| Title click for details |
Creators | Key | Opus | Composed | Instrumentation | Period/style | Type | Listen | Code |
|---|---|---|---|---|---|---|---|---|---|
| Musica divina di XIX autori illustri (Raccolta da Pietro Phalesio ; Nella quale si contengono i più Eccellenti Madrigali che boggidi si cantino.) | Pierre Phalèse Jr., composer | 4 voices 5 voices 6 voices 7 voices mixed chorus |
Renaissance | Madrigals | |||||
| Musica Nova | Adrian Willaert, composer | 4 voices 5 voices 6 voices 7 voices mixed chorus |
Renaissance | Motets, Hymns, Madrigals | |||||
| Musica quatuor vocum, Liber 1 (Famosissimi Adriani Willaert, chori divi Marci illustrissimae Republicae Venetiarum Magistri, musica quatuor vocum, (quae vulgo motecta nuncunpatur) Noviter omni studio, ac diligentia in lucem edita. Liber Primus.) | Adrian Willaert, composer | 4 voices | Renaissance | Motets | |||||
| Musica Transalpina | Nicholas Yonge, composer | 4 voices 5 voices 6 voices |
Renaissance | Madrigals | |||||
| Musical Leaves (Musical Leaves for Sabbath Schools) | Philip Phillips, composer | 4 voices mixed chorus |
Romantic | Hymns, Sacred songs | |||||
| Musical Monitor, or New-York Collection of Church Musick (Musical Monitor, or New-York Collection of Devotional Church Music. Compiled for the promotion and improvement of devotional church music. By Ephraim Reed. Musical Monitor, or New-York Collection of Church Musick: to which is prefixed, the Elementary Class-Book, being an Introduction to the Science of Musick, arranged and systematized by William J. Edson. Together with a Choice Collection of Psalm and Hymn Tunes, Set-Pieces, and Anthems, [harmonized for two, three, and four voices, and] adapted to Publick Worship. By Ephraim Reed.) |
Various, composer | 2 voices 3 voices 4 voices mixed chorus voices and organ voices and piano |
Classical | Hymns, Psalms, Anthems | |||||
| The Musical Repository (Musical Repository, being a collection of popular music, principally original, and adapted to the use of Sabbath-Schools, and other juvenile institutions.) | Samuel Ashmead, composer | 3 voices 4 voices mixed chorus |
Romantic | Hymns, Sacred songs | |||||
| Musicalisch Kurtzweil (Musicalisch Kurtzweil, Newer Teutscher, mit sehr froelichen vnd kurtzweiligen Texten, gestellte Gesänglein, Täntz vnd Curranten, sampt denen hievor zu unterschiedlichen malen außgegangenen dreyen Theylen, zu sing, und auff allerley Musicalischen Instrumenten zu gebrauchem, mit fünff vnd vier Stimmen componiert) | Erasmus Widmann, composer | 4 voices 5 voices 4 Unspecified instruments 5 Unspecified instruments |
Renaissance | Songs, Dances, Courantes, Galliards | |||||
| Musiche sacre e morali, a una, due e tre voci | Domenico Mazzocchi, composer | voice and continuo 2 voices and continuo 3 voices and continuo 4 voices |
Baroque | Sacred songs | |||||
| Musikalisches Schulgesangbuch | Ernst Anschütz, composer | voice 2 voices 3 voices 4 voices |
Traditional (folk) | Folksongs, Chorales, Canons | |||||
| Musique (Musique de Guillaume Costeley, organiste et vallet de chambre, du Roy) | Guillaume Costeley, composer | 3 voices 4 voices 5 voices 6 voices mixed chorus |
Renaissance | Chansons | |||||
| Musique française de la Renaissance par différents auteurs (24 Pièces vocales de quatre à sept voix) | Daniel Van Gilst, composer | 4 voices 5 voices 6 voices 7 voices mixed chorus 2 mixed chorus |
Renaissance | Chansons | |||||
| My choice is made and I desire no change | Francis Pilkington, composer | voice, lute and viol 4 voices |
Renaissance | Songs, Airs | |||||
| My Lady's Coloured Cheeks | Giles Farnaby, composer | 4 voices | Renaissance | Canzonets | |||||
| My levay par ung matin (My levay par ung matin a la fresche matinade) | Anonymous, composer | 4 voices | Renaissance | Chansons | |||||
| My levay par ung matin | Clément Janequin, composer | 1529 | 4 voices | Renaissance | Chansons | ||||
| Myn morghen ghaf | Anonymous, composer | 4 voices 4 Unspecified instruments |
Renaissance | Songs | |||||
| Nastu pas veu la mistondina | Anonymous, composer | F major | 4 voices | Renaissance | Chansons | ||||
| National Church Harmony (National Church Harmony, designed for public and private devotion, in two parts. Music arranged for the organ and piano forte, by introducing small notes. Edited by N. D. Gould.) | Nathaniel Duren Gould, composer | 4 voices mixed chorus and organ mixed chorus and piano |
Classical | Psalms, Hymns, Anthems | |||||
| Nativitas tua (In Festo Nativitatis B. Mariae) | Giovanni Pierluigi da Palestrina, composer | 4 voices | Renaissance | Motets | |||||
| Nature ornant la dame qui devoit | Anthoine de Bertrand, composer Pierre de Ronsard, librettist |
4 voices | Renaissance | Chansons | |||||
| Ne piu bella di queste | Heinrich Isaac, composer | 4 voices | Renaissance | Songs | |||||
| Ne recorderis peccata mea, Domine (In Missis Defunctorum) | Giovanni Pierluigi da Palestrina, composer | 4 voices | Renaissance | Motets | |||||
| Ne reminiscaris Domine | Orlande de Lassus, composer | LV 630 | 4 voices | Renaissance | Motets | ||||
| Ne te plains tant, amy, de ta douleur | Pierre de Villiers, composer | 4 voices | Renaissance | Chansons | |||||
| Nell'aria in questi di | Cipriano de Rore, composer | 4 voices | Renaissance | Madrigals | |||||
| Nenciozza mia (Nenccioza mia balarina / Lenchioza mia balarina) | Johannes Martini, composer | 4 voices | Renaissance | Madrigals | |||||
| Nenny desplaist et donne grand soucy | Pierre de Villiers, composer | 4 voices | Renaissance | Chansons | |||||
| Neptolemus | Anonymous, composer | 4 voices | Renaissance | Motets | |||||
| Nessun visse giammai più di me lieto | Giovanni Pierluigi da Palestrina, composer Francesco Petrarca, librettist |
4 voices | Renaissance | Madrigals | |||||
| Neue Geistliche und Weltliche Teutsche Lieder (Neue Geistliche und Weltliche Teutsche Lieder ) | Leonhard Lechner, composer | 4 voices 5 voices |
Renaissance | Sacred songs, Lieder | |||||
| Neue kurtzweilige Teutsche Liedlein mit 3 Stimmen (Neue kurtzweilige Teutsche Liedlein mit dreyen stimmen, nach art der Welschen Villanellen componirt) | Franz Joachim Brechtel, composer | 3 voices 4 voices |
Renaissance | Lieder | |||||
| Neue Schöne Deutsche und Lateinische Gesänge ({{TPtr}} :Stephani Höpneri, Musici vnd Cantoris in Franckfurt an der Oder. Newe Schöne Deutsche vnd Lateinische Gesänge, so zuvor nie im Druck gewesen, Auff sonderliche Sontage vnd die fürnembsten Jahr- vnd Danckfeste, auch zu Hochzeitlichen Ehrentage, Jn der Kirchen auff Orgell vnd Choro, via voce vnd Instrumentis Musicis zugleich vnd Concertweise, nach Anordnung eines jeglichen Cantoris gantz bequem: Nebenst der Historia vom Leiden vnd Sterben vnsers Erlösers vnd Seligmachers Jesu Christi auß dem Evangelisten Matthæo mit drey Theilen: Vnd andern, so bey Christlichen Leichbegengnissen tröstlich, gantz vollstimmig, so wol für kleine alß grosse Schulen, Gott dem Allmechtigen zu Lob, Ehr vnd Preiß, vnd allen frommen Hertzen zu Christlicher Andacht nützlichlich zugebrauchen, mit 4. 5. 6. 7. 8. vnd 12. Stimmen.) | Stephan Hoepner, composer | 4 voices 5 voices 6 voices 7 voices 8 voices 12 voices |
Renaissance | Sacred songs | |||||
| Neue Teutsche gesang (Neue Teutsche gesang nach art der welschen Madrigalien un[d] Canzonetten, mit 4.5.6. unnd 8. Stimmen. Durch Hanns Leo Hasler, von Nuermberg) | Hans Leo Hassler, composer | 4 voices 5 voices 6 voices 8 voices |
Renaissance | Songs, Madrigals, Canzonets | |||||
| Neue Teutsche Lieder mit fünff und vier Stimmen | Leonhard Lechner, composer | 4 voices 5 voices |
Renaissance | Lieder, Sacred songs | |||||
| Neuwe außerlesene Teutsche Gesäng (Neuwe außerlesene Teutsche Gesäng, mit vier und fünff stimmen, so gantz lieblich zu singen, und auff allerley Instrument zu gebrauchen, Componirt durch Jacobum Meilandum) | Jakob Meiland, composer | 4 voices 5 voices 4 Unspecified instruments 5 Unspecified instruments |
Renaissance | Songs | |||||
| Neuwe außerlesene Teutsche Gesäng (Neuwe außerlesene Teutsche Gesäng, auff ein besondere art und manier, mit vier Stimmen, welche gantz lieblich zu singen, und auff allerley Instrument zu gebrauchen) | Melchior Schramm, composer | 4 voices | Renaissance | Songs | |||||
| New Brunswick Church Harmony (New Brunswick Church Harmony. A Collection from approved English and American Authors, by Zebulon Estey) | Various, composer | 3 voices 4 voices |
Classical | Psalms, Hymns, Anthems | |||||
| New Christian Hymn and Tune-Book (New Christian Hymn and Tune-Book: a selection of hymns and tunes for Christian worship.) | James Henry Fillmore, composer | 4 voices mixed chorus mixed chorus and organ |
Romantic | Hymns, Sacred songs | |||||
| New Church Melody: Being a Set of Anthems, Psalms, Hymns, &c. on Various Occasions. In Four Parts with a great Variety of other Anthems, Psalms, Hymns, &c. composed after a Method entirely new, and never printed before | William Knapp, composer | 4 voices | Baroque | Psalms, Hymns, Anthems | |||||
| New England Harmony. Containing, a variety of Psalm Tunes, in Three and Four Parts, adapted to all Metres: also, a number of Set Pieces, of several verses each, together with a number of Anthems. | Timothy Swan, composer | 3 voices 4 voices mixed chorus |
Classical | Psalms, Anthems, Hymns | |||||
| New Sabbath School Bell No. 2 (New Sabbath School Bell No.2. ) | Horace Waters, composer | 2 voices 3 voices 4 voices mixed chorus voices and keyboard |
Romantic | Hymns, Sacred songs | |||||
| Newe außerlesene Teutsche Lieder (Newe außerlesene Teutsche Lieder, mit vier, fuenff und mehr stimmen, welche gantz lieblich zu singen, und auff allerley Instrumenten zugebrauchen) | Christian Hollander, composer | 4 voices 5 voices 6 voices 7 voices 8 voices |
Renaissance | Lieder, Sacred songs | |||||
| Newe Deudsche Geistliche Gesenge | Georg Rhau, composer | RISM B/I: 1544 | 1544 | 4 voices 5 voices mixed chorus soprano, alto, tenor and 2 basses soprano, alto, tenor and bass soprano, 2 altos and tenor |
Renaissance | Sacred songs, Chorales | |||
| Newe Deutsche Weltliche Cantzonette (Newe Deutsche Weltliche Cantzonette, derenetliche auff ein besondere art der Italienischen Concerten gerichtet, und auff aller hand Musicalischen Instrumenten zu gebrauchen sindt, mit vier, fuenff, sechs, sieben und acht Stimmen componirt) | Andreas Myller, composer | 4 voices 5 voices 6 voices 7 voices 8 voices 4 Unspecified instruments 5 Unspecified instruments 6 Unspecified instruments 7 Unspecified instruments 8 Unspecified instruments |
Renaissance | Canzonettas | |||||
| Newe deutzsche Lieder (Newe deutzsche Lieder, mit Vieren und Fuenff Stimmen, gantz Lieblich zu singen, und auff allerley Musicalischen Instrumenten, zu gebrauchen) | Johannes Eccard, composer | 4 voices 5 voices |
Renaissance | Lieder, Sacred songs | |||||
| Newe künstliche Musicalische Intraden etc. (Newe künstliche Musicalische Intraden, Pavanen, Galliarden, Passamezen, Courant unnd Uffzueg, zu 4. 5. und 6. Stimmen darunter etliche Phantasien oder Fugen mit 2. und 3. Stimmen zufinden, welche von unterschiedenen Authoren, Theils mit unnd ohne Text, gar newlich Componirt, dass sie mit Menschlicher Stimm unnd auff Instrumenten fueglich unnd lieblich moegen gebraucht werden) | Konrad Hagius, composer | 2 Unspecified instruments 3 Unspecified instruments 4 Unspecified instruments 5 Unspecified instruments 6 Unspecified instruments 4 voices 5 voices 6 voices |
Renaissance | Intradas, Pavans, Galliards, Passamezzos, Courantes, Fantasias, Fugues | |||||
| Newe Lieder (Newe Lieder mit fünff und vier Stimmen, gantz lieblich zu singen und auff allerley Instrumenten zugebrauchen) | Johannes Eccard, composer | 4 voices 5 voices 4 Unspecified instruments 5 Unspecified instruments |
Renaissance | Lieder, Motets | |||||
| Newe Teutsche Lieder mit Vier und Fünff Stimmen (Newe Teutsche Lieder mit Vier und Fünff Stimmen, welche gantz lieblich zusingen auch auff allerley Instrumenten zugebrauchen) | Leonhard Lechner, composer | RISM A/I: L 1291 | 4 voices 5 voices |
Renaissance | Lieder | ||||
| Newe Teutsche Lieder zu drey Stimmen nach art der Welschen Villanellen (Newe Teutsche Lieder zu drey Stimmen nach art der Welschen Villanellen, gantz kurtzweilig zu singen, auch auff allerley Seytenspil zu gebrauchen) | Leonhard Lechner, composer | RISM A/I: L 1288 | 3 voices 4 voices |
Renaissance | Lieder, Villanelle | ||||
| Newe Weinacht Liedlein mit 4 und 8 Stimmen | Leonhard Schröter, composer | 4 voices 5 voices 8 voices |
Renaissance | Carols, Lieder, Sacred songs |
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