Composition search
- Compositions
- for 4 voices
| Title click for details |
Creators | Key | Opus | Composed | Instrumentation | Period/style | Type | Listen | Code |
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| Gesanglehre (Gesanglehre. Ein Hülfsmittel für Elementarschullehrer, durch eine einfachere Bezeichnungsart und Methode und durch eine zweckmäßige Sammlung von Singstücken einen reinen mehrstmmigen Volksgesang zu bilden.) | Johann Friedrich Wilhelm Koch, composer | voice 2 voices 3 voices 4 voices |
Classical | Methods, Songs |  |
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| Geystliche gesangk-Buchleyn (Wittembergisch Geistlich Gesangbuch von 1524 zu drei, vier, und fünf Stimmen) | Johann Walter, composer Martin Luther, librettist |
Various | 1524 | 3 voices 4 voices 5 voices mixed chorus |
Renaissance | Sacred songs | |
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| Ghy syt die wertste (Ghy syt die wertste boven al inteertsche dal) | Johannes Ghiselin, composer | 4 voices | Renaissance | Songs | |
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| Già fu chi m' ebbe cara | Giovanni Pierluigi da Palestrina, composer | 4 voices | Renaissance | Madrigals | |
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| Gioia m'abond' al cor tanta e sì pura | Giovanni Pierluigi da Palestrina, composer | 4 voices | Renaissance | Madrigals | |
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| Giovenetta regal pur' innocente | Jacob Arcadelt, composer | 4 voices | Renaissance | Madrigals | |
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| Girometta senza te | Filippo Azzaiolo, composer | F major | 4 voices | Renaissance | Songs | |
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| Gitene canzonette | Giovanni Artusi, composer | 1598 | 4 voices | Renaissance | Canzonettas | |
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| Gitene liete rime, ov' or si siede | Giovanni Pierluigi da Palestrina, composer | 4 voices | Renaissance | Madrigals | |
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| Giurando’l dissi amore | Jacob Arcadelt, composer | 4 voices | Renaissance | Madrigals | |
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| Glæden hun er født i dag | Carl Nielsen, composer Thomas Kingo, librettist |
E major | CNW 169 | voice and piano 4 voices |
Modern | Hymns | |
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| Glees and Madrigals, 2nd Collection (A second Collection of Glees, Madrigals &c. &c. for three, four, five and six voices) | William Horsley, composer | Op.4 | 3 voices 4 voices 5 voices 6 voices |
Classical | Glees, Madrigals, Rounds, Canons | |
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| Glees and Rounds (A Collection of Twelve Glees, Rounds &c. for Three, Four & Five Voices, as Performed at the Noblemen and Gentlemens Catch Club, Glee Club &c.) | Luffman Atterbury, composer | Op.2 | 3 voices 4 voices 5 voices |
Classical | Glees, Rounds, Elegies | |
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| Glees, Canons and Madrigals, 3rd Collection (A third Collection of Glees, Canons and Madrigals, for three, four and five voices) | William Horsley, composer | Op.6 | 3 voices 4 voices 5 voices |
Classical | Glees, Canons, Madrigals | |
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| Gli è pur gionto il giorno (Frottole Libro 1, No. 12) | Marchetto Cara, composer | A minor | 4 voices | Renaissance | Frottolas | |
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| Gli Prieghi Miei | Jacob Arcadelt, composer | C major | 4 voices | Renaissance | Madrigals | |
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| Gloria ad modum tubae | Guillaume Dufay, composer | 4 voices | Renaissance | Gloria | |
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| Gloria in excelsis Deo | Anonymous, composer | 4 voices | Renaissance | Gloria | |
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| Gloria, laus | Jacob Handl, composer Sacred music, librettist |
C minor | 4 voices | Renaissance | Motets, Hymns | |
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| Gloria Patri | Thomas Tallis, composer Christian doxology, librettist |
F major | 4 voices | Renaissance | Motets, Hymns | |
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| Gloriosi principes | Giovanni Pierluigi da Palestrina, composer | 4 voices | Renaissance | Motets | |
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| Glück fehl dir vor allem | Michael Haydn, composer | G major | MH 582 | 1795 | 4 voices | Classical | Canons | |
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| Glück hoffnung gib stund | Gregor Peschin, composer | 4 voices | Renaissance | Lieder | |
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| Canon à 4 'Glück zum neuen Jahr' (4-part Canon: "Glück zum neuen Jahr!") | Ludwig van Beethoven, composer | D major | WoO 165 | 1815 | 4 voices | Classical | Canons | |
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| God Grant with Grace (Tallis's Canon; Evening Hymn; Glory to Thee, my God, this night) | Thomas Tallis, composer | 4 voices | Renaissance | Canons, Psalms | |
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| Good Tidings (Good Tidings for Sunday-Schools, Prayer, Praise and Gospel Meetings. By A. J. Showalter. Assisted by J. B. Vaughan, George B. Holsinger, G. E. Leonard, and J. Henry Showalter.) | Anthony Johnson Showalter, composer | 4 voices mixed chorus |
Romantic | Hymns, Sacred songs | |
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| Gospel Songs and Hymns No. 1 (Gospel Songs and Hymns No. 1. For the Sunday School, Prayer Meeting, Social Meeting, General Song Service) | George Blackburn Holsinger, composer | 4 voices mixed chorus |
Romantic | Hymns, Sacred songs | |
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| Gotis di rosade, Rapsodia III | Cesare Augusto Seghizzi, composer | F major | 4 voices male chorus |
Early 20th century | Rhapsodies | |
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| Gott ist getreu der euch nicht lässet versuchen | Anonymous, composer | G major | 4 voices mixed chorus |
Baroque | Motets | |
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| Gott ist unsre Zuversicht und Stärke | Anonymous, composer | B flat major | 4 voices mixed chorus |
Baroque | Motets | |
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| Gott selber hat (Braudt Lied zu hochzeitlichen Ehren und wolgefallen, dem Edlen und Ehrnuesten Balthasar von Sangerhausen ... und der Erbarn unnd Tugentsamen Jungfrawen Maria, des Erbarn und Wolgeachten Andreae Lorentzen ... ehelichen Tochter. Nach Villanellen art mit Vier Stimmen componiret ...) | Johannes Eccard, composer | 4 voices | Renaissance | Wedding music, Sacred songs | |
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| Gott, hilf mir; denn das Wasser gehet bis an die Seele (Gott, hilf mir) | Anonymous, composer | C minor | 4 voices mixed chorus |
Baroque | Motets | |
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| Grace attendant ou la mort (Grace actendant ou la mort) | Gilles Mureau, composer | 4 voices | Renaissance | Chansons | |
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| Gradualia ac cantiones sacrae, Liber 1 (Gradualia: ac cantiones sacrae, liber primus) | William Byrd, composer | RISM A/I: B 5217 | 1605 | 3 voices 4 voices 5 voices |
Renaissance | Graduals, Sacred songs | |
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| Gradualia ac cantiones sacrae, Liber 2 (Gradualia: seu cantionum sacrarum, liber secundus) | William Byrd, composer | RISM A/I: B 5219 | 4 voices 5 voices 6 voices |
Renaissance | Graduals, Sacred songs |  |
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| Grateful Praise (Grateful Praise. A collection of New Songs for the Sunday-School. By J. H. Fillmore.) | James Henry Fillmore, composer | 4 voices mixed chorus |
Romantic | Sacred songs, Hymns | |
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| Gratia sola Dei (Epithalamium) | Orlande de Lassus, composer | LV 364 | 4 voices 6 voices |
Renaissance | Epithalamia | |
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| Gratias agimus tibi | Hans Leo Hassler, composer | 4 voices | Renaissance | Motets | |
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| Grausam erweiset sich Amor, WoO 24 | Johannes Brahms, composer | B minor | WoO 24 | 4 voices | Romantic | Canons | |
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| Gravi pene in amor | Alessandro Striggio, composer Lodovico Ariosto, librettist |
4 voices mixed chorus |
Renaissance | Madrigals | |
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| Great Apollo (Prize Glee for Four Voices) | Samuel Webbe, composer | D major | 4 voices | Classical | Glees | |
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| Greiner, zancker, schnoepffitzer | Heinrich Isaac, composer | 4 voices | Renaissance | Songs | |
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| Gressus meos dirige | Orlande de Lassus, composer | LV 861 | 4 voices | Renaissance | Motets | |
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| Gros jehan menoit | Nicole Regnes, composer | 4 voices | Renaissance | Chansons | |
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| Grün ist der Mai | Leonhard Lechner, composer | 4 voices | Renaissance | Lieder | |
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| Gud skal al Ting mage | Carl Nielsen, composer Hans Adolf Brorson, librettist |
F major | CNW 172 | voice and piano 4 voices mixed chorus |
Early 20th century | Sacred songs | |
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| Guds Engle i Flok | Carl Nielsen, composer Nikolaj Frederik Severin Grundtvig, librettist |
F major | CNW 170 | voice and piano 4 voices mixed chorus |
Romantic | Sacred songs | |
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| Guerir ma douleur | Orlande de Lassus, composer | LV 763 | 4 voices | Renaissance | Chansons | |
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| Guillot ung jour estoit avec Babeau | Clément Janequin, composer | 4 voices | Renaissance | Chansons | |
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| Gustate et videte | Heinrich Isaac, composer | 4 voices | Renaissance | Motets | |
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| Ha quante cose qui tacendo passo | Nicola Burzio, composer Pietro Bembo, librettist |
4 voices | Renaissance | Madrigals | |
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