Composition search
- Compositions
- for soprano, alto, tenor, bass and orchestra
| Title click for details |
Creators | Key | Opus | Composed | Instrumentation | Period/style | Type | Listen | Code |
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| 12 Offertoria Solemnia de Commi Sanctorum, Op. 5 (XII. Offertoria Solemnia de Communi Sanctorum, a IV. Vocibus, Canto, Alto, Tenore, Basso, II. Violinis necessariis, II. Lituis ac Tymp. ex diversis Clavibus, ad Libitum concurrentibus, & Organo, authore R. P. Isfrido Kayser, Imperialis, Celeberr. ac exemptae Canoniae Marchtallensis, Ordinis Praemonstrat. Canonico &c. &c. Opus V. Pars Prima.) | Isfrid Kayser, composer | Op.5, Part 1 | soprano, alto, tenor, bass and orchestra | Baroque | Offertories |  |
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| 6 Masses, Op. 1 (VI. Missae. Partim solemnes, partim breves. A Canto, Alto, Tenore, Basso, Violino I. et II., Viola, Violone, Cornu et Clarino I. et II., Tympano et Organo obligatis; Oboe et Flauto I. et II. ad libitum) | Matthäus Fischer, composer | soprano, alto, tenor, bass and orchestra | Classical | Masses | |
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| 6 Missae breves (VI. Missae breviores, cum totidem symphoniis et offertoriis, ex quibus duae funebres, a Canto, Alto, Tenore, Basso, Violino I. Violino II. Viola & Organo obligatis: Cornu I. Cornu II. & Violoncello, non obligatis.) | Franz Gleissner, composer | Op.2 | soprano, alto, tenor, bass, organ and strings soprano, alto, tenor, bass and orchestra soprano, alto, tenor, bass, 2 violins, viola and continuo |
Classical | Masses | |
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| 6 Missae (VI. Missae, cum totidem symphoniis ac offertoriis stylo elegantiori ad modernum genum elaboratae a Canto, Alto, Tenore, Basso, Violino I. Violino II. Viola & Organo obligatis: Cornu I. Cornu II. & Violoncello, non obligatis.) | Franz Gleissner, composer | Op.1 | soprano, alto, tenor, bass and orchestra soprano, alto, tenor, bass, strings and continuo |
Classical | Masses | |
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| 6 Missis solennibus ({{TPtr}} :Cultus Latreuticus Deo Eucharistico sub S.S. Missae Sacrificio exhibitus VI. Missis solennibus quarum Prima, Tertia, Quinta ex D. Secunda, Quarta, Sexta ex C. Stylo devotioni in ecclesiis excitandae satis idoneo facili subin, et peramoeno ad modernum genium a Canto, Alto, Tenore, Basso, 2. Violinis, Organo obligatis. Viola, 2. Flauto Traversiere, 2. Hautbois, 2. Clarinis, 2. Cornibus, Tympano & Violoncello ad libitum.) | Johann Anton Kobrich, composer | Op.31 | soprano, alto, tenor, bass and orchestra | Classical | Masses | |
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| Seis Responsórios Fúnebres | João de Deus de Castro Lobo, composer | soprano, alto, tenor, bass and orchestra | Classical | Responsories | |
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| 8 Missae | Lambert Kraus, composer | Op.1 | soprano, alto, tenor, bass and orchestra | Classical | Masses | |
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| Agnus Dei | Jan Dismas Zelenka, composer | C major | ZWV 37 | 1718 | soprano, alto, tenor, bass and orchestra | Baroque | Agnus Dei | |
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| Alleluja in die resurrectionis (Dominica in Albis) | Michael Haydn, composer | B flat major | MH 362 | soprano, alto, tenor, bass, 2 trumpets, 2 violins and organ mixed chorus, 2 trumpets, 2 violins and organ soprano, alto, tenor, bass and orchestra mixed chorus and orchestra |
Classical | Graduals | |
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| Allor che il giogo barbaro | Marianne Martinez, composer | soprano, alto, tenor, bass and orchestra | Classical | Psalms | |
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| Also hat Gott die Welt geliebet | Georg Philipp Telemann, composer Erdmann Neumeister, librettist |
B flat major | TWV 1:74 | 1718 | soprano, alto, tenor, bass and orchestra | Baroque | Sacred cantatas | |
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| Antífona de Nossa Senhora | Dom Pedro I, composer | C major | soprano, alto, tenor, bass and orchestra | Classical | Antiphons | |
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| Antífona Portuguesa de Santa Rita | José Rodrigues Domingues de Meireles, composer | D major | soprano, alto, tenor, bass and orchestra mixed chorus and orchestra |
Classical | Antiphons | |
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| 2 Ave regina in B-flat major | Benedikt Anton Aufschnaiter, composer | B flat major | soprano, alto, tenor, bass and orchestra mixed chorus and orchestra |
Baroque | Antiphons | |
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| Beata Mater (Antífona do Magnificat) | Emerico Lobo de Mesquita, composer | D major | soprano, alto, tenor, bass and orchestra | Baroque | Antiphons | |
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| Beatam me dicent | Anonymous, composer | D major | soprano, alto, tenor, bass and orchestra | Classical | Antiphons | |
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| Beatus vir | Gottlob Harrer, composer | B flat major | HarWV 46 | soprano, alto, tenor, bass, mixed chorus and orchestra soprano, alto, tenor, bass and orchestra |
Baroque | Psalms | |
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| Benedicam Dominum in omni tempore (Graduale in tempore) | Joseph Eybler, composer | F major | HV 55 | soprano, alto, tenor, bass and orchestra | Classical | Graduals | |
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| Betrübter Tag in Zion tönen | Christoph Graupner, composer Johann Conrad Lichtenberg, librettist |
A minor | GWV 1127/30 | 1730 | soprano, alto, tenor, bass and orchestra | Baroque | Sacred cantatas | |
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| Betrübter Tag vor allen Tagen | Christoph Graupner, composer Johann Conrad Lichtenberg, librettist |
A minor | GWV 1127/49 | 1749 | soprano, alto, tenor, bass and orchestra | Baroque | Sacred cantatas | |
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| Bey Paucken und Trompeten (Kantate zum Geburtstag des Landgrafen Ernst Ludwig) | Christoph Graupner, composer | 1726 | soprano, alto, tenor, bass and orchestra | Baroque | Secular cantatas | |
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| Bey Paucken und Trompeten (Kantate zur Vermählung des Prinzen Georg mit Louise von Leiningen) | Christoph Graupner, composer | 1748 | soprano, alto, tenor, bass and orchestra | Baroque | Secular cantatas | |
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| Bind an der Teufel ist bald hin | Christoph Graupner, composer Johann Conrad Lichtenberg, librettist |
F major | GWV 1122/47 | 1747 | soprano, alto, tenor, bass and orchestra | Baroque | Sacred cantatas | |
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| Bittet so werdet ihr nehmen | Christoph Graupner, composer Johann Conrad Lichtenberg, librettist |
D major | GWV 1135/26 | 1726 | soprano, alto, tenor, bass and orchestra | Baroque | Sacred cantatas | |
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| Blaset mit der Posaune zu Zion, GWV 1102/25 | Christoph Graupner, composer Johann Conrad Lichtenberg, librettist |
D major | GWV 1102/25 | 1725 | soprano, alto, tenor, bass and orchestra | Baroque | Sacred cantatas | |
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| Blaset mit der Posaune zu Zion | Christoph Graupner, composer Johann Conrad Lichtenberg, librettist |
E flat major | GWV 1125/48 | 1748 | soprano, alto, tenor, bass and orchestra | Baroque | Sacred cantatas | |
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| Bleibet fest in der brüderlichen Liebe | Christoph Graupner, composer Johann Conrad Lichtenberg, librettist |
B flat major | GWV 1148/40 | 1740 | soprano, alto, tenor, bass and orchestra | Baroque | Sacred cantatas | |
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| Bringet her dem Herrn Ehre | Christoph Graupner, composer | G major | GWV 1174/46 | 1746 | soprano, alto, tenor, bass and orchestra | Baroque | Sacred cantatas | |
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| Cantata al Sepolcro di nostro Signore (Come s'imbruna il ciel occhi piangete) | Johann David Heinichen, composer | SeiH 29 | soprano, alto, tenor, bass and orchestra | Baroque | Sacred cantatas | |
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| Cantata al sepolcro di nostro signore (L'aride tempie ignude) | Johann David Heinichen, composer | SeiH 30 | 1724 | soprano, alto, tenor, bass and orchestra | Baroque | Sacred cantatas | |
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| Christ lag in Todes Banden (Christ lag in Todesbanden) | Johann Sebastian Bach, composer Martin Luther, librettist |
E minor | BWV 4 | 1707 | soprano, alto, tenor, bass and orchestra | Baroque | Sacred cantatas |  |
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| Christus, der uns selig macht | Christoph Graupner, composer Johann Conrad Lichtenberg, librettist |
C minor | GWV 1121/41 | 1741 | soprano, alto, tenor, bass and orchestra | Baroque | Sacred cantatas | |
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| Cithara Davidis Poenitentis (Cithara Davidis Poenitentis, hoc est: Miserere VI. cum adjunctis Tantum Ergo VI. à Canto, Alto, Tenore, Basso, II. Violinis partim obligatis, partim ad Libitum, II. Lituis in primo & secundo Miserere, in reliquis Alto- Tenore- & Basso-Trombon ad Libitum adhibendis, cum Organo & Violoncello) | Valentin Rathgeber, composer | Op.13 | soprano, alto, tenor, bass and orchestra mixed chorus and orchestra mixed chorus, 2 horns, 2 violins and continuo mixed chorus, 2 violins and continuo mixed chorus, 3 trombones, 2 violins and continuo |
Baroque | Miserere, Psalms | |
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| Come le limpide onde | Marianne Martinez, composer | E flat major | soprano, alto, tenor, bass and orchestra | Classical | Psalms | |
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| Confirma hoc Deus (Offertorio per la Pentecoste) | Antonio Salieri, composer | C major | AngSa 12 | 1809 | soprano, alto, tenor, bass and orchestra | Classical | Offertories | |
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| Confitebor tibi Domine in A minor (Salmo 110 in La minore) | Johann David Heinichen, composer | A minor | SeiH 31 | 1727 | soprano, alto, tenor, bass and orchestra | Baroque | Psalms | |
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| Confitebor tibi Domine (Salmo 110 in Sol minore) | Johann David Heinichen, composer | G minor | SeiH 33 | soprano, alto, tenor, bass and orchestra | Baroque | Psalms | |
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| Congratulamini mihi (Responsório de Nossa Senhora) | Emerico Lobo de Mesquita, composer | soprano, alto, tenor, bass and orchestra | Classical | Motets | |
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| Credidi propter quod locutus sum in F major (Salmo 115 in Fa maggiore) | Johann David Heinichen, composer | F major | SeiH 34 | 1723 | soprano, alto, tenor, bass and orchestra | Baroque | Psalms | |
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| Credo (Credo in unum Deum; Credo do Imperador; Credo, Sanctus e Agnus Dei da Missa de Nossa Senhora do Carmo) | Dom Pedro I, composer | C major | soprano, alto, tenor, bass and orchestra | Classical | Masses | |
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| Credo in C major | Johann Gottlieb Naumann, composer | C major | B.XVII:2 | soprano, alto, tenor, bass and orchestra mixed chorus and orchestra |
Classical | Credo | |
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| CULTUS LATREUTICO-MUSICUS (CULTUS LATREUTICO-MUSICUS. HOC EST: MISSÆ SEX BREVES, Unà cum 2. DE REQUIEM, QUARUM Longiuscula una , altera brevissima. CONCERTATÆ A Canto, Alto, Tenore, Basso, 2. Violinis, 2. Violis, Violone, Organo, 4. Ripp: OPERA ET STUDIO. P. MEINRADI SPIESS, Celeberrimi & Imperialis Monasterii B.V.M. Ursinensis Professi. Ord. S. Benedicti. OPUS IV.) | Meinrad Spieß, composer | Op.4 | 1719 | soprano, alto, tenor, bass and orchestra soprano, alto, tenor, bass, strings and continuo soprano, alto, tenor, bass, mixed chorus and orchestra soprano, alto, tenor, bass, strings and continuo |
Baroque | Masses, Requiems | |
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| Da Gott wollte Zorn erzeigen | Christoph Graupner, composer Johann Conrad Lichtenberg, librettist |
C minor | GWV 1116/40 | 1740 | soprano, alto, tenor, bass and orchestra | Baroque | Sacred cantatas | |
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| Da Jesus erkennete | Christoph Graupner, composer Johann Conrad Lichtenberg, librettist |
D minor | GWV 1126/39 | 1739 | soprano, alto, tenor, bass and orchestra | Baroque | Sacred cantatas | |
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| Dafür halte uns jedermann | Christoph Graupner, composer Johann Conrad Lichtenberg, librettist |
B flat major | GWV 1150/30 | 1730 | soprano, alto, tenor, bass and orchestra | Baroque | Sacred cantatas | |
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| Danket dem Höchsten | Christoph Graupner, composer Johann Conrad Lichtenberg, librettist |
C major | GWV 1109/34 | 1734 | soprano, alto, tenor, bass and orchestra | Baroque | Sacred cantatas | |
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| Darum preiset Gott seine Liebe gegen uns | Christoph Graupner, composer Johann Conrad Lichtenberg, librettist |
B flat major | GWV 1132/40 | 1740 | soprano, alto, tenor, bass and orchestra | Baroque | Sacred cantatas | |
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| Darum preiset Gott seine Liebe gegen uns | Christoph Graupner, composer Johann Conrad Lichtenberg, librettist |
G minor | GWV 1139/19 | 1719 | soprano, alto, tenor, bass and orchestra | Baroque | Sacred cantatas | |
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| Das Ende kommt, der Tod | Christoph Graupner, composer Johann Conrad Lichtenberg, librettist |
G major | GWV 1165/32 | 1732 | soprano, alto, tenor, bass and orchestra | Baroque | Sacred cantatas | |
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| Das Geheimnis des Herrn ist unter denen | Christoph Graupner, composer Johann Conrad Lichtenberg, librettist |
F major | GWV 1170/49 | 1749 | soprano, alto, tenor, bass and orchestra | Baroque | Sacred cantatas | |
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| Das ist das ewige Leben (Cantata Festo S.S. Trinitatis) | Friedrich Wilhelm Zachow, composer | soprano, alto, tenor, bass and orchestra | Baroque | Sacred cantatas | |
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