| Title click for details |
Creators | Key | Opus | Composed | Instrumentation | Period/style | Type | Listen | Code |
|---|---|---|---|---|---|---|---|---|---|
| Si en aymant je pourchasse et procure | Clément Janequin, composer | 1533 | 4 voices | Renaissance | Chansons | ||||
| Si envieulx et faulx raportz | Pierre de Villiers, composer | 4 voices | Renaissance | Chansons | |||||
| Si froid et chaut mis ensemble ne dure | Orlande de Lassus, composer | 4 voices | Renaissance | Chansons | |||||
| Si Grand' e la Pieta | Jacob Arcadelt, composer | 4 voices | Renaissance | Madrigals | |||||
| Si i'ay pour vous | Claudin de Sermisy, composer | 4 voices | Renaissance | Chansons | |||||
| Si j'ay perdu mon amy | Josquin Desprez, composer | NJE 28.32 | 4 voices | Renaissance | Chansons | ||||
| Si jamais homme en aymant fut heureux | Anthoine de Bertrand, composer Pierre de Ronsard, librettist |
4 voices | Renaissance | Chansons | |||||
| Si l'on donnoit à l'amant jouyssance | Claude Goudimel, composer | 4 voices | Renaissance | Chansons | |||||
| Si le long tems, LV 77 (Auß tieffer not / Puis que peché / Si le long tems [...] me rend absent de la sainte assemblée) | Orlande de Lassus, composer | 4 voices | Renaissance | Chansons | |||||
| Si le service est receu pour offence | Pierre de Villiers, composer | 4 voices | Renaissance | Chansons | |||||
| Si non per portas (If not by gates, by walls) | Ludwig van Beethoven, composer | E flat major | WoO 194 | 1825 | 4 voices | Classical | Canons | ||
| Si par souhait je vous tenoye | Orlande de Lassus, composer | 4 voices | Renaissance | Chansons | |||||
| Si pour aimer et désirer | Thomas Crecquillon, composer | 4 voices | Renaissance | Chansons | |||||
| Si pour moy avez du souci | Orlande de Lassus, composer Clément Marot, librettist |
4 voices | Renaissance | Chansons | |||||
| Si Salamandre en flamme vit c'est peu | Thomas Crecquillon, composer | 4 voices | Renaissance | Chansons | |||||
| Si ton plus grand desir | Pierre de Villiers, composer | 4 voices | Renaissance | Chansons | |||||
| Si tu voulloys mon amour acquerir | Pierre de Villiers, composer | 4 voices | Renaissance | Chansons | |||||
| Si variable (Si variable oncques fut damoiselle) | Jean Lecocq, composer | 4 voices | Renaissance | Chansons | |||||
| Si vous avez de me veoir telle envie | Pierre de Villiers, composer | 4 voices | Renaissance | Chansons | |||||
| Si vous la baizes comptes quinze | Jean Maillard, composer | 1544 | 4 voices | Renaissance | Chansons | ||||
| Si vous n'estes en bon point (Dieu voit des tyrans / Mancher fragt mich / Si vous n'estes en bon point [...] mieux) | Orlande de Lassus, composer Clément Marot, librettist |
LV 159 | 4 voices | Renaissance | Chansons | ||||
| Si vous voullez m’amour avoir | Pierre de Villiers, composer | 4 voices | Renaissance | Chansons | |||||
| Sia vile agli altri, e da quel solo amata | Jacquet de Berchem, composer Lodovico Ariosto, librettist |
4 voices | Renaissance | Capriccios, Madrigals | |||||
| Sibylla Agrippa (Svmmus erit) | Orlande de Lassus, composer | LV 1060 | 1555 | 4 voices mixed chorus |
Renaissance | Motets | |||
| Sibylla Cimmeria (In teneris annis) | Orlande de Lassus, composer | LV 1052 | 1555 | 4 voices mixed chorus |
Renaissance | Motets | |||
| Sibylla Cumana (Iam mea certa) | Orlande de Lassus, composer | LV 1054 | 1555 | 4 voices mixed chorus |
Renaissance | Motets | |||
| Sibylla Delphica (Non tarde veniet) | Orlande de Lassus, composer | LV 1051 | 1555 | 4 voices mixed chorus |
Renaissance | Motets | |||
| Sibylla Erythræa (Cerno Dei natum) | Orlande de Lassus, composer | LV 1059 | 1555 | 4 voices mixed chorus |
Renaissance | Motets | |||
| Sibylla Europæa (Virginis æternum) | Orlande de Lassus, composer | LV 1057 | 1555 | 4 voices mixed chorus |
Renaissance | Motets | |||
| Sibylla Hellespontica (Dvm meditor quondam) | Orlande de Lassus, composer | LV 1055 | 1555 | 4 voices mixed chorus |
Renaissance | Motets | |||
| Sibylla Libyca (Ecce dies venient) | Orlande de Lassus, composer | LV 1050 | 1555 | 4 voices mixed chorus |
Renaissance | Motets | |||
| Sibylla Persica (Virgine matre satus) | Orlande de Lassus, composer | LV 1049 | 1555 | 4 voices mixed chorus |
Renaissance | Motets | |||
| Sibylla Phrygia (Ipsa Deum vidi) | Orlande de Lassus, composer | LV 1056 | 1555 | 4 voices mixed chorus |
Renaissance | Motets | |||
| Sibylla Samia (Ecce dies nigras) | Orlande de Lassus, composer | LV 1053 | 1555 | 4 voices mixed chorus |
Renaissance | Motets | |||
| Sibylla Tyburtina (Verax ipse Deus) | Orlande de Lassus, composer | LV 1058 | 1555 | 4 voices mixed chorus |
Renaissance | Motets | |||
| Sicut cervus | Juan Vásquez, composer | 4 voices | Renaissance | Chants | |||||
| Sicut lilium inter spinas | Antoine Brumel, composer | 4 voices | Renaissance | Motets | |||||
| Sicut ovis | Anonymous, composer | 4 voices | Renaissance | Responsories | |||||
| Siehe mein Knecht wird weislich thun (Prophetia Evangelica) | Melchior Franck, composer | 4 voices mixed chorus |
Baroque | Sacred songs | |||||
| Signor mio caro | Girolamo Dalla Casa, composer | 4 voices | Renaissance | Madrigals | |||||
| Signor mio caro | Cipriano de Rore, composer Francesco Petrarca, librettist |
1550 | 4 voices | Renaissance | Madrigals | ||||
| Since just disdain began to rise (Since iust disdaine began to rise) | Martin Peerson, composer | G major | 4 voices 4 viols voice and 3 viols 2 voices and 2 viols 3 voices and viol voice and 3 Unspecified instruments 2 voices and 2 Unspecified instruments 3 voices 4 Unspecified instruments |
Baroque | Airs | ||||
| Since my tears and lamenting | Thomas Morley, composer | 4 voices | Renaissance | Madrigals | |||||
| Sing We, Dance We | Francis Pilkington, composer | 4 voices | Renaissance | Songs | |||||
| Sing ye unto the Lord our God | Simon Stubbs, composer | 4 voices | Baroque | Psalms | |||||
| Sitivit anima mea | Juan Vásquez, composer | 4 voices | Renaissance | Antiphons | |||||
| Sixième livre de pseaumes de David, mis en musique à quatre parties en forme de motets | Claude Goudimel, composer | 4 voices | Renaissance | Psalms, Motets | |||||
| So el encina | Anonymous, composer | 4 voices | Renaissance | Songs | |||||
| So ich Herzlieb nun von dir scheid | Ludwig Senfl, composer | 4 voices | Renaissance | Lieder | |||||
| Soave et dilattevole canzonette: Liebliche und kurtzweilige Liedlein (Soave et dilattevole canzonette a quattro voci ... Liebliche und kurtzweilige Liedlein, mit vier Stimmen) | Cesare de Zacharia, composer | 4 voices | Renaissance | Canzonettas, Lieder | |||||
| Social Harmony: containing first, the rudiments of psalmody made easy. Second, a collection of modern music, calculated for the use of singing schools and worshipping assemblies | Asahel Benham, composer | 4 voices | Classical | Psalms, Hymns, Anthems |
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