| Title click for details |
Creators | Key | Opus | Composed | Instrumentation | Period/style | Type | Listen | Code |
|---|---|---|---|---|---|---|---|---|---|
| 14 Pieces for Keyed Instruments | William Byrd, composer | various | 1623 | keyboard | Renaissance | Pieces | |||
| A feigned friend | William Byrd, composer | 4 voices 4 viols |
Renaissance | Songs | |||||
| A Gigg (Jig) | William Byrd, composer | A minor | FVB 181 | harpsichord | Renaissance | Gigues | |||
| A Medley | William Byrd, composer | F major | FVB 173 | keyboard | Renaissance | Pieces | |||
| Adorna thalamum tuum | William Byrd, composer | 1605 | 3 voices | Renaissance | Sacred songs | ||||
| Afflicti pro peccatis | William Byrd, composer | 6 voices | Renaissance | Motets | |||||
| Ah silly Soul | William Byrd, composer | T 307 | 1611 | voice and 5 viols | Renaissance | Songs | |||
| All as a Sea | William Byrd, composer | 5 voices voice and 4 viols |
Renaissance | Songs | |||||
| All in a Garden Green | William Byrd, composer | D minor | FVB 104 | keyboard | Renaissance | Pieces | |||
| Alleluia, Cognoverunt discipuli | William Byrd, composer | T 134 | 4 voices | Renaissance | Sacred songs | ||||
| Alleluia, Verspere autem | William Byrd, composer | T 113 | 3 voices | Renaissance | Sacred songs | ||||
| Alma Redemptoris Mater | William Byrd, composer | T 100 | 4 voices | Renaissance | Motets | ||||
| Alman | William Byrd, composer | G major | FVB 156 | keyboard | Renaissance | Allemandes | |||
| Alman | William Byrd, composer | G minor | FVB 163 | keyboard | Renaissance | Allemandes | |||
| Alman | William Byrd, composer | C major | FVB 63 | keyboard | Renaissance | Allemandes | |||
| Angelus Domini descendit | William Byrd, composer | T 115 | 3 voices | Renaissance | Sacred songs | ||||
| As I beheld I saw a herdman wild | William Byrd, composer | 5 voices | Renaissance | Songs | |||||
| Aspice Domine de sede sancta tua | William Byrd, composer | 5 voices | Renaissance | Motets, Sacred songs | |||||
| Aspice Domine (Aspice Domine quia facta) | William Byrd, composer | T 7 | 6 voices | Renaissance | Motets | ||||
| Attend mine Humble Prayer | William Byrd, composer | T 251 | 3 voices | Renaissance | Songs | ||||
| Attollite portas principes vestras | William Byrd, composer | 6 voices | Renaissance | Motets, Sacred songs | |||||
| Ave maris stella | William Byrd, composer | T 111 | 3 voices | Renaissance | Sacred songs | ||||
| Ave Regina caelorum | William Byrd, composer | T 101 | 4 voices | Renaissance | Motets | ||||
| Ave verum corpus | William Byrd, composer | G minor (?) | T 92 | mixed chorus soprano, alto, tenor and bass |
Renaissance | Hymns | ![]() |
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| Be unto Me | William Byrd, composer | 4 voices | Renaissance | Sacred songs | |||||
| Beata Virgo | William Byrd, composer | T 127 | 4 voices mixed chorus |
Renaissance | Sequences | ||||
| Beata viscera MariƦ Virginis | William Byrd, composer | T 66 | 5 voices | Renaissance | Sacred songs | ||||
| Browning (The Leaves be Green) | William Byrd, composer | T 387 | 5 viols | Renaissance | Variations | ||||
| Callino Casturame | William Byrd, composer | C major | FVB 158 | keyboard harpsichord |
Renaissance | Variations | |||
| Cantiones Sacrae I (Liber primus sacrarum cantionum) | William Byrd, composer | mixed chorus voices |
Renaissance | Sacred songs, Sacred choruses | |||||
| Care for thy Soul | William Byrd, composer | 1580 | 5 voices | Renaissance | Songs | ||||
| Christ rising again/Christ is risen again | William Byrd, composer | 6 voices | Renaissance | Sacred songs, Anthems | |||||
| Christus resurgens | William Byrd, composer | 4 voices | Renaissance | Sacred songs | |||||
| Come Jolly Swains | William Byrd, composer | 4 voices mixed chorus |
Renaissance | Songs | |||||
| Come to me, grief, for ever | William Byrd, composer | G minor | 1586 | voice 5 voices |
Renaissance | Songs | |||
| Come, pretty babe | William Byrd, composer | voice and 4 viols | Baroque | Songs | |||||
| Compel the Hawk to sit | William Byrd, composer Thomas Churchyard, librettist |
5 voices | Renaissance | Songs | |||||
| Constant Penelope | William Byrd, composer | voice 5 voices |
Renaissance | Songs | |||||
| Constitues eos principes | William Byrd, composer | T 157 | 1607 | 6 voices | Renaissance | Graduals, Sacred songs, Offertories | |||
| Content is rich | William Byrd, composer | voice and 4 viols | Baroque | Songs | |||||
| Coranto | William Byrd, composer | C major | FVB 241 | keyboard | Renaissance | Courantes | |||
| Da mihi auxilium | William Byrd, composer | 6 voices | Renaissance | Motets, Sacred songs | |||||
| Defecit in dolore vita mea | William Byrd, composer | 5 voices | Renaissance | Motets, Sacred songs | |||||
| Deo gratias | William Byrd, composer | T 107 | 1605 | 4 voices | Renaissance | Motets | |||
| Descendit de coelis | William Byrd, composer | T 48 | 6 voices | Renaissance | Motets | ||||
| Deus, venerunt gentes | William Byrd, composer | 5 voices | Renaissance | Motets, Sacred songs | |||||
| Dies sanctificatus | William Byrd, composer | 4 voices | Renaissance | Graduals | |||||
| Diliges Dominum Deum | William Byrd, composer | 8 voices | Renaissance | Sacred songs, Motets | |||||
| Domine praestolamur | William Byrd, composer | Renaissance | |||||||
| Domine secundum actum meum | William Byrd, composer | 6 voices | Renaissance | Motets, Sacred songs | |||||
| Domine tu jurasti | William Byrd, composer | 5 voices | Renaissance | Motets, Sacred songs |
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