| Title click for details |
Creators | Key | Opus | Composed | Instrumentation | Period/style | Type | Listen | Code |
|---|---|---|---|---|---|---|---|---|---|
| Dulces exuviae (Dulces exuviae dum fata deusque) | Johannes Ghiselin, composer | 4 voices | Renaissance | Motets | |||||
| Dulces exuviae (Dulces exuviae dum fata Deus) | Marbrianus de Orto, composer | 4 voices | Renaissance | Motets | |||||
| Dulces Exuviae | Adrian Willaert, composer | 4 voices | Renaissance | Motets | |||||
| Dulces exuviae (Dulces exuviae dum fata Deusque) | Josquin Desprez, composer | NJE 28.11 | 4 voices | Renaissance | Motets | ||||
| Dulcis Amica | Anonymous, composer | F major | 4 voices | Renaissance | Chansons | ||||
| Dulcissimi virgo Maria | Anonymous, composer | 4 voices | Renaissance | Motets | |||||
| Dum aurora finem daret | Giovanni Pierluigi da Palestrina, composer | G | 4 voices | Renaissance | Motets | ||||
| Dum complerentur dies penthecostes | Jean Lhéritier, composer | 4 voices | Renaissance | Motets | |||||
| Dum transisset Sabbatum | Christian Erbach, composer | 4 voices | Renaissance | Motets | |||||
| Dun autre amer (Chanson, Fantasien, Motetten, Messen ediert von Clemens Goldberg) | Clemens Goldberg, composer | 2 Unspecified instruments 3 voices 4 voices 5 voices |
Renaissance | Chansons, Fantasias, Motets, Masses | |||||
| Dune belle jeune fille / Coquille bobille | Anonymous, composer | 4 voices | Renaissance | Chansons | |||||
| Dunque basciar si belle e dolce labbia | Giaches de Wert, composer Lodovico Ariosto, librettist |
4 voices mixed chorus |
Renaissance | Madrigals | |||||
| Dunque il comun poter | Andrea Gabrieli, composer | 4 voices | Renaissance | Madrigals | |||||
| La canzon della gallina | Tiberio Fabrianese, composer | 4 voices | Renaissance | Canzonas | |||||
| E qui le dira | Heinrich Isaac, composer | 4 voices soprano, alto, tenor and bass soprano, 2 tenors and bass |
Renaissance | Chansons | |||||
| Ecc' oscurati i chiari raggi al sole | Giovanni Pierluigi da Palestrina, composer | 4 voices | Renaissance | Madrigals | |||||
| Ecc' ove giunse prima e poi s'assise | Giovanni Pierluigi da Palestrina, composer | 4 voices | Renaissance | Madrigals | |||||
| Ecce enim Deus adiuvat me | Hans Leo Hassler, composer | 4 voices | Renaissance | Motets | |||||
| Ecce enim evangelizo | Marc Antonio Ingegneri, composer Sacred music, librettist |
A minor | 4 voices | Renaissance | Motets | ||||
| Ecce iam venit plenitudo | Gioseffo Zarlino, composer | 4 voices | Renaissance | Motets | |||||
| Ecce nunc benedicite | Ludwig Daser, composer | 1560 | 4 voices | Renaissance | Psalms | ||||
| Ecce nunc benedicite Dominum | Giovanni Pierluigi da Palestrina, composer | 4 voices | Renaissance | Motets | |||||
| Ecce nunc benedicite Dominum | Giovanni Pierluigi da Palestrina, composer | 4 voices | Renaissance | Motets | |||||
| Ecce panis angelorum | Antoine Bruhier, composer | 4 voices | Renaissance | Motets | |||||
| Ecce quam bonum | Ludwig Senfl, composer | 4 voices | Renaissance | Motets | |||||
| Ecce quomodo moritur iustus | Jacob Handl, composer | 4 voices | Renaissance | Motets | |||||
| Ecce quomodo moritur justus (Tenebræ Responsory No.3 for Holy Saturday) | Tomás Luis de Victoria, composer | 4 voices | Renaissance | Responsories | |||||
| Ecce videmus eum | Pedro de Cristo, composer | 4 voices | Renaissance | Responsories | |||||
| Ecclesiam tuam Domine | Andrea Gabrieli, composer | 4 voices | Renaissance | Sacred songs | |||||
| Ecclesiasticae cantiones (Ecclesiasticarum cantionum) | Leonhard Paminger, composer | 4 voices 5 voices 6 voices 8 voices 2 mixed chorus |
Renaissance | Antiphons, Responsories, Hymns, Motets, Canons | |||||
| Ecclesiasticarum cantionum quatuor vocum (Ecclesiasticarum cantionum quatuor vocum, omnibus sanctorum solemnitatibus deservientium. Liber primus.) | Andrea Gabrieli, composer | 4 voices | Renaissance | Sacred songs, Motets | |||||
| Ecclesiae Harmonia (Ecclesiæ Harmonia. A Selection of Sacred Music; by Charles Woodward) | Various, composer | 3 voices 4 voices mixed chorus |
Classical | Psalms, Hymns, Anthems, Odes | |||||
| Ecco d'oro l'éta pregiata e bella | Jacob Arcadelt, composer | 4 voices | Renaissance | Madrigals | |||||
| Ecco la nimph' | Orlande de Lassus, composer | LV 653 | 4 voices | Renaissance | Villanelle | ||||
| Een Duijtsch Musijck Boeck (Een Duytsch Musyck Boeck, daer inne begrepen syn vele schoone liedekens met IIII. met V. ende VI. partijen. Nu niewelijck met groote neersticheyt ghecolligeert ende verghaert. Ghecomponeert bij diversche excellente Meesters seer lustich om singhen, ende spelen op alle instrumenten.) | Pierre Phalèse, composer | 4 voices 5 voices 6 voices |
Renaissance | Songs | |||||
| Een Kindelien zo Loveliek | Anonymous, composer | 4 voices | Baroque | Carols | |||||
| Ego dixi Domine | Felice Anerio, composer | 4 voices 4 voices and continuo |
Renaissance | Motets | |||||
| Ego dormivi | Francesco Bianciardi, composer | 4 voices | Renaissance | Motets, Psalms | |||||
| Ego rogabo patrem | Andrea Gabrieli, composer | 4 voices | Renaissance | Sacred songs | |||||
| Ego sum panis vivus | Paolo Agostini, composer | G | 4 voices | Renaissance | Motets | ||||
| Ego sum panis vivus | William Byrd, composer | T 135 | 1607 | 4 voices | Renaissance | Sacred songs | |||
| Ego sum pastor bonus | Wacław of Szamotuły, composer | 4 voices | Renaissance | Motets | |||||
| Ego sum resurrectio | Hans Leo Hassler, composer | 11. Ego sum resurrectio, 4 voc. | 4 voices | Renaissance | Motets | ||||
| Ego vero afflictus sum | Hans Leo Hassler, composer | 4 voices | Renaissance | Motets | |||||
| Eheu! Sustulerunt Dominum | Thomas Morley, composer | 4 voices | Renaissance | Motets | |||||
| Ehre sei Gott in der Höhe (Grosse Doxologie) | Dmytro Bortniansky, composer | G major | 1800 | 4 voices mixed chorus |
Classical | Sacred songs | |||
| Ei, freundlichs Herz, was grossen Schmerz | Anonymous, composer | 4 voices | Renaissance | Songs | |||||
| Ein außzug guter Teutscher liedlein (Ein außzug guter alter vñ newer Teutscher liedlein, einer rechten Teutschen art, auff alerley Instrumenten zubrachen. Nürnberg 1539) | Georg Forster, composer | 4 voices | Renaissance | Lieder | |||||
| Ein christlich Trostliedlein ({{TPtr}} :Ein Christliches Trostliedlein Auff den hochbetrübten Seligen vnd Christlichen Abscheidt, Des Weilandt Durchleuchtigen, Hochgebornen Fursten vnd Herrn, Herrn Johann Friedrichen, Hertzogen zu Stettin, Pommern, Hochlöblicher gedechtnuß: Aus dem 121. Psalm: Jn welchem auch deroselben F. G. Symbolum: Avxilivm Mevm A Domino, Meine hülffe kombt vom Herren enthaltend, genommen, Jn kurtze vnd einseltige Reime begriffen, vnd vnter einen schlechten Choral auff vier Stimmen zusingen gebracht: Durch Paul Lutkemannen, bestalten Instrumentalem Musicum zu Alten Stettin.) | Paul Lütkemann, composer | 4 voices | Renaissance | Funeral music, Psalms | |||||
| Ein Christlicher Gesang ({{TPtr}} :In der jetzigen schrecklichen Türcken-Gefahr zu brauchen, Auff die folgende Melodey, in vier Stim[m]en Componiret von Herrn Iohanne Iosepho, Fürstlichem Lignitzschen Landschreiber vnd bestalten Musico &c. : Gemacht zu Ehren vnd Gedächtnis Des Ehrnvhesten, Wolgeachten Herrn Antonij Schultzen, Römischer Kays: Mayest: Steureinnemer im Fürstenthumb Lignitz, &c. hertzliebsten Kinderlein, Mariæ, Antonij, Gotfrid, Dauid vnd Rosinæ, &c. Von Dauid Günthern &c.) | Johann Joseph Clittonius, composer | 4 voices | Renaissance | Songs | |||||
| Ejn Esel und das Nußbaum holtz | Orlande de Lassus, composer | LV 478 | 1573 | 4 voices | Renaissance | Lieder |
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