| Title click for details |
Creators | Key | Opus | Composed | Instrumentation | Period/style | Type | Listen | Code |
|---|---|---|---|---|---|---|---|---|---|
| Nun bitten wir I à 4 | Michael Praetorius, composer Martin Luther, librettist |
4 voices | Renaissance | Sacred songs | |||||
| Nun bitten wir den Heiligen Geist II à 4 | Michael Praetorius, composer Martin Luther, librettist |
4 voices | Renaissance | Sacred songs | |||||
| Nun danket alle Gott (Now Thank We All Our God) | Johann Crüger, composer Martin Rinckart, librettist |
D major | 1647 | 4 voices soprano, alto, tenor and bass 4 voices and mixed chorus |
Baroque | Chorales | |||
| Chorale ‘Nun freut euch lieben’ | Benedictus Ducis, composer | C major | 4 voices mixed chorus |
Renaissance | Chorales | ||||
| Nun komm der heiden Heiland à 4 | Nicolas Wolleb, composer | 4 voices | Modern | Chorales | |||||
| Nun komm der Heiden Heiland à 3 | Michael Praetorius, composer Martin Luther, librettist |
4 voices | Renaissance | Sacred songs | |||||
| Nunc dimittis | Costanzo Festa, composer | 4 voices | Renaissance | Motets | |||||
| Nunc dimittis | Orlande de Lassus, composer | LV Anh.110-123 | 1565 | 4 voices 5 voices 6 voices 7 voices 8 voices |
Renaissance | Canticles | |||
| Nunc Dimittis in F major | Walford Davies, composer | 1916 | 4 voices mixed chorus |
Early 20th century | Canticles | ||||
| Nunc dimittis quinti toni | Orlande de Lassus, composer | LV Anh.116 | 1565 | 4 voices | Renaissance | Canticles | |||
| Nunc dimittis (Nunc dimittis servum tuum) | Josquin Desprez, composer Sacred music, librettist |
NJE 20.8 | 4 voices | Renaissance | Canticles | ||||
| Nunc juvat celsi (In Festo S. Eliae) | Giovanni Pierluigi da Palestrina, composer | 4 voices | Renaissance | Hymns | |||||
| Nunc scio vere quia misit Dominus | Anonymous, composer | 4 voices | Renaissance | Introits | |||||
| Nunca fue pena mayor (Numquam fuit pena magior) | Juan de Urrede, composer | 4 voices | Renaissance | Villancicos | |||||
| O admirabile commercium (O admirabile commertium) | William Byrd, composer | T 125 | 1607 | 4 voices | Renaissance | Graduals, Motets | |||
| O admirabile commercium! | Fabio Costantini, composer | A minor | 4 voices | Renaissance | Motets | ||||
| O beata Maria | Pedro Guerrero, composer | 4 voices | Renaissance | Hymns | |||||
| O beauté vainement | Anonymous, composer | 4 voices | Renaissance | Chansons | |||||
| O bella fusa | Orlande de Lassus, composer | LV 660 | 4 voices | Renaissance | Villanelle | ||||
| O bella man che mi distringi il core | Luca Marenzio, composer Francesco Petrarca, librettist |
4 voices | Renaissance | Madrigals | |||||
| O bene mio fa famm’uno favore | Adrian Willaert, composer | 4 voices | Renaissance | Canzonas | |||||
| O bone Iesu | Orlande de Lassus, composer | LV 685 | 4 voices | Renaissance | Motets | ||||
| O bone Jesu | Loyset Compère, composer | 4 voices | Renaissance | Psalms | |||||
| O Canenda Vulgo - Rex Quem Metrorum (O candenda vulgo / Rex quem metrorum / Rex regum) | Philippe de Vitry, composer | 4 voices | Medieval | Motets | |||||
| O che splendor | Giovanni Pierluigi da Palestrina, composer | 4 voices | Renaissance | Madrigals | |||||
| O Come and Let Us Now Rejoice (Venite exultemus - Psalm 95) | John Farmer, composer | 1605 | 4 voices | Renaissance | Psalms | ||||
| O comme heureulx (O comme heureulx [...] s'il te plaisoit) | Orlande de Lassus, composer | LV 173 | 4 voices | Renaissance | Chansons | ||||
| O cruaulté | Clément Janequin, composer | 4 voices | Renaissance | Chansons | |||||
| O Crux ave | Francesco Soriano, composer | 4 voices | Renaissance | Hymns | |||||
| O Crux Ave Spes Unica | Giacomo Finetti, composer | 4 voices | Baroque | Motets | |||||
| O crux ave spes unica | Pedro de Gamboa, composer | 4 voices | Renaissance | Sacred songs | |||||
| O crux fidelis | Andrea Gabrieli, composer Venantius Honorius Clementianus Fortunatus, librettist |
4 voices | Renaissance | Sacred songs | |||||
| O dieu d'amours | Jean Delahaye, composer | 4 voices | Renaissance | Chansons | |||||
| O Dio se vede chiaro cha te moro | Francesco Silvestrino, composer | 4 voices | Renaissance | Canzonas | |||||
| O dolce vita mia | Adrian Willaert, composer | 4 voices | Renaissance | Canzonas | |||||
| O Domine, Jesu Christe | Giovanni Pierluigi da Palestrina, composer | 4 voices | Renaissance | Motets | |||||
| O Domine Jesu Christe | Josquin Desprez, composer | NJE 22.1 | 4 voices | Renaissance | Motets | ||||
| O doulx regard | Antonio Gardano, composer | 4 voices | Renaissance | Chansons | |||||
| O dur amour qui cueurs humains faict cuyre | Clément Janequin, composer | 4 voices | Renaissance | Chansons | |||||
| Quodlibet: O Elslein, liebstes Elselein mein / Es taget vor dem Walde | Ludwig Senfl, composer | 4 voices mixed chorus |
Renaissance | Quodlibets, Lieder | |||||
| O felic’occhi miei | Jacob Arcadelt, composer | 4 voices | Renaissance | Madrigals | |||||
| O fons indeficiens dulcis et reficiens | Anonymous, composer | 4 voices | Renaissance | Motets | |||||
| O fortune n’estois tu pas contente | Clément Janequin, composer | 4 voices | Renaissance | Chansons | |||||
| O genetrix gloriosa (O genitrix gloriosa mater Dei speciosa) | Loyset Compère, composer | 4 voices | Renaissance | Motets | |||||
| O God the King of Glory | Henry Purcell, composer | Z.34 | 1679 | 4 voices | Baroque | Anthems, Sacred choruses | |||
| O Gott, wir loben dich (Deutsches Te Deum) | Benedictus Ducis, composer | 4 voices mixed chorus |
Renaissance | Te Deum | |||||
| O gran bonta de' cavallieri antiqui | Jacquet de Berchem, composer Lodovico Ariosto, librettist |
4 voices mixed chorus |
Renaissance | Capriccios | |||||
| O Haupt voll Blut und Wunden (Choralkantate) | Felix Mendelssohn, composer | 1830 | 4 voices | Romantic | Secular cantatas | ||||
| O hertzen trost (O hertzens trost) | Anonymous, composer | 4 voices | Renaissance | Songs | |||||
| O Holy Spirit, Lord of grace | Christopher Tye, composer | 4 voices | Renaissance | Anthems | |||||
| O I do love, then kiss me (O I doe loue, then kisse me) | Martin Peerson, composer | G minor | 4 voices 4 viols voice and 3 viols 2 voices and 2 viols 3 voices and viol voice and 3 Unspecified instruments 2 voices and 2 Unspecified instruments 3 voices 4 Unspecified instruments |
Baroque | Airs |
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