| Title click for details |
Creators | Key | Opus | Composed | Instrumentation | Period/style | Type | Listen | Code |
|---|---|---|---|---|---|---|---|---|---|
| A Collection of Songs of various kinds (A Collection of Songs of various kinds, and for different voices) | John Stafford Smith, composer | 3 voices 2 voices 4 voices voice and keyboard |
Classical | Songs, Glees, Catches | |||||
| A Collection of Songs, Glees, Elegies and Canons (A Favorite Collection of Songs, Glees, Elegies & Canons, for one, two, three, four, and five Voices, composed by Mr. Harrington, of Bath) | Henry Harington, composer | voice and keyboard 3 voices and continuo 2 voices and keyboard 2 voices 3 voices 4 voices 5 voices |
Classical | Glees, Songs, Elegies, Catches, Hymns, Canons | |||||
| A Collection of the best Church Tunes in four parts, Publish'd by Robt. Bremner, by order of the Honourable the Committee, for Improving Church Music in the City of Edinburgh. | Robert Bremner, composer | 4 voices mixed chorus mixed chorus and continuo 4 voices and continuo |
Baroque | Psalms | |||||
| A Collection of the Best Psalm Tunes (A Collection of the best Psalm Tunes in two, three, and four Parts. ) | Josiah Flagg, composer | 2 voices 3 voices 4 voices mixed chorus |
Classical | Psalms, Hymns, Anthems | |||||
| A collection of vocal harmony (A collection of vocal harmony consisting of catches canons and glees never before publish'd to which are added several motetts and madrigals composed by the best masters selected by Thos. Warren) | Thomas Warren, composer | 3 voices 3 voices and continuo 4 voices 4 voices and continuo 5 voices 5 voices and continuo 9 voices 2 mixed chorus |
Classical | Catches, Canons, Glees, Motets, Madrigals | |||||
| Vocal Music for Equal Voices (A Collection of Vocal Music, in Parts, for Equal Voices. Published under the direction of the Committee of General Literature and Education appointed by the Society for Promoting Christian Knowledge.) | Various, composer | 2 voices 3 voices 4 voices |
Romantic | Hymns, Sacred songs, Glees, Folksongs | |||||
| A Companion to the Wesleyan Hymn-Book (A companion to the Wesleyan hymn-book : being a selection of two hundred and twenty-eight tunes, from the works of the most celebrated masters, comprising all the metres in the hymn-book and supplement : arranged in four parts, with accompaniments for the organ and piano forte : intended for use in Wesleyan congregations, classes, prayer-meetings, schools, and families : also a supplement of the most admired chants with plain directions for their use) | Various, composer | 4 voices 4 voices and organ mixed chorus mixed chorus and organ |
Classical | Hymns, Psalms, Chants | |||||
| A Compleat Melody (A Compleat Melody: ) | William Tans'ur, composer | 2 voices 3 voices 4 voices voices and continuo |
Baroque | Methods, Psalms, Hymns, Anthems, Canons | |||||
| A declarer mon affection | Anonymous, composer | 4 voices | Renaissance | Chansons | |||||
| A Family Grace | Peter Dyson, composer | 1990 | 4 voices | Modern | Sacred songs | ||||
| A feigned friend | William Byrd, composer | 4 voices 4 viols |
Renaissance | Songs | |||||
| A Gamut, or Scale of Music (A Gamut, or Scale of Music. To which is added blank lines for favorite music.) | Oliver Dudley Cooke, composer | 4 voices mixed chorus |
Classical | Psalms, Hymns | |||||
| A l'audience (A l'audience aul amans qui vives en souffrance) | Hayne van Ghizeghem, composer | 4 voices | Renaissance | Chansons | |||||
| A l'heure (A l'heure que je vous) | Josquin Desprez, composer | NJE 28.1 | 4 voices | Renaissance | Chansons | ||||
| A la battaglia | Heinrich Isaac, composer | 4 voices | Renaissance | Songs | |||||
| A la bruma, al giatio e al vento | Niccolò Piffaro Senese, composer | 4 voices | Renaissance | Frottolas | |||||
| A la chaza (Alla caccia / A la chaza su ognun se spazza) | Anonymous, composer | 4 voices | Renaissance | Madrigals | |||||
| A New and Easie Method to Learn to Sing by Book (A New and Easie Method to Learn to Sing by Book: Whereby One (who hath a good Voice and Ear) may, without other help, learn to Sing true by Notes. Design'd chiefly for, and applied to, the promoting of Psalmody; and furnished with variety of Psalm Tunes in Parts, with Directions for that kind of Singing.) | William Rogers, composer | voice viol 2 voices 3 voices 4 voices mixed chorus |
Baroque | Methods, Music theory, Psalms, Hymns | |||||
| A New Selection of Sacred Music; Dyer's New-York Selection of Sacred Music; Dyer's Philadelphia Selection of Sacred Music (A New Selection of Sacred Music, comprising a great variety of approved psalm and hymn tunes, anthems, odes, and choruses: from the works of the most esteemed authors, ancient and modern, and consisting generally of tunes and pieces which have never before been published in this country) | Samuel Dyer, composer | 3 voices 4 voices voices and keyboard |
Classical | Psalms, Hymns, Anthems | |||||
| A Paraphrase upon the Psalmes of David: by G[eorge] S[andys]: set to New Tunes for Private Devotion, and a thorough Base for Voice or Instrument. By Henry Lawes, one of the Gentlemen of His Majesties Chapell-Royall. | Henry Lawes, composer George Sandys, librettist |
voice and continuo 2 voices 3 voices 4 voices |
Baroque | Psalms | |||||
| A Plain and Easy Introduction to Practical Music ({{TPtr}} :A plaine and easie introduction to practicall musicke, set down in forme of a dialogue, devided into three partes, the first teacheth to sing with all things necessary for the knowledge of prickt-song. The second treateth of descante and to sing two parts in one upon a plainsong or ground, with other things necessary for a descanter. The third and last part entreateth of composition of three, foure, five or more parts with many profitable rules to that effect. With new songs of 2, 3, 4, and 5 parts) | Thomas Morley, composer | voice 2 voices 3 voices 4 voices 5 voices 6 voices 8 voices |
Renaissance | Music theory, Methods, Songs, Canons | |||||
| A Pretty Ducke There Was | John Bartlet, composer | 4 voices | Renaissance | Airs | |||||
| A qui direlle sa pense | Anonymous, composer | 4 voices | Renaissance | Madrigals | |||||
| A round of three country dances in one | Thomas Ravenscroft, composer | 4 voices | Renaissance | Canons | |||||
| A Satyr Once Did Run Away (Four part madrigal) | John Ward, composer | F major | 4 voices | Renaissance | Madrigals | ||||
| A Second Sett of Hymns and Psalm Tunes adapted for the Use of Churches, Chapels & Sunday Schools, with Accompaniments & a Thoro' Bass the whole figured for the Organ, Harpsichord or Piano-Forte, composed by J. Leach, Rochdale | James Leach, composer | 4 voices mixed chorus 4 voices and continuo mixed chorus and continuo |
Classical | Hymns, Psalms, Anthems | |||||
| A Select number of plain Tunes (A Select number of plain Tunes adapted to Congregational Worship by Andrew Law AB.) | Andrew Law, composer | 4 voices mixed chorus |
Classical | Psalms, Hymns | |||||
| In 3 Volumes, A Selection of Glees, Duetts, Canzonets, etc. Principally taken from the 9 Books Published at different Periods from the Year 1761 by Saml. Webbe, To which are added many New Glees and Canzonets Never before Published | Samuel Webbe, composer | 2 voices 3 voices 4 voices 5 voices 6 voices 2 mixed chorus soprano, alto, tenor and bass mezzosoprano, alto, tenor and bass 2 sopranos, alto, 2 tenors, bass and continuo |
Classical | Glees, Duets, Canzonets, Odes | |||||
| A Selection of Sacred Harmony, Containing Lessons explaining the Gamut, Keys, and other Characters used in Vocal Music; Also, A rich variety of Tunes approved of by the Most Eminent Teachers of Church Music in the United States. | Various, composer | 4 voices 3 voices 2 voices |
Classical | Psalms, Hymns, Anthems | |||||
| A Selection of Sacred Music for the Reformed Dutch Church (A Selection of Sacred Music, carefully arranged and designed for use of the Reformed Dutch Church, in the city of New-York: and suited to the several metres in the psalms and hymns used in said church. By F. D. Allen.) | Francis D. Allen, composer | 2 voices 3 voices 4 voices mixed chorus |
Classical | Psalms, Hymns, Anthems | |||||
| A Selection of the Best Psalm and Hymn Tunes (A Selection of the Best Psalm and Hymn Tunes, some of which are original, in four parts ...) | John Robertson, composer | 4 voices mixed chorus soprano, alto, tenor and bass |
Classical | Psalms, Hymns, Anthems | |||||
| A Set of Glees with the Dirge in Cymbeline | Maria Hester Park, composer | Op.3 | 3 voices 4 voices mixed chorus |
Classical | Glees | ||||
| A Set of Hymns and Psalm Tunes (A Set of Hymns and Psalm Tunes in Three and Four Parts Adapted to the Use of Churches and Chapels) | Edward Harwood, composer | 3 voices 4 voices mixed chorus |
Classical | Psalms, Hymns, Anthems | |||||
| A Set of New Psalms and Anthems (A Sett of New Psalm-Tunes and Anthems in 4 Parts; On Various Occasions) | William Knapp, composer | 4 voices | Baroque | Psalms, Anthems | |||||
| A solis ortus cardine | Alexander Agricola, composer | 4 voices | Renaissance | Hymns | |||||
| A Volume of Sacred Musick containing 30 Anthems (A Volume of Sacred Musick containing Thirty Anthems, selected from the works of Handel, Purcel, Croft, and other eminent European authors. By the late Hon. John Hubbard.) | John Hubbard, composer | 2 voices and continuo 3 voices 3 voices and continuo 4 voices 4 voices and continuo 5 voices 6 voices mixed chorus |
Classical | Anthems, Psalms, Hymns | |||||
| A., du mein Trost und Zuversicht | Anonymous, composer | 4 voices | Renaissance | Songs | |||||
| Absalon fili mi (Absolon fili mi quis mihi det ut ego) | Josquin Desprez, composer | NJE 14.1 | 4 voices | Renaissance | Motets | ||||
| Absolve Domine | Juan Vásquez, composer | 4 voices | Renaissance | Communions | |||||
| Accordes moy (Accordes moy ce que je pense) | Antoine Busnois, composer | 4 voices | Renaissance | Chansons | |||||
| Accueilly [Accoueillie] m'a la belle (Saoullé m'a la belle / Da pacem) | Firminus Caron, composer | 3 voices 4 voices |
Renaissance | Songs | |||||
| Ach ainigs ain | Adam Rener, composer | 4 voices 4 Unspecified instruments |
Renaissance | Lieder | |||||
| Ach Elslein | Ludwig Senfl, composer | 4 voices | Renaissance | Lieder | |||||
| Ach Gott, straf mich nit im Zoren dein | Leonhard Paminger, composer | 4 voices | Renaissance | Psalms | |||||
| Ach guter gsell, von wannen her? | Anonymous, composer | 4 voices | Renaissance | Songs | |||||
| Ach Hertzigs K | Heinrich Isaac, composer | 4 voices | Renaissance | Songs | |||||
| Ach lieb was zeichstu mich | Johannes Siess, composer | 4 voices | Renaissance | Songs | |||||
| Ach Maidlein rein ich hab allein | Ludwig Senfl, composer | 4 voices | Renaissance | Songs | |||||
| Ach, Vater unser, der du bist im Himmelreich | Anonymous, composer | 4 voices | Renaissance | Sacred songs | |||||
| Ach, was will doch mein hertz | Heinrich Isaac, composer | 4 voices | Renaissance | Songs | |||||
| Acqua non è l’umor che versan gli occhi | Bartolomeo Tromboncino, composer | 4 voices | Renaissance | Frottolas |
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