| Title click for details |
Creators | Key | Opus | Composed | Instrumentation | Period/style | Type | Listen | Code |
|---|---|---|---|---|---|---|---|---|---|
| A Fool's Preferment, or, The Three Dukes of Dunstable | Henry Purcell, composer Thomas D'Urfey, librettist |
Z.571 | voice and continuo | Baroque | Incidental music | ||||
| A Grasshopper and a Fly (An Allegory) | Henry Purcell, composer | G minor | Z.481 | voice and continuo | Baroque | Songs | |||
| A Thousand Sev'ral Ways I Tried | Henry Purcell, composer | B flat major | Z.359 | 1684 | voice and continuo | Baroque | Songs | ||
| Ah! Cruel Nymph (Ah! Cruel Nymph, You Give Despair) | Henry Purcell, composer | Z.352 | voice and continuo | Baroque | Songs | ||||
| Ah! How Pleasant 'Tis to Love | Henry Purcell, composer | C major | Z.353 | 1688 | voice and continuo | Baroque | Songs | ||
| Ah! What Pains | Henry Purcell, composer | Z.354 | voice and continuo | Baroque | Songs | ||||
| Amidst the Shades and Cool Refreshing Streams | Henry Purcell, composer | A minor | Z.355 | 1687 | voice and continuo | Baroque | Songs | ||
| Amintas, to My Grief I See | Henry Purcell, composer | D minor | Z.356 | 1679 | voice and continuo | Baroque | Songs | ||
| Amintor, Heedless of his Flocks | Henry Purcell, composer | C minor | Z.357 | 1681 | voice and continuo | Baroque | Songs | ||
| Ask Me to Love No More | Henry Purcell, composer | B flat major | Z.358 | 1694 | voice and continuo | Baroque | Songs | ||
| Aureng-Zebe (The Great Mogul) | Henry Purcell, composer John Dryden, librettist |
Z.573 | 1692 | voice and continuo | Baroque | Songs, Incidental music | |||
| Bacchus Is a Power Divine | Henry Purcell, composer | D major | Z.360 | voice and continuo | Baroque | Songs | |||
| Beneath a Dark, a Melancholy Grove | Henry Purcell, composer | D minor | Z.761 | voice and continuo | Baroque | Songs | |||
| Beware, Poor Shepherds | Henry Purcell, composer | D minor | Z.361 | 1684 | voice and continuo | Baroque | Songs | ||
| Cease, Anxious World | Henry Purcell, composer | G minor | Z.362 | 1687 | voice and continuo | Baroque | Songs | ||
| Cease, O My Sad Soul | Henry Purcell, composer | C minor | Z.363 | 1678 | voice and continuo | Baroque | Songs | ||
| Celia's Fond, Too Long I've Loved Her | Henry Purcell, composer | D minor | Z.364 | 1694 | voice and continuo | Baroque | Songs | ||
| Corinna Is Divinely Fair | Henry Purcell, composer | G minor | Z.365 | 1692 | voice and continuo | Baroque | Songs | ||
| Cupid, the Slyest Rogue Alive | Henry Purcell, composer | G minor | Z.367 | 1685 | voice and continuo | Baroque | Songs | ||
| Draw Near, You Lovers | Henry Purcell, composer | D minor | Z.462 | voice and continuo | Baroque | Songs | |||
| Farewell, All Joys | Henry Purcell, composer | G minor | Z.368 | 1685 | voice and continuo | Baroque | Songs | ||
| Farewell, Ye Rocks (The Storm) | Henry Purcell, composer | Z.463 | 1685 | voice and continuo | Baroque | Songs | |||
| Fly Swift, Ye Hours | Henry Purcell, composer | D minor | Z.369 | 1692 | voice and continuo | Baroque | Songs | ||
| From Silent Shades (Bess of Bedlam) | Henry Purcell, composer | C major | Z.370 | 1683 | voice and continuo | Baroque | Songs | ||
| Gentle Shepherds, You that Know (A Pastoral Elegy on the Death of Mr. John Playford) | Henry Purcell, composer | Z.464 | 1687 | voice and continuo | Baroque | Songs | |||
| He Himself Courts His Own Ruin | Henry Purcell, composer | F major | Z.372 | 1684 | voice and continuo | Baroque | Songs | ||
| High on a Throne of Glitt'ring Ore | Henry Purcell, composer | G major | Z.465 | 1690 | voice and continuo | Baroque | Songs | ||
| How Delightful's the Fife of an Innocent Swain | Henry Purcell, composer | G major | Z.373 | voice and continuo | Baroque | Songs | |||
| How I Sigh when I Think of the Charms | Henry Purcell, composer | C minor | Z.374 | 1681 | voice and continuo | Baroque | Songs | ||
| I Came, I Saw, and Was Undone (The Thraldom) | Henry Purcell, composer | A minor | Z.375 | voice and continuo | Baroque | Songs | |||
| I Envy Not a Monarch's Fate | Henry Purcell, composer | D major | Z.376 | 1693 | voice and continuo | Baroque | Songs | ||
| I Fain Would Be Free | Henry Purcell, composer | C major | Z.377 | voice and continuo | Baroque | Songs | |||
| I Lov'd Fair Celia | Henry Purcell, composer | D minor | Z.381 | 1694 | voice and continuo | Baroque | Songs | ||
| I Love and I Must | Henry Purcell, composer | C minor | Z.382 | voice and continuo | Baroque | Songs | |||
| I Resolve Against Cringing | Henry Purcell, composer | A minor | Z.386 | 1679 | voice and continuo | Baroque | Songs | ||
| I Saw that You Were Grown So High | Henry Purcell, composer | D minor | Z.387 | 1678 | voice and continuo | Baroque | Songs | ||
| I Take No Pleasure in the Sun's Bright Beams | Henry Purcell, composer | A minor | Z.388 | 1681 | voice and continuo | Baroque | Songs | ||
| If Grief Has Any Power to Kill | Henry Purcell, composer | D minor | Z.378 | 1685 | voice and continuo | Baroque | Songs | ||
| If Music Be the Food of Love | Henry Purcell, composer | Z.379 | 1692 | voice and continuo | Baroque | Songs | ![]() |
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| If Pray'rs and Tears (Sighs for Our Late Sovereign King Charles the Second) | Henry Purcell, composer | C minor | Z.380 | voice and continuo | Baroque | Songs | |||
| In Cloris All Soft Charms | Henry Purcell, composer | G major | Z.384 | 1684 | voice and continuo | Baroque | Songs | ||
| In Vain We Dissemble | Henry Purcell, composer | D minor | Z.385 | 1685 | voice and continuo | Baroque | Songs | ||
| Incassum Lesbia (The Queen's Epicedium / Elegy on the Death of Queen Mary (1695)) | Henry Purcell, composer | C minor | Z.383 | 1695 | voice and continuo | Baroque | Songs | ||
| Leave these Useless Arts in Loving | Henry Purcell, composer | G minor | Z.389 | voice and continuo | Baroque | Songs | |||
| Let Each Gallant Heart (A Song to a Ground) | Henry Purcell, composer | C major | Z.390 | 1683 | voice and continuo | Baroque | Songs | ||
| Let Formal Lovers Still Pursue | Henry Purcell, composer | A minor | Z.391 | 1687 | voice and continuo | Baroque | Songs | ||
| Let Us, Kind Lesbia, Give Away | Henry Purcell, composer | G major | Z.466 | 1684 | voice and continuo | Baroque | Songs | ||
| Love Arms Himself in Celia's Eyes | Henry Purcell, composer Matthew Prior, librettist |
Z.392 | voice and continuo | Baroque | Songs | ||||
| Love Is Now Become a Trade | Henry Purcell, composer | G minor | Z.393 | 1685 | voice and continuo | Baroque | Songs | ||
| Love, Thou Canst Hear, Tho' Thou Art Blind | Henry Purcell, composer | Z.396 | 1695 | voice and continuo | Baroque | Songs | |||
| Love's Power in My Heart Shall Find No Compliance | Henry Purcell, composer | C major | Z.395 | 1688 | voice and continuo | Baroque | Songs |
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