| Title click for details |
Creators | Key | Opus | Composed | Instrumentation | Period/style | Type | Listen | Code |
|---|---|---|---|---|---|---|---|---|---|
| Parch'hai lasciato | Orlande de Lassus, composer | LV 657 | 4 voices | Renaissance | Villanelle | ||||
| Parmi di star la notte in paradiso | Gioseppe Caimo, composer | 4 voices | Renaissance | Canzonas | |||||
| Parochial Harmony (Parochial Harmony. Consisting of a Collection of Psalm-Tunes. In three and four Parts, by some of the most eminent ancient & modern Composers and others. Particularly adapted to the variety of Metres in the New Version of Psalms, and intended to supply the great Deficiency of Tunes in that Version. To which are added, Reasons for publishing this Collection and Remarks on other Publications of this Nature. By William Riley, Principal Teacher of Psalmody to the Charity Schools in London, Westminster and Parts adjacent.) | William Riley, composer | 3 voices 4 voices mixed chorus 3 voices and continuo 4 voices and continuo mixed chorus and continuo |
Baroque | Psalms | |||||
| Partomi Donna, e teco lascio il core | Giovanni Pierluigi da Palestrina, composer | 4 voices | Renaissance | Madrigals | |||||
| Passibus ambiguis (Fortuna desperata) | Matthias Greiter, composer | 4 voices | Renaissance | Sacred songs | |||||
| Passio D. N. Jesu Christi secundum Matthaeum | Gasparo Alberti, composer | 4 voices | Renaissance | Passions | |||||
| Passio Domini nostri Jesu Christi secundum Lucam (Lukas-Passion) | Orlande de Lassus, composer | LV Anh.137 | 1582 | 4 voices | Renaissance | Passions | |||
| Passio Domini nostri Jesu Christi secundum Marcum (Markus-Passion) | Orlande de Lassus, composer | LVanh 138 | 1582 | 4 voices | Renaissance | Passions | |||
| Passio Domini nostri Jesu Christi secundum Matthaeum (Dominica in Ramis Palmarum: Passio Domini) | Richard Davy, composer | 4 voices | Renaissance | Passions | |||||
| Passio Domini Secundum Mattheum | Claudin de Sermisy, composer | 4 voices | Renaissance | Passions | |||||
| Passio secundum Joannem | Charles d' Argentille, composer | 4 voices | Renaissance | Passions | |||||
| Passio secundum Joannem (Feria sexta in Passione Domini) | Tomás Luis de Victoria, composer | 4 voices | Renaissance | Passions | |||||
| Passio secundum Matthaeum | Charles d' Argentille, composer | 4 voices | Renaissance | Passions | |||||
| Passionen | Orlande de Lassus, composer | 1575 | 4 voices 5 voices 6 voices mixed chorus |
Renaissance | Passions | ||||
| Passionis Domini nostri Jesu Christi historia (Patrocinium musices: passionis Domini nostri Jesu Christi historia, in usum Ecclesiae, quatuor vocibus composita.) | Ludwig Daser, composer | 4 voices | Renaissance | Passions | |||||
| Passions et douleurs | Nicolas Pagnier, composer | 4 voices | Renaissance | Chansons | |||||
| Pastorella d'amor | Filippo Azzaiolo, composer | F major | 4 voices | Renaissance | Songs | ||||
| Pastourelle jolie Dieu vous doint | Anonymous, composer | 4 voices | Renaissance | Chansons | |||||
| Patefactae sunt ianuae coeli | Andrea Gabrieli, composer | 4 voices | Renaissance | Sacred songs | |||||
| Pater noster | Arnold von Bruck, composer | 4 voices | Renaissance | Hymns | |||||
| Pater noster | Orlande de Lassus, composer | LV 500 | 4 voices | Renaissance | Motets | ||||
| Pater noster, qui es in caelis | Philip van Wilder, composer | 4 voices | Renaissance | Motets | |||||
| Pater peccavi a4 | Jacobus Clemens non Papa, composer | 4 voices mixed chorus |
Renaissance | Motets | |||||
| Pater | Fulvio Caldini, composer | Juvenilia No.19 | 1985 | 4 voices | Modern | Hymns | |||
| Patientia | Ludwig Senfl, composer | 4 voices | Renaissance | Lieder | |||||
| Patres nostri peccaverunt | Johannes Cornago, composer | 4 voices | Renaissance | Motets | |||||
| Patrocinium musices | Adam Berg, composer | 4 voices 5 voices 6 voices 8 voices mixed chorus |
Renaissance | Motets, Masses, Passions, Magnificats, Intonations, Hymns | |||||
| Pauper sum ego | Orlande de Lassus, composer | LV 506 | 4 voices | Renaissance | Motets | ||||
| Pavane | Anonymous, composer | 4 voices | Baroque | Pavans | |||||
| Pax huic domui (Pax huic domui et omnibus habitantibus in ea) | Adam Gumpelzhaimer, composer | 4 voices | Renaissance | Antiphons | |||||
| Pearce did Dance With Petronella | Giles Farnaby, composer | 4 voices | Renaissance | Madrigals | |||||
| Péchés de vieillesse (Sins of old age) | Gioacchino Rossini, composer | 1857 | soprano, alto, tenor, bass and piano tenor and piano soprano and piano baritone and piano soprano, alto and piano alto and piano mezzosoprano and piano 2 sopranos, 2 altos, 2 tenors and 2 basses 2 sopranos, 2 altos, 2 tenors, 2 baritones, bass, piano and harmonium tenor, baritone and piano soprano, tenor and piano male chorus and 3 percussions male chorus and percussion alto, tenor and piano soprano, alto, tenor, bass and organ 4 basses, piano and harmonium 4 tenors, 2 baritones and 2 basses 2 sopranos, 2 altos and piano 2 sopranos, alto, tenor and bass piano mixed chorus mixed chorus, bells and harmonium violin and piano cello and piano horn and piano piano 4 hands 3 voices 4 voices |
Romantic | Pieces, Quartets, Ariettas, Songs, Boleros, Elegies, Duets, Ave Maria, Canzonettas, Nocturnes, Ballads, Secular choruses, Romances, Tyroliennes, Communions, Variations, Saltarellos, Preludes, Waltzes, Impromptus, Barcarolles, Polkas, Mazurkas, Studies, Scherzos, Marches, Tarantellas, Hymns, Motets, Ritournelles, Canons | ![]() |
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| Pel bosco errò tutta la notte il conte (Principio della Pazzia d'Orlando) | Jacquet de Berchem, composer Lodovico Ariosto, librettist |
4 voices | Renaissance | Capriccios | |||||
| Lectio octava (Sacrae Lectiones ex propheta Job) | Orlande de Lassus, composer | LV 216 | 1558 | 4 voices | Renaissance | Sacred songs | |||
| Lectio octava (Lectiones sacrae novem ex Libris Hiob) | Orlande de Lassus, composer | LV 683 | 1580 | 4 voices | Renaissance | Motets | |||
| Pensoso più d’un’ora a capo basso | Sessa d' Aranda, composer Lodovico Ariosto, librettist |
4 voices | Renaissance | Madrigals | |||||
| Per aspro mar di notte | Orlande de Lassus, composer Gabriele Fiamma, librettist |
LV 900 | 4 voices | Renaissance | Madrigals | ||||
| Per dolor mi bagno | Andrea Antico, composer | 4 voices | Renaissance | Madrigals | |||||
| Per la Festa dell'Addolorata | Lorenzo Perosi, composer | 2 voices and organ 4 voices and organ 4 voices |
Early 20th century | Motets | |||||
| Per pianto la mia carne | Orlande de Lassus, composer Jacopo Sannazaro, librettist |
4 voices | Renaissance | Madrigals | |||||
| Per poco tempo ch'io so stato fora trovo che amore | Anonymous, composer | 4 voices | Renaissance | Madrigals | |||||
| Per signum crucis | Francisco Guerrero, composer | 4 voices | Renaissance | Motets | |||||
| Per voi lasso conviene | Vittoria Aleotti, composer | 4 voices | Renaissance | Madrigals | |||||
| Per votro amours | Anonymous, composer | 4 voices | Renaissance | Madrigals | |||||
| Perch'io veggio | Orlande de Lassus, composer Francesco Petrarca, librettist |
LV 29 | 4 voices | Renaissance | Madrigals | ||||
| Perchè s'annida amore | Giovanni Pierluigi da Palestrina, composer | 4 voices | Renaissance | Madrigals | |||||
| Perfice gressus meos | Orlande de Lassus, composer | LV 863 | 4 voices | Renaissance | Motets | ||||
| Pero ch'amor mi sforza | Jhan Gero, composer | 4 voices | Renaissance | Madrigals | |||||
| Petit Jacquet | Lambert Courtois, composer | 4 voices | Renaissance | Songs | |||||
| Petite fille sans souci | Estienne Du Tertre, composer | 4 voices | Renaissance | Chansons | |||||
| Petite fleur | Thomas Crecquillon, composer | 4 voices | Renaissance | Chansons |
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