Compositions for 4 voices

Title click for details	Creators	Key	Opus	Composed	Instrumentation	Period/style	Type
Pour passer temps / Plus ne chasceray	Jean Japart, composer				4 voices 4 Unspecified instruments	Renaissance	Chansons
Pour tout le moins, ayez in souvenir	Anonymous, composer				4 voices	Renaissance	Chansons
Pour ung plaisir (Pour ung plaisir qui si peu dure)	Thomas Crecquillon, composer			1543	4 voices	Renaissance	Chansons
Pour voir ensemble	François Regnard, composer				4 voices	Renaissance	Chansons
Pour-ce que tu sçay bien que je t’ayme mieux	Anthoine de Bertrand, composer Pierre de Ronsard, librettist				4 voices	Renaissance	Chansons
Pourquoi donc ne fringuerons nous	Pierre Passereau, composer				4 voices	Renaissance	Chansons
Pourquoi tant me fault il attendre	Pierre de La Rue, composer				4 voices	Renaissance	Chansons
Pourquoy tournez vous vos yeux	Clément Janequin, composer Pierre de Ronsard, librettist				4 voices	Renaissance	Chansons
Pourquoy tournez vous voz yeux	Anthoine de Bertrand, composer Pierre de Ronsard, librettist				4 voices	Renaissance	Chansons
Practische Musik-Werke (Practische Musik-Werke hervorragender Componisten des XVI-XVIII Jahrhunderts)	Siegfried Wilhelm Dehn, composer				4 voices soprano, alto, tenor and bass 6 voices 2 sopranos, alto, 2 tenors and bass 8 voices 4 sopranos, 2 altos and 2 basses 9 voices 3 sopranos, 2 altos, 2 tenors and 2 basses 4 sopranos, 2 altos, tenor and 2 basses mixed chorus mixed chorus and strings mixed chorus and orchestra soprano, alto, tenor, bass, mixed chorus, strings and continuo soprano, alto, tenor, bass, mixed chorus and orchestra	Baroque	Stabat Mater, Motets, Miserere, Improperia, Psalms, Masses, Offertories
Praeparate corda vestra	Costanzo Porta, composer Sacred music, librettist	A minor			4 voices	Renaissance	Motets
Praeparate corda vestra	Claudin de Sermisy, composer Sacred music, librettist	D minor			4 voices	Renaissance	Motets
Praeparate corda vostra	Jacob Handl, composer Sacred music, librettist	C major			4 voices mixed chorus	Renaissance	Motets
Praesidium Sara dulce meum	Orlande de Lassus, composer		LV 412		4 voices	Renaissance	Motets
Preces ecclesiasticæ	Eustache Du Caurroy, composer				3 voices 4 voices 5 voices 6 voices 7 voices	Renaissance	Motets
Preces speciales pro salubri generalis Concilii successu (Preces speciales pro salvbri generalis concilii svccessv, ac conclvsione, popvliqve christiani salute, et unione : atq; contra ecclesiae hostium furorem, ex sacra scriptura, et ecclesiae usu a reuerendo patre petro de soto ordinis praedicatorum collectae : et per iacobum de kerle flandrum yprensem illustrissimi et reuerendissimi cardinalis augustani compositorem ad figuras et modos musicos accommodatae.)	Jacobus de Kerle, composer				4 voices 5 voices	Renaissance	Pieces, Sacred songs, Responsories
Preise Jerusalen dem Herrn	Anonymous, composer	C major			4 voices mixed chorus	Baroque	Motets
Premier recueil de musique vocale (XVIe et XVII e siècles)	Henri Lammers, composer				4 voices 5 voices mixed chorus	Renaissance	Pavans, Chansons, Ave Maria, Carols
Premier, - Dixiesme livre des chancons a quatre parties	Tielman Susato, composer				4 voices 5 voices 6 voices	Renaissance	Chansons
Prenez mon cœur, dame, prenez mon cœur	Anthoine de Bertrand, composer Pierre de Ronsard, librettist				4 voices	Renaissance	Chansons
Prenez plaisir	Anonymous, composer				4 voices	Renaissance	Chansons
Preste moy l’ung de tes yeulx bien aprins	Pierre de Villiers, composer				4 voices	Renaissance	Chansons
Priegi qui muoia il cielo	Pierre de Villiers, composer				4 voices	Renaissance	Madrigals
Princeps gloriosissime	Luca Marenzio, composer				4 voices	Renaissance	Motets, Antiphons
Princeps gloriosissime	Giovanni Pierluigi da Palestrina, composer				4 voices	Renaissance	Motets
Private Music (Private Musicke. Or the First Booke of Ayres and Dialogues. Contayning Songs of 4. 5. and 6. parts, of severall sorts, and being ''Verse'' and ''Chorus'', is fit for Voyces and Viols. And for want of ''Viols'', they may be performed to ''either the'' Virginall ''or'' Lute, ''where the proficient'' can play upon the Ground, or for a shift to the Base Viol alone. ''All made and composed, according to the rules of Art'', by M. P. Batchelar of musicke.)	Martin Peerson, composer		RISM A/I: P 1135	1620	4 voices 4 viols voice and 3 viols 2 voices and 2 viols 3 voices and viol voice and 3 Unspecified instruments 2 voices and 2 Unspecified instruments 3 voices 4 Unspecified instruments	Baroque	Airs
Pro defunctis (Circumdederunt me)	Bartolomeo Trosylho, composer				4 voices	Renaissance	Sacred songs
Proba me Deus	Orlande de Lassus, composer		LV 645		4 voices	Renaissance	Motets
Probasti cor meum Deus	Anonymous, composer				4 voices	Renaissance	Motets
Pronuba Juno (Qui regit astra [contrafactum version])	Orlande de Lassus, composer		LV 411		4 voices	Renaissance	Motets
Prope est Dominus	Jacob Regnart, composer				4 voices	Renaissance	Motets
Prophetiae Sibyllarum (Prophetiae Sibyllarum … chromatico more singulari confectae, quatuor vocum)	Orlande de Lassus, composer		LV 1048-1060	1555	4 voices mixed chorus	Renaissance	Motets
Próżno na piasek słońce szle oswiaty (Hymn)	Karol Kurpiński, composer Kazimierz Brodziński, librettist	E flat major			4 voices female chorus male chorus	Romantic	Hymns
Psalm 107 (Psalm 107 from 50 Psalmen Davids)	Cornelis Boscoop, composer	C major			4 voices 4 Unspecified instruments	Renaissance	Psalms
Psalm 139 (Psalm 139 from 50 Psalmen Davids)	Cornelis Boscoop, composer	C major			4 voices 4 Unspecified instruments	Renaissance	Psalms
Psalm 150 and Parody Mass (Psalmus CL Laudate Dominum in Sanctis eius, &c. quatuor vocibus harmoniacis exornatus: ac ad eiusdem Cantilenae imitationem, Missa, (ut vulgo vocant) cuius, & ante, & post conciones sacras, in ecclesiis usus est ...)	Johann Steuerlein, composer				4 voices	Renaissance	Psalms, Masses
Psalm 33	Loys Bourgeois, composer				4 voices	Renaissance	Psalms
Psalm Tunes, Hymns & Anthems (Third Book Psalm Tunes, Hymns & Anthems)	Thomas Shoel, composer		Book/Set 3		soprano, alto, tenor, bass and continuo mixed chorus and continuo 4 voices mixed chorus mixed chorus, continuo and 2 sopranos	Classical	Psalms, Hymns, Anthems
Psalmen und Christliche Gesänge (Psalmen und Christliche Gesäng mit vier Stimmen auff die Melodeyen fugweiß componiert)	Hans Leo Hassler, composer		RISM A/I: H 2330		4 voices 5 voices mixed chorus	Renaissance	Psalms, Sacred songs
Psalmen und Geistliche Lieder (Kirchengesäng: Psalmen und Christliche Lieder, auff die gemeynen Melodeyen mit vier Stimmen simpliciter gesetzt)	Hans Leo Hassler, composer		RISM A/I: H 2332		4 voices 5 voices 8 voices	Baroque	Psalms, Sacred songs
Psalmes, Songs, and Sonnets	William Byrd, composer		RISM A/I: B 5221	1611	3 voices 4 voices 5 voices 6 voices 3 viols 4 viols 5 viols 6 viols voice	Renaissance	Psalms, Songs
Psalmodia Christiana (''Title-page transcription'' :Psalmodia Christiana a Collection of Sacred Music in Four Parts designed for Public Worship - Containing 200 plain Psalm Tunes, 50 Fugues, & a few pieces in the Hymn Stile, for the Three great Festivals, Christmas-Day, Easter Day & Whit-Sunday, with the Bass Figured for the Organ or Harpsichord; ... Many of the Tunes are Harmonized, & a very considerable number entirely new, Composed by William Dixon. NB. The whole is also adapted for a single Voice or Harpsichord, & for the convenience of Purchasers is divided into 3 Books Price 3s each, or the whole complete, Price 8s. Exclusive of New Tunes, the following sheets contain most of the admired Old ones, all are adapted to the versions of the Church of England, & to render the Book more generally acceptable, several of them are also accommodated to the Words of Dr. Watts's Psalms & Hymns. An easy & concise Introduction to Singing is also prefixed, containing Rules for Singing at Sight, formed by the Author during many Years Study & practice in Teaching.)	William Dixon, composer				4 voices mixed chorus 4 voices and continuo mixed chorus and continuo	Classical	Psalms, Hymns, Anthems
Psalmodia Regia (Psalmodia Regia, das ist: Außerlesene Sprüche aus den ersten 25. Psalmen, des geistreichen königlichen Propheten Davids, Mit 2. 3. 4. und 5. Stimmen Beydes Vocaliter und auch Instrumentaliter zu gebrauchen, Componirt und gesetzt Von Samuele Michaele, Dresdensi, Organ. Lipsiæ ad D. Nicolai.)	Samuel Michael, composer				2 voices 3 voices 4 voices 5 voices mixed chorus 2 Unspecified instruments 3 Unspecified instruments 4 Unspecified instruments 5 Unspecified instruments	Renaissance	Psalms
Psalmody: or a Collection of Psalm Tunes in the Ancient and Modern Stiles, with Several Festival Hymns, All set in a very easy Manner (chiefly designed for the Use of Country Churches) for one, two, three, and four Voices, with Choruses. The whole so contrived as to be Sung with or without an Organ. To which are added, Canons for three, four, five, and six Voices, with a Thorough Bass.	John Alcock Sr., composer				voices and continuo mixed chorus and continuo 2 voices and continuo 3 voices and continuo 4 voices and continuo 5 voices and continuo 6 voices and continuo voice, mixed chorus and continuo mixed chorus 2 voices 3 voices 4 voices 5 voices 6 voices	Baroque	Psalms, Hymns, Canons
Psalmorum selectorum, Tomus 1 (Psalmorum selectorum a praestantissimis huius nostri temporis in arte musica artificibus in harmonias quatuor, quinque, et sex vocum redactorum ...)	Johann vom Berg, composer				4 voices 5 voices 6 voices	Renaissance	Psalms
Tomus primus psalmorum selectorum	Johannes Petreius, composer				4 voices	Renaissance	Psalms
Psalmorum selectorum, Tomus 2 (Tomvs secvndvs psalmorvm selectorvm, qvatvor et plvrivm vocvm)	Johann vom Berg, composer				4 voices 5 voices	Renaissance	Psalms
Psalmorum selectorum, Tomus 3 (Tomvs tertivs psalmorvm selectorvm, qvatvor et plvrivm vocvm)	Johann vom Berg, composer				4 voices 5 voices 6 voices	Renaissance	Psalms
Psalmorum selectorum, tomus 4 (PSALMORVM SELECTORVM A' PRAESTANTISSIMIS HVIVS NOSTRI TEMPORIS IN ARTE MVSICA ARTIFICIBVS IN HARMONIAS QVATVOR, QVINQVE, ET SEX VOCVM REDACTORVM TOMVS PRIMVS (-QVARTVS), QVI CVM FERÈ, VT RELIQVI tres, nouos, & hactenus in publico non conspectos uel auditos Psalmos contineat, Recens natus recte dici potest, [Stimmen], Bd.: 4, TOMVS QVARTVS PSALMORVM SELECTORVM, QVATVOR ET PLVRIVM VOCVM, Noribergae, 1554)	Johann vom Berg, composer				4 voices 5 voices 6 voices	Renaissance	Psalms, Motets
Choix de psaumes (Les Cent Cinqvante Pseavmes De David, Nouvvellement Mis En Musiqve)	Claude Goudimel, composer Clément Marot, librettist Théodore de Bèze, librettist				4 voices	Renaissance	Psalms
Psalms and Hymns in Solemn Musick (Psalms & hymns in solemn musick of foure parts on the common tunes to the psalms in metre. ; Also Six Hymns for One Voice to the Organ ; ... six Divine Songs for One Voice to the Organ, Lute, or Viol.)	John Playford, composer George Herbert, librettist				4 voices 4 voices and continuo voice and continuo mixed chorus and continuo	Baroque	Psalms, Hymns

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