| Title click for details |
Creators | Key | Opus | Composed | Instrumentation | Period/style | Type | Listen | Code |
|---|---|---|---|---|---|---|---|---|---|
| Petite fleur | Thomas Crecquillon, composer | 4 voices | Renaissance | Chansons | |||||
| Petite folle (Petite folle, estes vous pas contente) | Orlande de Lassus, composer | 4 voices | Renaissance | Chansons | |||||
| Petite nymphe folastre | Clément Janequin, composer | 4 voices | Renaissance | Chansons | |||||
| Petrus apostolus et Paulus | Costanzo Festa, composer | 4 voices | Renaissance | Motets | |||||
| Petrus beatus (In Festo S. Petri ad Vincula) | Giovanni Pierluigi da Palestrina, composer | 4 voices | Renaissance | Hymns | |||||
| Petrus beatus catenarum (Ad vincula petri hymnus) | Orlande de Lassus, composer | LV Anh.139 | 1580 | 4 voices | Renaissance | Hymns | |||
| Philadelphia Harmony (Philadelphia Harmony, or, A Collection of Psalm Tunes, Hymns, and Anthems, Selected by A. Adgate: together with The Rudiments of Music, on a New and Improved Plan by A. Adgate P.U.A. Philadelphia Harmony, or, A Collection of Psalm Tunes, Hymns, and Anthems, Selected by Adgate and Spicer, together with The Rudiments of Music, on a New and Improved Plan by A. Adgate P.U.A. Rudiments of Music. By Andrew Adgate, P.U.A.) |
Andrew Adgate, composer | 2 voices 3 voices 4 voices mixed chorus |
Classical | Psalms, Hymns, Anthems, Music theory | |||||
| Philomena praevia (Motet) | Jean Richafort, composer | 4 voices | Renaissance | Motets | |||||
| Piae cantiones (Piæ cantiones ecclesiasticæ et scholasticæ vetervm episcoporum, in inclyto regno Sueciæ paszim vsurpatæ, nuper studio viri cuiusdam reuerendisz. de ecclesia Dei & schola Aboënsi in Finlandia optimè meriti accuratè à mendis correctæ, & nunc typis commissæ, opera Theodorici Petri Nylandensis. His adiecti sunt aliquot ex psalmis recentioribus) | Didrik Petri, composer | voice 2 voices 3 voices 4 voices |
Renaissance | Sacred songs, Carols | |||||
| Piae vocis laudes | Heinrich Isaac, composer | 4 voices | Renaissance | Motets, Sequences | |||||
| Piangendo chiamo surda et crudele morte | Anonymous, composer | 4 voices | Renaissance | Madrigals | |||||
| Piango, che amor | Luca Marenzio, composer | 4 voices | Renaissance | Madrigals | |||||
| Pièces profanes à quatre voix | Josquin Desprez, composer | 4 voices | Renaissance | Chansons | |||||
| Pieno di dolce e d’amoroso affetto | Jacquet de Berchem, composer Lodovico Ariosto, librettist |
4 voices | Renaissance | Capriccios, Madrigals | |||||
| Piesni Podczas Mszy Swietaj (Songs during the Holy Mass) | Eugeniusz Walkiewicz, composer | Op.52 | 4 voices mixed chorus |
Romantic | Sacred songs | ||||
| Pieśni światowe | Józef Sierosławski, composer | 2 voices 3 voices 4 voices |
Romantic | Songs | |||||
| Pieśni towarzyskie | Otton Mieczysław Żukowski, composer | Op.67 | voice and piano 4 voices |
Traditional (folk) | Songs | ||||
| Piissimae ac sacratissimae lamentationes Ieremiae Prophetae (Piissimae ac sacratissimae lamentationes Ieremiae Prophetae, nuper a varijs auctoribus compositae pluribus vocibus distinctae) | Various, composer | 4 voices 5 voices |
Renaissance | Lamentations, Sacred songs | |||||
| Pilons pilons lorge | Claudin de Sermisy, composer | 4 voices | Renaissance | Chansons | |||||
| Lieta per honorarte | Matteo Rampollini, composer | 4 voices | Renaissance | Intermedes | |||||
| Pixérécourt Chansonnier (Manuscript, F-Pnm Français 15123) | Various, composer | 3 voices 4 voices 3 Unspecified instruments 4 Unspecified instruments |
Renaissance | Chansons, Madrigals, Motets, Songs, Sacred songs | |||||
| Plain Psalmody, or Supplementary Music. An Original Composition, set in 3 and 4 Parts: consisting of 70 Psalm and Hymn Tunes and an Anthem, Adapted to the Numerous Metres now extant. For the Use of Worshipping Societies and Singing Schools. | Oliver Holden, composer | 3 voices 4 voices |
Classical | Psalms, Hymns, Anthems | |||||
| Plange quasi virgo | Anonymous, composer | 4 voices | Renaissance | Responsories | |||||
| Plange quasi virgo ''Sabbato Sancto, in I Nocturno, Responsorium III'' | Pomponio Nenna, composer | 4 voices | Renaissance | Responsories | |||||
| Plaude decus mundi | Cristoforus de Monte, composer | 4 voices | Renaissance | Motets | |||||
| Pleust a Dieu que feusse arrondelle | Clément Janequin, composer | 4 voices | Renaissance | Chansons | |||||
| Plores gemier / Requiem aeternam (Plorés gémier crier et braire) | Pierre de La Rue, composer | 4 voices | Renaissance | Chansons, Motets | |||||
| Plura modulationum genera quae vulgo contrapuncta appellantur super excelso gregoriano cantu | Fernando de las Infantas, composer | 2 voices 3 voices 4 voices 5 voices 6 voices 7 voices 8 voices |
Renaissance | Sacred songs | |||||
| Plus je la voy de beaucoup estimée | Nicole Regnes, composer | 4 voices | Renaissance | Chansons | |||||
| Plus loing j’en suys, plus pres d’elle me sens | Pierre de Villiers, composer | 4 voices | Renaissance | Chansons | |||||
| Plus n'estes ma maistresse | Josquin Desprez, composer | 4 voices | Renaissance | Chansons | |||||
| Plus ne suys ce que j’ay esté | Clément Janequin, composer | 4 voices | Renaissance | Chansons | |||||
| Plus nulz regretz (Plus mils regrets / Plus nulz regrets grand moiens) | Josquin Desprez, composer | NJE 28.28 | 1507 | 4 voices | Renaissance | Chansons | |||
| Plus que jamais je veux aymer | Anthoine de Bertrand, composer Pierre de Ronsard, librettist |
4 voices | Renaissance | Chansons | |||||
| Pluseurs gens voy (Ballade) | Solage, composer | 4 voices | Medieval | Ballads | |||||
| Poculum bonae fortunae ({{TPtr}} :Willkommen / Glückwünschungs-Becher / Poculum Bonæ Fortunæ: Willkommen oder Glückwündschungs-Becher, Welchen von Gott eingeschenckt fromme Gottfürchtige Hertzen hier auff Erden, als die deß gnedigen Segens vnd Regens deß Herrn aus Zion bedürfftig, in jhrem Gebeth, wie solchs die Schristliche Lieb vnd Nachbaurschafft erfordert, jhnen einander teglich wündschen vnd bitten sollen: Den Bestrengen [...] Herren Rathmannen der Königlichen Stadt Breslaw &c. Meinen beförderlichen großgünstigen Herren: Wie auch der gantzen Erbarn Burgerschafft vnd Christlichen Gemein daselbsten, besonders, An statt Heiligen Christs-Bescherung vnd Newen Jahrs-Geschenck Zu Tisch auffgetragen vnd vberreichet) | Bartholomäus Rothmann, composer | 4 voices | Renaissance | Songs | |||||
| Poésies de Pierre de Ronsard et autres (Poésies de P. de Ronsard & autres Poëtes. Mis en musique à Quatre & Cinq parties) | François Regnard, composer Pierre de Ronsard, librettist |
4 voices 5 voices |
Renaissance | Chansons | |||||
| Poi ch'el mio largo pianto | Orlande de Lassus, composer Francesco Petrarca, librettist |
4 voices | Renaissance | Madrigals | |||||
| Polyphonies vocales | Guillaume Costeley, composer | 4 voices | Renaissance | Chansons | |||||
| Popular Christmas Carols | Various, composer | 4 voices 4 voices and keyboard |
Classical | Carols | |||||
| Popule meus, quid feci tibi? (Improperia; in Parasceve, in adoratione Crucis) | Tomás Luis de Victoria, composer | 4 voices | Renaissance | Motets, Responsories, Improperia | |||||
| Populum humilem | Orlande de Lassus, composer | LV 859 | 4 voices | Renaissance | Motets | ||||
| Por chio vado | Bartolomeo Tromboncino, composer | Dorian | 4 voices | Renaissance | Frottolas | ||||
| Portland Sacred Music Society's Collection of Church Music (Portland Sacred Music Society's collection of Church music, ) | Various, composer | 4 voices mixed chorus mixed chorus and continuo mixed chorus and organ mixed chorus and piano |
Classical | Psalms, Hymns, Anthems, Chants | |||||
| Pose un gran foco nel mio petto amore | Giovanni Pierluigi da Palestrina, composer | 4 voices | Renaissance | Madrigals, Canzonettas | |||||
| Possa io morir di mala morte (Pois'io morir) | Jacob Arcadelt, composer | 4 voices | Renaissance | Madrigals | |||||
| Posthumous Glees (Under the Patronage of their Royal Highnesses The Duke and Duchess of York; Danby's Posthumous Glees, Being a Fourth Set for 3, 4 and 5 Voices. Also the Ode to Hope, presented by him to the Glee Club, & (by their permission) included in this Work. ... Published for the Benefit of His Widow and four Infant Children) | John Danby, composer | Book 4 of Glees | 3 voices 4 voices 5 voices 6 voices 2 sopranos, 2 altos, 2 tenors and 2 basses 2 mixed chorus |
Classical | Glees, Odes | ||||
| Posuerunt super caput ejus | Rodrigo De Ceballos, composer | 4 voices | Renaissance | Sacred choruses | |||||
| Potrai dunque partire | Giovanni Giacomo Gastoldi, composer | 4 voices | Renaissance | Madrigals | |||||
| Pour avoir heu de ma dame refus | Pierre de Villiers, composer | 4 voices | Baroque | Chansons | |||||
| Pour passer temps / Plus ne chasceray | Jean Japart, composer | 4 voices 4 Unspecified instruments |
Renaissance | Chansons |
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