| Title click for details |
Creators | Key | Opus | Composed | Instrumentation | Period/style | Type | Listen | Code |
|---|---|---|---|---|---|---|---|---|---|
| Judas mercator pessimus (Tenebræ Responsory No.2 for Maundy Thursday) | Tomás Luis de Victoria, composer | 4 voices | Renaissance | Responsories | |||||
| Judica me Deus | Leonardo Leo, composer | 4 voices | Baroque | Psalms, Motets | |||||
| Justititiae Domini (Offertorium - Dom. III in Quadragesima) | Alessandro Scarlatti, composer Sacred music, librettist |
D major | 4 voices mixed chorus |
Baroque | Offertories, Motets | ||||
| Ka Lira Hawaii (He mau mele himeni a me na mele oli halelu, no na Ekalesia o Hawaii Nei pai hou ia a mahuahua, Honolulu ; Lyre of Hawaii) | Various, composer | 3 voices 4 voices |
Classical | Hymns, Psalms, Chants | |||||
| kanony wokalne | Jakub Kowalewski, composer | 2 voices 3 voices 4 voices |
Baroque | Canons | |||||
| Carnival Songs from Renaissance | Various, composer | 3 voices 4 voices |
Renaissance | Songs | |||||
| Kein Frewd (Kein Frewd hab ich uff Erd) | Heinrich Isaac, composer | 4 voices | Renaissance | Songs | |||||
| Know Ye Not, That There Is a Great Man Fall'n This Day? (An Anthem, Sacred to the Memory of His Excellency John Hancock, Esq.; Late Governor and Commander in Chief of the Commonwealth of Massachusetts) | Robert Rogerson, composer | 1793 | 4 voices mixed chorus |
Classical | Anthems | ||||
| Komm, Heiliger Geist | Joachim Decker, composer | 4 voices mixed chorus |
Renaissance | Chorales | |||||
| Kommt her zu mir alle | Melchior Franck, composer | G minor | 4 voices mixed chorus |
Renaissance | Sacred songs | ![]() |
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| Könnt ich, schön reines werthes Weib | Ludwig Senfl, composer | 4 voices | Renaissance | Songs | |||||
| Kurtze und sonderliche Newe Symbola etlicher Fürsten und Herrn (Kurtze und sonderliche Newe Symbola etlicher Fürsten und Herrn, neben andern mehr schönen liedlein mit fünff und vier Stimmen, auff alle Instrument zu gebrauchen gantz dienstlich) | Mathias Gastritz, composer | 4 voices 5 voices |
Renaissance | Sacred songs | |||||
| Kurtzweilige newe Teutsche Lieder (Kurtzweilige newe Teutsche Lieder mit vier Stimmen, welche gantz lieblich zusingen, und auff allerley Instrumenten zugebrauchen) | Jacob Regnart, composer | RISM A/I: R 760 | 4 voices | Renaissance | Lieder | ||||
| Kyrie à 4 | Nicolas Wolleb, composer | 4 voices | Modern | Kyrie | |||||
| Kyrie à 4 voix, deuxième verset | Nicolas Wolleb, composer | 4 voices | Modern | Kyrie | |||||
| Kyrie, Jhesu dulcissime (trope) | Fronciaco, composer | 1350 | 4 voices | Medieval | Kyrie | ||||
| L'alta virtù | Rinaldo del Mel, composer | 1583 | 4 voices | Renaissance | Madrigals | ||||
| L'amour de moy (Chanson anonyme du XVe siècle - harmonisation par Gaël Liardon) | Gaël Liardon, composer | 4 voices | Renaissance | Chansons | |||||
| L'amour de moy est enclose | Anonymous, composer | F Ionian | 4 voices | Renaissance | Chansons | ||||
| L'arte musicale in Italia (Pubblicazione nazionale delle più importanti opere musicali italiane dal secolo XIV al XVIII) | Luigi Torchi, composer | 3 voices 4 voices 5 voices 5 voices and continuo 6 voices 8 voices 10 voices 12 voices soprano, 2 cornetts, 2 trombones, 2 violins and continuo soprano, 2 cornetts, trombone, 2 violins, viola and continuo tenor and continuo soprano and continuo continuo and 2 sopranos continuo and 3 sopranos 4 sopranos soprano, 2 violins and continuo |
Renaissance | Motets, Madrigals, Masses, Magnificats, Psalms, Canzonettas, Benedictus, Pastorales, Operas, Arias, Ariettas, Secular cantatas, Secular oratorios | |||||
| L'autre jour my chevauchoye (L'autre jour my chevauchoye tout du long d'une montaine) | Anonymous, composer | 4 voices | Renaissance | Chansons | |||||
| L'autrier la pieca | Antoine Busnois, composer | 4 voices | Renaissance | Chansons | |||||
| L'autrier que passa (Lautrier que passa) | Antoine Busnois, composer | soprano, alto, tenor and bass 4 voices |
Renaissance | Chansons | |||||
| L'Eau vaviste en s'escoulant | Paschal de L'Estocart, composer Antoine de la Roche Chandieu, librettist |
4 voices | Renaissance | Chansons | |||||
| L'espoir que i'ay d'acquerir vostre grace | Anonymous, composer | 4 voices | Renaissance | Chansons | |||||
| L'heureux amour (L'heureux plaisir) | Orlande de Lassus, composer | 4 voices | Renaissance | Chansons | |||||
| L'homme armé | Josquin Desprez, composer | G Dorian | NJE 28.23 | 4 voices | Renaissance | Chansons | |||
| L’amour, la mort et la vie | Clément Janequin, composer | 4 voices | Renaissance | Chansons | |||||
| L’arbre d’amour ung fruict d’amaritude | Jean Guyot, composer | 4 voices | Renaissance | Chansons | |||||
| L’autre jour de bon matin | Clément Janequin, composer | 4 voices | Renaissance | Chansons | |||||
| L’ermaphrodite est estrange | Clément Janequin, composer | 1533 | 4 voices | Renaissance | Chansons | ||||
| L’espoir confus a plus hault desirer | Clément Janequin, composer | 4 voices | Renaissance | Chansons | |||||
| L’heur et malheur de vostre congnoissance | Pierre de Villiers, composer | 4 voices | Renaissance | Chansons | |||||
| L’heureux soucy de l’esperé desir | Pierre de Villiers, composer | 4 voices | Renaissance | Chansons | |||||
| La bataille de Marignan (Escoutez tous gentilz / La guerre) | Clément Janequin, composer | 4 voices | Renaissance | Chansons | ![]() |
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| La bella netta ignuda (La bella nett’ignuda’e bianca mano) | Cipriano de Rore, composer | 4 voices | Renaissance | Madrigals | |||||
| La belle fille / Escoutez bonnes gens (La belle fille par matin s'est levee) | Anonymous, composer | 4 voices | Renaissance | Chansons | |||||
| La chasse (Gentilz veneurs) | Clément Janequin, composer | 4 voices | Renaissance | Chansons | |||||
| La cortesia voi donne predicate | Orlande de Lassus, composer | 4 voices mixed chorus |
Renaissance | Villanelle | |||||
| La cruda mia nemica | Giovanni Pierluigi da Palestrina, composer | 4 voices | Renaissance | Madrigals | |||||
| La cuillier d'or lureau bruneau (La cuillier dor teribile marteau) | Anonymous, composer | 4 voices | Renaissance | Chansons | |||||
| La donna che molto mira | Anonymous, composer | 4 voices | Renaissance | Madrigals | |||||
| La donna sua, che gli ritorna a mente | Jacquet de Berchem, composer Lodovico Ariosto, librettist |
4 voices | Renaissance | Capriccios | |||||
| La durion dure (La durion dure la durion dure et la dure) | Anonymous, composer | 4 voices | Renaissance | Chansons | |||||
| La fleur de biaulte | Johannes Martini, composer | 4 voices | Renaissance | Chansons | |||||
| La giustizia immortale | Cipriano de Rore, composer | 4 voices | Renaissance | Madrigals | |||||
| La grand' amour | Philippe de Monte, composer | 4 voices | Renaissance | Chansons | |||||
| La grand’ doulceur de vostre cler visaige | Pierre de Villiers, composer | 1549 | 4 voices | Renaissance | Chansons | ||||
| La guerre (La bataille de Marignan) | Clément Janequin, composer | A major | 4 voices | Renaissance | Chansons | ||||
| La manza mia (dalle "Villotte del fiore") | Filippo Azzaiolo, composer | F major | 4 voices | Renaissance | Songs | ||||
| La morre est jeu pire (La mort est jeu pire / Das sawer tranck / Les dez, c'est ieu pire / L'esprit nous dit et nous avise) | Orlande de Lassus, composer Clément Marot, librettist |
LV 160 | 4 voices | Renaissance | Chansons |
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