| Title click for details |
Creators | Key | Opus | Composed | Instrumentation | Period/style | Type | Listen | Code |
|---|---|---|---|---|---|---|---|---|---|
| Der unsterbliche Lump (Operette in drei Akten) | Edmund Eysler, composer Felix Dörmann, librettist |
voices, mixed chorus and orchestra | Romantic | Operettas | |||||
| Der Untersberg (Der Untersperg; Romantische Oper in drey Acten) | Johann Nepomuk von Poißl, composer Eduard von Schenk, librettist |
voices, mixed chorus and orchestra | Romantic | Operas | |||||
| Der Vagabund (Operette in drei Akten) | Carl Zeller, composer Moritz West, librettist Ludwig Held, librettist |
voices, mixed chorus and orchestra | Romantic | Operettas | |||||
| Der Vampyr (Grosse romantische oper) | Heinrich Marschner, composer Wilhelm August Wohlbrück, librettist |
1828 | voices, mixed chorus and orchestra | Romantic | Grand operas | ||||
| Der var engang | Peter Erasmus Lange-Müller, composer Holger Drachmann, librettist |
Op.25 | 1886 | voices, mixed chorus and orchestra | Romantic | Incidental music | |||
| Der verliebte Herzog (Operette in drei Akten) | Jean Gilbert, composer Georg Okonkowski, librettist Hans Bachwitz, librettist |
voices, mixed chorus and orchestra | Early 20th century | Operettas | |||||
| Der Verschwender (Zauberspiel in 3 Acten) | Conradin Kreutzer, composer Ferdinand Raimund, librettist |
1833 | voices, mixed chorus and orchestra | Romantic | Incidental music | ||||
| Der Vetter auf Besuch (Operette) | Georg Kremplsetzer, composer Wilhelm Busch, librettist |
voices, mixed chorus and orchestra | Romantic | Operettas | |||||
| Der Vetter aus Dingsda (The Cousin from Nowhere) | Eduard Künneke, composer Herman Haller, librettist |
Op.13 | 1921 | voices, mixed chorus and orchestra | Romantic | Operettas | |||
| Der Vice-Admiral (Operette in drei Acten) | Carl Millöcker, composer Richard Genée, librettist |
voices, mixed chorus and orchestra | Romantic | Operettas | |||||
| Der vierjährige Posten (The Four-Year Post) | Franz Schubert, composer Theodor Körner, librettist |
D.190 | 1815 | voices, mixed chorus and orchestra | Romantic | Singspiele | |||
| Der vierjährige Posten (Operette in einem Akte) | Carl Reinecke, composer Theodor Körner, librettist |
Op.45 | voices, mixed chorus and orchestra | Romantic | Operettas | ||||
| Der Vogelhändler (Operette in drei Akten) | Carl Zeller, composer Moritz West, librettist Ludwig Held, librettist |
voices, mixed chorus and orchestra | Romantic | Operettas | |||||
| Der Waffenschmied (Komische Oper in drei Akten) | Albert Lortzing, composer | LoWV 66 | voices, mixed chorus and orchestra | Romantic | Comic operas | ||||
| Der Wald (The Forest) | Ethel Smyth, composer Henry Bennet Brewster, librettist |
voices, mixed chorus and orchestra | Romantic | Operas | |||||
| Der Wärwolf (Die Falkensteiner) | Hans Heinrich Bolko von Hochberg, composer Paul Frohberg, librettist |
Op.21 | 1874 | voices, mixed chorus and orchestra | Romantic | Operas | |||
| Der Wasserneck (Lyrische Cantate) | Richard Wüerst, composer | Op.30 | voices, mixed chorus and orchestra | Romantic | Secular cantatas | ||||
| Der Weiberkrieg (Volksoper in 3 Akten) | Felix Woyrsch, composer | 27 | voices, mixed chorus and orchestra | Romantic | Folk operas | ||||
| Der Weise von Cordova (Komische Oper in einem Aufzug) | Oscar Straus, composer Maximilian Singer, librettist |
voices, mixed chorus and orchestra | Romantic | Comic operas | |||||
| Der Widerspenstigen Zähmung (Komsiche Oper in vier Akten) | Hermann Goetz, composer Joseph Viktor Widmann, librettist |
1868 | voices, mixed chorus and orchestra | Romantic | Comic operas | ||||
| Der wilde Jäger (Grosse romantische Oper in vier Akten) | August Schulz, composer Georg Langenbeck, librettist |
voices, mixed chorus and orchestra | Romantic | Operas | |||||
| Der Zarewitsch (The Tsarevich) | Franz Lehár, composer Heinz Reichert, librettist |
1926 | voices, mixed chorus and orchestra | Romantic | Operettas | ||||
| Der Zigeunerbaron (The Gypsy Baron) | Johann Strauss Jr., composer Ignaz Schnitzer, librettist |
1883 | voices, mixed chorus and orchestra | Romantic | Operettas | ||||
| Der Zigeunerprimas (Operette in drei Akten) | Emmerich Kálmán, composer Julius Wilhelm, librettist Fritz Grünbaum, librettist |
voices, mixed chorus and orchestra | Romantic | Operettas | |||||
| Der Zwerg (The Birthday of the Infanta) | Alexander von Zemlinsky, composer Georg Eugen Klaric, librettist |
Op.17 | 1919 | voices, mixed chorus and orchestra | Early 20th century | Operas | |||
| Des Heilands letzte Stunden (Les dernières heures du Sauveur ; The last hours of the Saviour; Calvary; The Crucifixion) | Louis Spohr, composer Friedrich Rochlitz, librettist |
G major | WoO 62 | 1834 | voices, mixed chorus and orchestra | Romantic | Sacred oratorios | ||
| Des Matrosen Heimkehr (Romantische Oper in zwei Aufzügen) | Franz von Suppé, composer Anton Langer, librettist |
voices, mixed chorus and orchestra | Romantic | Operas | |||||
| Des Sängers Fluch (Ballade) | Robert Schumann, composer Richard Pohl, librettist |
Op.139 | 1852 | voices, mixed chorus and orchestra | Romantic | Ballads | |||
| Des Teufels Lustschloss (The Devil's Pleasure Palace) | Franz Schubert, composer August von Kotzebue, librettist |
D.84 | 1813 | voices, mixed chorus and orchestra | Romantic | Operas | |||
| Désirée (Comic opera in two acts) | John Philip Sousa, composer Edward M. Taber, librettist John Maddison Morton, librettist |
voices, mixed chorus and orchestra | Romantic | Comic operas | |||||
| Deus in adjutorium meum intende | Charles-Hubert Gervais, composer | ChG 40 | 1723 | voices, mixed chorus and orchestra voices, mixed chorus, strings and continuo |
Baroque | Psalms | |||
| Deus in adjutorium meum, Grand motet | Michel Richard de Lalande, composer | S.33 | 1691 | voices, mixed chorus and orchestra | Baroque | Motets, Psalms | |||
| Deus misereatur nostri, Grand motet | Michel Richard de Lalande, composer | S.16 | 1687 | voices, mixed chorus and orchestra | Baroque | Motets, Psalms | |||
| Deus noster refugium (Psaume 45 pour soli, chœur et orchestre) | André Campra, composer | 1727 | voices, mixed chorus and orchestra | Baroque | Psalms | ||||
| Deus noster refugium, Grand motet | Michel Richard de Lalande, composer | S.54 | 1699 | voices, mixed chorus and orchestra | Baroque | Motets, Psalms | |||
| Deus, Deus meus ad te luce vigilo, Grand motet | Michel Richard de Lalande, composer | S.20 | 1685 | voices, mixed chorus and orchestra | Baroque | Motets, Psalms | |||
| Dialogues des Carmélites | Francis Poulenc, composer | FP 159 | 1953 | voices, mixed chorus and orchestra | Early 20th century | Operas | |||
| Diane et Endymion, Pastorale héroïque | Anne Danican Philidor, composer | 1697 | voices, mixed chorus and orchestra | Baroque | Pastorales | ||||
| Diane (Poëme antique) | Benjamin Godard, composer Édouard Guinand, librettist |
Op.52 | 1880 | voices, mixed chorus and orchestra | Romantic | Secular oratorios | |||
| Dichter und Welt (Oper in drei Akten) | Waldemar von Baussnern, composer Julius Petri, librettist |
1894 | voices, mixed chorus and orchestra | Romantic | Operas | ||||
| Dido and Aeneas (Dido and Æneas) | Henry Purcell, composer Nahum Tate, librettist |
Z.626 | 1677 | voices, mixed chorus and orchestra | Baroque | Operas | ![]() |
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| Dido, Königin von Carthago (Dido, Königin von Carthago : in einem Singe-Spiel : auf dem Hamburgischen Theatro vorgestellet) | Christoph Graupner, composer Heinrich Hinsch, librettist |
1707 | voices, mixed chorus and orchestra | Baroque | Singspiele | ||||
| Didon (Tragédie lyrique en trois actes) | Niccolò Piccinni, composer Jean-François Marmontel, librettist |
RISM A/I: P 2102 | 1783 | voices, mixed chorus and orchestra | Classical | Lyric tragedies | |||
| Didone abbandonata (Dramma per musica in due atti) | Saverio Mercadante, composer Pietro Metastasio, librettist |
voices, mixed chorus and orchestra | Romantic | Operas | |||||
| Didone abbandonata (Dramma per musica in due atti) | Giovanni Paisiello, composer Pietro Metastasio, librettist |
RobP 1.88 | 1794 | voices, mixed chorus and orchestra | Classical | Opera seria | |||
| Die Afrikareise (Operette in drei Acten Journey through Africa; A Trip to Africa) |
Franz von Suppé, composer Moritz West, librettist Richard Genée, librettist |
voices, mixed chorus and orchestra | Romantic | Operettas | |||||
| Die ägyptische Helena | Richard Strauss, composer Hugo von Hofmannsthal, librettist |
Op.75 | 1924 | voices, mixed chorus and orchestra | Early 20th century | Operas | |||
| Die Angst vor der Ehe (Operette in drei Akten) | Emil von Reznicek, composer Erich Urban, librettist |
1913 | voices, mixed chorus and orchestra | Early 20th century | Operettas | ||||
| Die Äolsharfe (Der Triumph der Musik und Liebe) | Justin Heinrich Knecht, composer Nikolaus Remmele, librettist |
LadK II/569-592 | voices, mixed chorus and orchestra | Classical | Operas | ||||
| Karl Wilhelm Rammlers Auferstehung und Himmelfahrt Jesu | Carl Philipp Emanuel Bach, composer Karl Wilhelm Ramler, librettist |
H.777 | 1774 | voices, mixed chorus and orchestra | Classical | Sacred oratorios | |||
| Die Auferstehung (Oratorium.) | Gustav Adolf Heinze, composer Henriette Heinze, librettist |
Op.12 | voices, mixed chorus and orchestra | Romantic | Sacred oratorios |
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