Jean Japart, composer | 4 voices | Renaissance | Songs | |||||
| Tabor: or, The Richmond Collection of Sacred Music (Tabor: or, The Richmond Collection of Sacred Music, designed for the various religious societies of the Southern and South-Western States. by R. M. McIntosh) | Rigdon McCoy McIntosh, composer | 4 voices mixed chorus |
Classical | Hymns, Psalms, Anthems, Chants | |||||
| Take, O Take Those Lips Away | Claude Ernest Cover, composer William Shakespeare, librettist |
F major | 4 voices mixed chorus |
Romantic | Secular choruses | ||||
| Tamquam ad latronem (Tenebræ Responsory No.1 for Good Friday) | Tomás Luis de Victoria, composer | 4 voices | Renaissance | Responsories | |||||
| Tan bien mi son pensa | Jean Japart, composer | 4 voices | Renaissance | Madrigals | |||||
| Tan buen ganadico | Juan del Encina, composer | D minor | 4 voices | Renaissance | Songs | ||||
| Tandernaken | Erasmus Lapicida, composer | A minor | 4 voices | Renaissance | Lieder | ||||
| Tant belle mi son pensade (Tant belle mi son pensado) | Heinrich Isaac, composer | 4 voices | Renaissance | Chansons | |||||
| Tant que nostre argent dure / Amour fait moult / Il est de bonne | Antoine Busnois, composer | 4 voices | Renaissance | Chansons | |||||
| Tant que nostre argent durra | Jacob Obrecht, composer | 4 voices | Renaissance | Chansons | |||||
| Tant que vivray | Claudin de Sermisy, composer Clément Marot, librettist |
4 voices | Renaissance | Chansons | |||||
| Tant vertueux est l’amour de ma dame | Nicolas de Marle, composer | 4 voices | Renaissance | Chansons | |||||
| Tant vous allez doux, Guillemette (Tant vous ales doulce) | Ebran, composer | 4 voices | Renaissance | Chansons | |||||
| Tanto ha ch'io t'o contato li mei guai | Anonymous, composer | 4 voices | Renaissance | Madrigals | |||||
| Tantum ergo | Giovanni Pierluigi da Palestrina, composer | 4 voices | Renaissance | Hymns | |||||
| Tantum ergo à 4 | Giovanni Pierluigi da Palestrina, composer | 4 voices | Renaissance | Hymns | |||||
| Tart ara mon cueur sa plaisance (Sepulchrum signantes [contrafactum version?]) | Jean Molinet, composer | 3 voices 4 voices |
Renaissance | Chansons | |||||
| Te decet hymnus | Orlande de Lassus, composer | LV 202 | 4 voices | Renaissance | Motets | ||||
| Te Deum | Pedro de Cristo, composer | 4 voices | Renaissance | Te Deum | |||||
| Te Deum | Giaches de Wert, composer | 4 voices | Renaissance | Te Deum | |||||
| Te Deum Patrem ingenitum | Andrea Gabrieli, composer | 4 voices | Renaissance | Motets | |||||
| Te lucis ante terminum (Ad completorium tempore quadragesimae hymnus) | Orlande de Lassus, composer | LV Anh.154 | 1580 | 4 voices mixed chorus |
Renaissance | Hymns | |||
| Te matrem dei | Jean Lhéritier, composer | 4 voices | Renaissance | Motets | |||||
| Tell my Strephon that I die | John Hindle, composer | 4 voices | Classical | Glees | |||||
| Telle qu’elle est dedans ma souvenance | Anthoine de Bertrand, composer Pierre de Ronsard, librettist |
4 voices | Renaissance | Chansons | |||||
| Tels menus plaidz conferment les amours | Claude Goudimel, composer | 4 voices | Renaissance | Chansons | |||||
| Temple Melodies (Temple Melodies: a collection of about two hundred popular tunes, adapted to nearly five hundred favorite hymns, selected with special reference to public, social, and private worship.) | Darius Eliot Jones, composer | 4 voices mixed chorus |
Romantic | Hymns, Sacred songs | |||||
| Tenebe facte sunt | Pedro de Cristo, composer | 4 voices | Renaissance | Responsories | |||||
| Tenebrae factae sunt | Paolo Aretino, composer | 4 voices | Renaissance | Responsories |
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