| Title click for details |
Creators | Key | Opus | Composed | Instrumentation | Period/style | Type | Listen | Code |
|---|---|---|---|---|---|---|---|---|---|
| Ejn Esel und das Nußbaum holtz | Orlande de Lassus, composer | LV 478 | 1573 | 4 voices | Renaissance | Lieder | |||
| Ein fröhlich Wesen (Een vroelic wessen) | Hylaire Bernonneau, composer | 4 voices | Renaissance | Songs | |||||
| Ein fröhlich Wesen hab ich erlesen (Een vrolic wesen) | Matthaeus Pipelare, composer | 4 voices | Renaissance | Songs | |||||
| Ein frölich wesen | Jacob Obrecht, composer | 1450 | 4 voices | Renaissance | Songs | ||||
| Ein Kind gebor'n zu Bethlehem (Puer natus est) | Bartholomäus Gesius, composer | 1601 | 4 voices | Renaissance | Sacred songs | ||||
| Ein Kindelein so löbelich | Anonymous, composer | 4 voices | Renaissance | Songs | |||||
| Ein schön geistlich Gesangbuch (Ein schön geistlich Gesangbuch darinnen Kirchen Gesenge vnd geistliche Lieder, D. Mart. Lutheri vnd anderer frommen Christen, so in den Christlichen Gemeynden zu singen gebräuchlich, begriffen. Mit vier, etliche mit fünff Stim[m]en, nicht allein auff eine, sondern des mehrentheils auff zwey oder dreyerley Art, mit sonderm Fleiß Contrapuncts Weise gesetzt, im Discant der Choral richtig behalten, vnd ...) | Melchior Vulpius, composer | 4 voices 5 voices 6 voices |
Renaissance | Chorales, Sacred songs | |||||
| El grillo | Josquin Desprez, composer | NJE 28.12 | 4 voices | Renaissance | Frottolas | ||||
| El Parnaso español de madrigales y villancicos | Pedro Rimonte, composer | 4 voices 5 voices 6 voices |
Renaissance | Madrigals, Villancicos | |||||
| Elegies and Glees, Op. 2 | Theodore Aylward, composer | Op.2 | 3 voices 4 voices male chorus |
Classical | Elegies, Glees | ||||
| Eliza Wesley's Musical Autograph Album | Various, composer | voice and piano 2 voices 4 voices 2 Unspecified instruments 4 Unspecified instruments piano 2 violins, viola and cello violin violin and piano organ |
Romantic | Songs, Pieces, Canons, Quartets, Hymns | |||||
| Elle a bien ce ris | Claudin de Sermisy, composer | 1542 | 4 voices | Renaissance | Chansons | ||||
| Elle a mon cueur | Pierre de Manchicourt, composer | 4 voices | Renaissance | Chansons | |||||
| Elle craint cela sur tout rien | Clément Janequin, composer | 1533 | 4 voices | Renaissance | Chansons | ||||
| Emitte Spiritum tuum | Francesco Soriano, composer | G minor | 4 voices mixed chorus |
Renaissance | Motets | ||||
| En attendant son heureuse présence | Clément Janequin, composer | 4 voices | Renaissance | Chansons | |||||
| En ce verd moys, temps opportun | Pierre Certon, composer | 4 voices | Renaissance | Chansons | |||||
| En chambre polie | Anonymous, composer | F major | 4 voices | Renaissance | Chansons | ||||
| En desirant | Cornelius Canis, composer | 4 voices | Renaissance | Chansons | |||||
| En entrant en ung jardin | Claudin de Sermisy, composer | 4 voices | Renaissance | Songs, Chansons | |||||
| En esperant le printemps advenir | François Dulot, composer | 4 voices | Renaissance | Chansons | |||||
| En espoir vis (En espoir vir [...] la grace en Christ / En espoir vir [...] la grace en Christ [...] mais mon peché) | Orlande de Lassus, composer | LV 37 | 4 voices | Renaissance | Chansons | ||||
| En fut il onc une plus excellente | Clément Janequin, composer | 4 voices | Renaissance | Chansons | |||||
| En grant douleur faict son triste demeure | Pierre de Villiers, composer | 4 voices | Renaissance | Chansons | |||||
| En l'ombre d'ung buissonet (A lombre du buissonet) | Josquin Desprez, composer | NJE 28.13 | 4 voices | Renaissance | Chansons | ||||
| En l'ombre dung bussinet | Anonymous, composer | 4 voices 4 Unspecified instruments |
Renaissance | Chansons | |||||
| En la prison les ennuys de ce monde | Clément Janequin, composer | 4 voices | Renaissance | Chansons | |||||
| En m’oyant chanter quelquefois | Orlande de Lassus, composer Clément Marot, librettist |
4 voices | Renaissance | Chansons | |||||
| En m’en venant de veoir m’amye | Clément Janequin, composer | 4 voices | Renaissance | Chansons | |||||
| En mesbatant / Gente fleur / Gracieuse plaisante | Anonymous, composer | 4 voices | Renaissance | Chansons | |||||
| En tous les lieux | Antoine Busnois, composer | 4 voices | Renaissance | Chansons | |||||
| En un chateau | Orlande de Lassus, composer | 4 voices | Renaissance | Chansons | |||||
| En un lieu ou l’on ne voit goutte | Orlande de Lassus, composer Octavien de Saint-Gelais, librettist |
LV 166 | 1564 | 4 voices | Renaissance | Chansons | |||
| English Carols of the 15th Century (English Carols of the Fifteenth Century from a MS. roll in the Library of Trinity College, Cambridge. Edited by J.A. Fuller Maitland, M.A., F.S.A. with added vocal parts by W.S. Rockstro.) | John Alexander Fuller-Maitland, composer | 2 voices 3 voices 4 voices |
Renaissance | Carols | |||||
| Entré je suis en grant pensée (Par vous je suis / In mynem sinn hadde ick vercoren) | Josquin Desprez, composer | NJE 28.14 | 4 voices | Renaissance | Chansons | ||||
| Entre Paris et Saint Quentin | Anonymous, composer | 3 voices 4 voices |
Renaissance | Chansons | |||||
| Entre vous filles | Jacobus Clemens non Papa, composer | 1544 | 4 voices | Renaissance | Chansons | ||||
| Entre vous filles de quinze ans | Jacobus Clemens non Papa, composer | 4 voices | Renaissance | Chansons | |||||
| Eos Cymru (Eos Cymru; sef casgliad o donau, erddyganau gwreiddiol, ac Anthemau addas i'w canu mewn addoliad dwyfol, y casgliad wedi ei gymeryd allan o waith yr awduron enwocaf, hen a diweddar. Gan William Jacob, Treffynnon.) | William Jacob, composer | 4 voices mixed chorus mixed chorus and organ mixed chorus and piano |
Classical | Hymns, Psalms, Anthems | |||||
| Epithalamia (Hymnus paranymphorum) | Johann Hess, composer Martin Luther, librettist |
4 voices | Renaissance | Hymns, Wedding music | |||||
| Epithalamion zu Hochzeitlichen Ehren und Wolgefallen ({{TPtr}} :Epithalamion Zu Hochzeitlichen Ehren vnd Wolgefallen Dem Ehrwürdigen vnnd Wolgelarten Herrn Andreæ Coffnacio, Pfarrern zum Habersdorff, Vnd seiner vielgeliebten vertrawten Braut, der Erbaren vnd Thugendsamen Jungfrawen Gertrud, des auch Ehrwürdigen Achtbaren vnd Wolgelahrten Herrn Magistri Salomonis Kleïn, Weiland Ertzpriesters zu Marienwerder nachgelassenen Ehlichen Tochter : Mit 4. Stimmen Componiret vnd in druck verfertiget / Durch Iohannem Stobæum Grudentinum Borussum, der Stad Kneiphoff Königsberg Cantorem, vnd des Herrn Breutgams Ohmen) | Johann Stobäus, composer | 4 voices | Renaissance | Wedding music | |||||
| Era il bel viso suo | Cipriano de Rore, composer Lodovico Ariosto, librettist |
D dorian | 4 voices | Renaissance | Madrigals | ||||
| Eram quasi agnus | Lodovico da Viadana, composer | 4 voices | Renaissance | Responsories | |||||
| Eram quasi agnus innocens (Tenebræ Responsory No.4 for Maundy Thursday) | Tomás Luis de Victoria, composer | 4 voices | Renaissance | Responsories | |||||
| Ergo sancti martyres | Alexander Agricola, composer | 4 voices | Renaissance | Motets | |||||
| Erinnerung von Göthe | Georg Gerson, composer Johann Wolfgang von Goethe, librettist |
F major | G.27 | 1809 | 4 voices 2 sopranos and 2 tenors |
Romantic | Canons | ||
| Eripe me de inimicis meis | Orlande de Lassus, composer | D minor | LV 476 | 4 voices | Renaissance | Motets | |||
| Eripe me de inimicis meis | Orlande de Lassus, composer | LV 853 | 4 voices | Renaissance | Motets | ||||
| Erkennen thu mein traurigs gmuet | Heinrich Isaac, composer | 4 voices | Renaissance | Songs | |||||
| Errant par les champs de la grâce (Ode à Michel de l’Hospital) | Claude Goudimel, composer | F major | 4 voices | Renaissance | Odes | ||||
| Erravi sicut ovis | Thomas Crecquillon, composer | 4 voices | Renaissance | Psalms |
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