| Title click for details |
Creators | Key | Opus | Composed | Instrumentation | Period/style | Type | Listen | Code |
|---|---|---|---|---|---|---|---|---|---|
| Sabbato Sancto à 4 (Responsoria pro Triduo Sacro in Nocturno II et III) | Orlande de Lassus, composer | LV Anh.145 | 1582 | 4 voices | Renaissance | Responsories | |||
| Saccio na cosa (Saccio ’na cosa ch’è di legn’e tonda) | Orlande de Lassus, composer | 4 voices | Renaissance | Villanelle | |||||
| Sacerdos et Pontifex | Andrea Gabrieli, composer | 4 voices | Renaissance | Motets | |||||
| Sacrae aliquot cantiones latinae et germanicae (Sacrae aliquot cantiones latinae et germanicae, quinque et quatuor vocum, summa diligentia compositae, correctae, et iam primum in lucem editae a Iacobo Meilando Germano) | Jakob Meiland, composer | 4 voices 5 voices |
Renaissance | Sacred songs, Motets | |||||
| Sacrae cantiones (Sacrae cantiones in totius anni solennitatibus) | Giammateo Asola, composer | 4 voices | Renaissance | Motets | |||||
| Sacrae symphoniae | Caspar Hassler, composer | mixed chorus 4 voices 5 voices 6 voices 7 voices 8 voices 10 voices 12 voices 16 voices |
Renaissance | Motets | |||||
| Sacrarum cantionum (Sacrarum cantionum, cum quatuor, 5. 6. 7. & 8. vocibus concinendarum) | Benedikt Faber, composer | 4 voices 5 voices 6 voices 7 voices 8 voices |
Baroque | Sacred songs | |||||
| Sacrarum symphoniarum continuatio (Sacrarum symphoniarum continuatio. Diversorum excellentissimorum authorum. Quaternis, V. VI. VII. VIII. X. & 12 vocibus tam vivis, quam Instrumentalibus accommodata.) | Caspar Hassler, composer | mixed chorus 4 voices 5 voices 6 voices 7 voices 8 voices 10 voices 12 voices |
Renaissance | Motets | |||||
| Sacræ cantiones | Tomás Luis de Victoria, composer | 4 voices 5 voices 6 voices 8 voices 12 voices |
Renaissance | Sacred songs | |||||
| Sacræ symphoniæ (Sacræ symphoniæ, quas vulgo motetas appellant, tam de totius anni festis solennibus, quam de tempore, 4. 5. 6. 7. 8. 9. 10. 11. 12. 13. 15 & 16. tam vocibus quam instrumentis accomodatæ) | Lambert de Sayve, composer | 4 voices 5 voices 6 voices 7 voices 8 voices 9 voices 10 voices 11 voices 12 voices 13 voices 15 voices 16 voices |
Renaissance | Motets | |||||
| Sacred Harmony, 1838 (Sacred Harmony: consisting of a variety of tunes, adapted to the different metres now in use in the Wesleyan Methodist Hymn Book, and a few anthems and favourite pieces; selected from the most approved authors, ancient and modern, under the direction of the Conference of the Wesleyan Methodist Church in Canada. By Alexander Davidson) | Alexander Davidson, composer | 3 voices 4 voices mixed chorus voices and organ |
Classical | Psalms, Hymns, Anthems | |||||
| Sacred Harmony (Sacred Harmony. A Collection of Psalm Tunes, Ancient & Modern, Containing a great Variety of the most approved Plain & Simple Airs, with a considerable number of Tunes in Verse & Chorus & Fugues. The Whole set in Four Parts, and Arranged under the several Metres & Keys, with a Figured Bass for the Piano Forte & Organ, Together with a Selection of Canons, Chants &c. & An Introduction to the Art of Singing, by R. Harrison) | Ralph Harrison, composer | soprano, alto, tenor, bass and continuo mixed chorus and continuo 4 voices mixed chorus |
Classical | Psalms, Hymns, Anthems, Chants, Canons, Airs, Fugues | |||||
| Sacred Harmony ({{TPtr}} :Sacred Harmony: a collection of music, adapted to the greatest variety of metres now in use: And, for Special Occasions, a choice selection of sentences, anthems, motets, and chants. Harmonized by Samuel Jackson. With an improved system of elementary instruction.) | Samuel P. Jackson, composer | 4 voices 4 voices and organ mixed chorus mixed chorus and organ |
Classical | Psalms, Hymns, Anthems, Chants | |||||
| Sacred Harmony (Sacred Harmony ) | Various, composer | 3 voices 4 voices mixed chorus |
Classical | Psalms, Hymns | |||||
| Sacred Harmony, for the Use of St. George's Church Edinburgh (Sacred Harmony, for the Use of St. George's Church Edinburgh being a Collection of Psalm & Hymn Tunes with an Accompaniment for the Organ or Piano Forte) | Various, composer | 4 voices mixed chorus soprano, alto, tenor, bass and organ voices and piano |
Classical | Psalms, Hymns | |||||
| Sacred Harmony: A Selection of Plain Tunes (Sacred Harmony. A Selection of Plain Tunes, adapted to the use of the Psalms of David; prepared by direction of the Associate Reformed Synod of New-York.) | Various, composer | 3 voices 4 voices mixed chorus |
Romantic | Psalms | |||||
| Sacred Lines, for Thanksgiving Day (Sacred Lines, for Thanksgiving Day, November 7, 1793. Written and set to Music by Hans Gram, Organist to Brattle Street Church, in Boston. To which are added, Several Psalm Tunes of different Metres, by the same Composer.) | Hans Gram, composer | 4 voices mixed chorus |
Classical | Anthems, Psalms | |||||
| Sacred mirth: or, the pious soul´s daily delight. (Sacred mirth: ) | William Tans'ur, composer | 2 voices 3 voices 4 voices 5 voices 6 voices 7 voices 8 voices 2 voices and continuo 3 voices and continuo 4 voices and continuo 3 Unspecified instruments 4 Unspecified instruments |
Baroque | Hymns, Psalms, Anthems, Canons | |||||
| Sacred Music (Sacred Music, containing a great variety of Psalm and Hymn Tunes; selected principally, from the most eminent European authors; The greater part of which were never published in the Patent Notes. To which is prefixed, a Musical Grammar, a Musical Dictionary, &c. By Seth Ely.) | Seth Ely, composer | 2 voices 3 voices 4 voices 5 voices mixed chorus |
Classical | Hymns, Psalms, Anthems | |||||
| Sacred Musick for the First Church (Sacred Musick, selected for the use of the First Church in Boston) | Various, composer | 3 voices 4 voices mixed chorus |
Classical | Psalms, Hymns | |||||
| Sacred Psalmody, for the church in Federal Street (Sacred Psalmody, selected for the church in Federal-Street, Boston) | Various, composer | 2 voices 3 voices 4 voices mixed chorus |
Classical | Psalms, Hymns | |||||
| "Sacred Tunes and Hymns" Containing a Special Collection of a Very High Order of Standard Sacred Tunes and Hymns, Novel and Newly Arranged. Nothing like it on the market. | Various, composer | 4 voices 4 voices and keyboard |
Early 20th century | Psalms, Hymns | |||||
| Sacri Concentus quator, 5, 6, 7, 8, 9, 10 & 12 vocum | Hans Leo Hassler, composer | 4 voices 5 voices 6 voices 7 voices 8 voices 9 voices 10 voices 12 voices |
Renaissance | Motets, Sacred concertos | |||||
| Salmi concertati | Natale Monferrato, composer | Op.16 | 3 voices 4 voices 3 voices, strings and organ 4 voices, strings and organ |
Baroque | Psalms | ||||
| Salutis humanae sator | Kaspar Ett, composer Sacred music, librettist |
G major | 4 voices mixed chorus |
Renaissance | Hymns | ||||
| Salutis humanae Sator | Orazio Vecchi, composer Sacred music, librettist |
A minor | 4 voices mixed chorus |
Renaissance | Motets | ||||
| Saluto te sancta virgo Maria | Adrian Willaert, composer | 4 voices | Renaissance | Motets | |||||
| Salva nos Domine vigilantes custodi nos | Bartolomeo Tromboncino, composer | 4 voices | Renaissance | Sacred songs | |||||
| Salvator mundi salva nos omnes (Motecta in Festo Omnium Sanctorum) | Giovanni Pierluigi da Palestrina, composer | 4 voices | Renaissance | Motets | |||||
| Salve Mater Salvatoris | Franchinus Gaffurius, composer | 4 voices | Renaissance | Motets | |||||
| Salve mater salvatoris | Jean Lhéritier, composer | 4 voices | Renaissance | Motets | |||||
| Salve Regina | Ercole Bernabei, composer | A minor | 4 voices | Baroque | Salve Regina | ||||
| Salve Regina | Arnold Fleron, composer | 4 voices | Renaissance | Salve Regina | |||||
| Salve Regina | Heinrich Isaac, composer | 4 voices | Renaissance | Antiphons | |||||
| Salve Regina | Antonio Lotti, composer | 4 voices | Baroque | Salve Regina | |||||
| Salve Regina (1703) | Alessandro Scarlatti, composer | 1703 | 4 voices | Baroque | Salve Regina | ||||
| Salve Regina misericordiae / Le serviteur | Aires Fernandes, composer | 4 voices | Renaissance | Salve Regina, Chansons | |||||
| Salve Regina | Giovanni Pierluigi da Palestrina, composer | 4 voices | Renaissance | Salve Regina | |||||
| Salve Regina | Orlande de Lassus, composer | LV 501 | 4 voices | Romantic | Salve Regina | ||||
| Salve Regina | Orlande de Lassus, composer | LV 881 | 4 voices | Renaissance | Salve Regina | ||||
| Salve sola Dei genetrix | William Byrd, composer | T 104 | 4 voices | Renaissance | Motets | ||||
| Salvete flores Martyrum | Giovanni Pierluigi da Palestrina, composer | 4 voices | Renaissance | Hymns | |||||
| Salvete flores martyrum | Giovanni Pierluigi da Palestrina, composer | 4 voices | Renaissance | Hymns | |||||
| Salvete flores martyrum (Deus tuorum militum [contrafactum version]) | Orlande de Lassus, composer | LV Anh.151 | 1580 | 4 voices | Renaissance | Hymns | |||
| Salvete, flores martyrum | Tomás Luis de Victoria, composer | 4 voices | Renaissance | Hymns | |||||
| Salvum fac populum tuum, Domine | Alessandro Scarlatti, composer | 4 voices | Baroque | Motets | |||||
| Sammlung ausgezeichneter Kompositionen für die Kirche (Collection of excellent compositions for the church) | Stephan Lück, composer | 1859 | voices voices and organ 4 voices |
Baroque | Psalms, Motets, Masses | ||||
| Sammlung ein-, zwei-, drei- und vierstimmiger Gesänge (Sammlung ein-, zwei-, drei- und vierstimmiger Gesänge von verschiedenen Componisten für Schulen und Kirchen) | P. I. Abel, composer | voice 2 voices 3 voices 4 voices mixed chorus |
Romantic | Songs, Sacred songs | |||||
| Sammlung von drei- und vierstimmigen Volksgesängen für Knaben, Mädchen und Frauen | Various, composer | 3 voices 4 voices |
Classical | Folksongs | |||||
| Sämtliche Chansons (Antonie Busnois: Sämtliche Chansons ediert von Clemens Goldberg) | Antoine Busnois, composer | 3 voices 4 voices |
Renaissance | Chansons | |||||
| Sämtliche Chansons (Sämtliche Chansons ediert von Clemens Goldberg) | Firminus Caron, composer | 3 voices 4 voices |
Renaissance | Chansons |
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