| Title click for details |
Creators | Key | Opus | Composed | Instrumentation | Period/style | Type | Listen | Code |
|---|---|---|---|---|---|---|---|---|---|
| Dicunt infantes | Jacob Handl, composer Sacred music, librettist |
A minor | 4 voices | Renaissance | Motets | ||||
| Die Brünnlein, die da fließen | Balthasar Arthopius, composer | Mixolydian | 4 voices | Renaissance | Lieder | ||||
| Die Brünnlein, die da fließen II | Ludwig Senfl, composer | 4 voices | Renaissance | Lieder | |||||
| Die Chansons (Die Chansons ediert von Clemens Goldberg) | Johannes Ockeghem, composer | 3 voices 4 voices 5 voices |
Renaissance | Chansons, Motets | |||||
| Die Gottseligkeit ist zu allen Dingen nütz | Anonymous, composer | 4 voices | Baroque | Sacred songs | |||||
| Die mich erfrewt ist lobens werd | Erasmus Lapicida, composer | 4 voices | Renaissance | Lieder | |||||
| Die neue Choral Harmonie (Die neue Choral Harmonie, enthaltend die vornehmsten Kirchen Melodien, eingerichtet zum Gebrauche aller Christlichen Religionen von jeden Benennungen, und auf drei Stimmen gesetzt. Absonderlich eingerichtet zum öffentlichen Gottesdienste, als: Kirchen, Versammlungen und Singschulen) | Samuel Moyer Musselmann, composer | 2 voices 3 voices 4 voices mixed chorus |
Classical | Chorales, Hymns, Psalms | |||||
| Die neue Harmonie, oder eine neue Sammlung con Kirchen-Musik; enthaltend viele Musikalische-Stuecke und Kirchen-Melodien, welche noch nie im Druck erschienen, und manche die neulich fuer dieses Werk componiret worden sind; zusammengetragen aus den beruehmtesten Autoren neuerer Zeit, nebst hinlaenglichem Unterricht fuer Singschulen. von Michael Bentz, York, Penn. (The New Harmony, or a new collection of church-music; containing a number of musical pieces and church-tunes, which have never before appeared in print, and some that have been lately composed for this Collection. Collected from the most celebrated authors of modern times; together with complete instructions for singing Schools. by Michael Bentz, York, PA.) | Various, composer | 2 voices 3 voices 4 voices voices and organ |
Classical | Psalms, Hymns, Anthems | |||||
| Die Passion nach dem Evangelisten Johannes zu vier Stimmen | Joachim a Burck, composer | 1568 | 4 voices | Renaissance | Passions | ||||
| Die Pennsylvanische Choral Harmonie: enthaltend die vornehmsten Kirchen-Melodien, versehen mit deutschem und englischem Texte (The Pennsylvania Choral Harmony: containing the principal church melodies, provided with German and English text) | Thomas R. Weber, composer | 2 voices 3 voices 4 voices |
Classical | Psalms, Hymns, Anthems, Chants | |||||
| The Philharmonia, a collection of Tunes, adapted to Public and Private Worship. Containing tunes for all the hymns in the English Mennonite Hymn Book, the Gemeinschaftliche, Unparteiische and Allgemeine Liedersammlungen, the Unparteiische Gesangbuch, and the Mennonitische Gesangbuch, with Instructions and Explanations in English and German, and English and German Texts to most of the Tunes, Metrical Indexes, &c., including a greater variety of Metres of Church Music than any other Work of the Kind now Published. Compiled by Martin D Wenger. Published by the Mennonite Publishing Co., successor to J.F. Funk & Bro. (Die Philharmonia, eine Sammlung von Normal Melodien, fuer den kirchlichen sowohl als den haeuslichen Gottesdienst. Gemeinschaftlichen-, Unparteiischen- und der Allgemeinen Liedersammlungen, des Unparteiischen Gesangbuches, des Mennonitischen Gesangbuches, und des English Mennonite Hymn Book, nebst Unterweisungen und Erklaerungen in Englisch und Deutsch, sowie englische und deutsche Texte zu den meisten der Melodien, metrische Inhalts-Verzeichnisse &c., und begreift eine groessere Anzahl Melodien fuer den Kirchen-Gesang, als irgend ein anderes bis jetzt erschienenes Werk dieser Art. Bearbeitet von Martin D. Wenger.) | Various, composer | 4 voices | Romantic | Hymns, Sacred songs | |||||
| Die Schlacht vor Pavia | Mathias Werrecore, composer | 4 voices | Renaissance | Songs | |||||
| Die Union Choral Harmonie, enthaltend drey und vierstimmig ausgeseste Melodien, mit deutschem und englischem Texte (The Union Choral Harmony, Consisting of Sacred Music, With German and English Lines to Each Tune) | Henry C. Eyer, composer | 3 voices 4 voices voices and organ |
Classical | Psalms, Hymns, Anthems | |||||
| Dies est laetitiae | Anonymous, composer | 4 voices | Renaissance | Sacred songs | |||||
| Dies est laetitiae | Guillielmus Messaus, composer | 4 voices soprano, alto, tenor and bass |
Renaissance | Motets | |||||
| Dies est lætitiæ | Jacob Regnart, composer | 4 voices | Renaissance | Sacred songs | |||||
| Dies sanctificatus | William Byrd, composer | 4 voices | Renaissance | Graduals | |||||
| Dies sanctificatus | Costanzo Porta, composer Sacred music, librettist |
G minor | 4 voices | Renaissance | Motets | ||||
| Dies sanctificatus illuxit nobis | Jacob Handl, composer | 4 voices | Renaissance | Motets | |||||
| Dies sanctificatus (Motecta in Festo Nativitatis Domini) | Giovanni Pierluigi da Palestrina, composer | 4 voices | Renaissance | Motets | |||||
| Dieu doint le bon jour à m'amye | Claude Gervaise, composer | 4 voices | Renaissance | Chansons | |||||
| Dijon Chansonnier (Chansonnier from Bibliothèque Municipale de Dijon) | Various, composer | F-Dm, Ms.517 | 2 voices 3 voices 4 voices |
Renaissance | Chansons | ||||
| Dilexisti justitiam | Felice Anerio, composer Sacred music, librettist |
D major | 4 voices | Renaissance | Sacred choruses | ||||
| Diligam te, Domine à4 | Andrea Gabrieli, composer | 4 voices | Renaissance | Motets | |||||
| Dillà da l'aqua | Francesco Patavino, composer | 4 voices | Renaissance | Madrigals | |||||
| Ding Dong Merrily | Charles Wood, composer George Ratcliffe Woodward, librettist |
4 voices mixed chorus |
Romantic | Carols | |||||
| Dirò d’Orlando in un medesmo tratto | Jacquet de Berchem, composer Lodovico Ariosto, librettist |
F major | 4 voices | Renaissance | Capriccios | ||||
| Discord, dire sister of the slaught'ring pow'r (Glee for Four Voices) | Samuel Webbe, composer | F minor - major | 4 voices | Classical | Glees | ||||
| Disdaine that so doth fill me | Martin Peerson, composer | G major | 4 voices 4 viols voice and 3 viols 2 voices and 2 viols 3 voices and viol voice and 3 Unspecified instruments 2 voices and 2 Unspecified instruments 3 voices 4 Unspecified instruments |
Baroque | Airs | ||||
| Dissi a l’amata mia lucida stella | Luca Marenzio, composer Giovanni Battista Moscaglia, librettist |
4 voices | Renaissance | Madrigals | |||||
| Ditimi o si, o no, senza timore | Cristóbal de Morales, composer | 4 voices | Renaissance | Madrigals | |||||
| Dittes, maitresse, hé que vous ay-je fait ! | Anthoine de Bertrand, composer Pierre de Ronsard, librettist |
4 voices | Renaissance | Chansons | |||||
| Divine Harmony (Divine Harmony, being A Collection of Psalm & Hymn Tunes, in score, composed & adapted to suitable words by the late Revd. Phocion Henley, M.A. formerly Rector of St. Anne, Blackfriars, to which are added: Four Psalm Tunes, composed & adapted to proper Psalms, by the late Revd. Thos. Sharp, M.A. formerly Rector of St. Bartholomew the less, West Smithfield. Published (by Permission of their respective Families) by John Page, of St. Paul's Cathedral, the whole Arranged and Figured for the Organ, Harpsichord or Piano-Forte. Divine Harmony: being a Collection of Psalm-Tunes, in Three, Four, and Five, Parts, composed by the late Rev. Phocion Henley, M.A. and the late Rev. Thomas Sharp, M.A.) |
Phocion Henley, composer | soprano and bass 3 voices 4 voices 5 voices mixed chorus voices and continuo mixed chorus and continuo |
Baroque | Psalms, Hymns | |||||
| Divine Recreations (Being a Collection of Psalms, Hymns, and Canons, in 2, 3, and 4 Parts: with Easy, Grave, and Pleasant Tunes adapted to each of them) | Various, composer | 2 voices 3 voices 4 voices 8 voices mixed chorus |
Baroque | Psalms, Hymns, Canons | |||||
| Divine Songs (Divine Songs, extracted from Mr. J. Hart's Hymns, and set to Musick in Three and Four Parts. By Abraham Wood. Suitable to be sung in Churches immediately before or after Divine Worship.) | Abraham Wood, composer | 3 voices 4 voices mixed chorus |
Classical | Hymns, Sacred songs, Anthems | |||||
| Divini occhi sereni | Philippe Verdelot, composer | 4 voices | Renaissance | Madrigals | |||||
| Dixit Dominus | Diego Ortiz, composer | 4 voices | Renaissance | Psalms | |||||
| Dixit Dominus | Tomás Luis de Victoria, composer | 4 voices | Renaissance | Psalms, Vespers | |||||
| Dixit Maria (motet) | Hans Leo Hassler, composer | F major | 4 voices | Renaissance | Motets | ||||
| Dizen a mí que los amores | Juan Vásquez, composer | 4 voices | Renaissance | Villancicos | |||||
| Do mal villano | Anonymous, composer | 4 voices | Renaissance | Madrigals | |||||
| Doctor bonus (In Festo S. Andreae) | Giovanni Pierluigi da Palestrina, composer | 4 voices | Renaissance | Motets | |||||
| Doctor egregie (In Conversione et Commemoratione S. Pauli) | Giovanni Pierluigi da Palestrina, composer | 4 voices | Renaissance | Hymns | |||||
| Doctor egregie (Sit trinitati sempiterna gloria / In festo conversionis S. Pauli) | Orlande de Lassus, composer | LV Anh.22 | 1580 | 4 voices mixed chorus |
Renaissance | Hymns | |||
| Dodecacorde (Dodecacorde contenant douze Pseaumes de David, mis en musique selon les douze modes, approuvez des meilleurs Autheurs anciens et modernes. à 2. 3. 4. 5. 6. et 7. voix Dodecacorde selon les douze modes à II, III, IIII, V, VI & VII voix, ... sous lesquels ont été mis des paroles morales) |
Claude Le Jeune, composer | RISM RISM-A/I: L-1679 | 2 voices 3 voices 4 voices 5 voices 6 voices 7 voices |
Renaissance | Psalms | ||||
| Dolce nimica mia | Jacob Arcadelt, composer | 4 voices | Renaissance | Madrigals | |||||
| Dolcemente s'adira la donna mia | Jacob Arcadelt, composer | 4 voices | Renaissance | Madrigals | |||||
| Dolci spoglie felici e care tanto | Giaches de Wert, composer Raffaele Gualtieri, librettist |
4 voices | Renaissance | Madrigals | |||||
| Dolcissime parole che dalle labra uscite | Vincenzo dal Pozzo, composer | 4 voices | Renaissance | Madrigals | |||||
| Domine ad adiuvandum | Orlande de Lassus, composer | LV 871 | 4 voices | Renaissance | Motets | ||||
| Domine Deus salutis meae | Orlande de Lassus, composer | LV 866 | 4 voices | Renaissance | Motets |
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