| Title click for details |
Creators | Key | Opus | Composed | Instrumentation | Period/style | Type | Listen | Code |
|---|---|---|---|---|---|---|---|---|---|
| 12 Schottische Volkslieder | Max Bruch, composer | voice and piano | Romantic | Folksongs | |||||
| 2 Cantatas | Max Bruch, composer | Op.31 | soprano, female chorus and orchestra | Romantic | Sacred cantatas | ||||
| 2 Klavierstücke | Max Bruch, composer | Op.14 | piano | Romantic | Pieces | ||||
| 2 Männerchöre | Max Bruch, composer | Op.53 | 1890 | male chorus and orchestra | Romantic | Secular choruses | |||
| 3 Neue Männerchöre | Max Bruch, composer | op.68 | 1896 | male chorus and orchestra | Romantic | Secular choruses, Lieder | |||
| 4 Pieces for Cello and Piano (Vier Stücke für Violincello mit Pianoforte) | Max Bruch, composer | Op.70 | 1896 | cello and piano | Romantic | Pieces | |||
| 6 Klavierstücke | Max Bruch, composer | Op.12 | 1861 | piano | Romantic | Pieces | |||
| Sieben kleine zwei- und dreistimmige Gesänge | Max Bruch, composer | Op.6 | 1857 | female chorus female chorus and piano |
Romantic | Songs | |||
| 7 Lieder für gemischten Chor (7 Folksongs) | Max Bruch, composer | Op.71 | mixed chorus | Romantic | Lieder | ||||
| 8 Pieces for Clarinet, Viola and Piano | Max Bruch, composer | Op.83 | 1910 | clarinet, viola and piano clarinet, cello and piano |
Romantic | Pieces | ![]() |
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| 9 Lieder | Max Bruch, composer | Op.60 | mixed chorus | Romantic | Lieder | ||||
| Achilleus, Op. 50 | Max Bruch, composer | ||||||||
| Adagio appassionato for Violin and Orchestra | Max Bruch, composer | Op.57 | violin and orchestra | Romantic | Adagios | ||||
| Adagio nach keltichen Melodien | Max Bruch, composer | E minor | Op.56 | 1890 | cello and orchestra | Romantic | Adagios | ||
| Arminius | Max Bruch, composer Friedrich Hellmuth, librettist |
Op.43 | 1875 | voices, mixed chorus and orchestra | Romantic | Secular oratorios | |||
| Ave Maria | Max Bruch, composer | Op.61 | 1892 | cello and orchestra | Romantic | Ave Maria | |||
| Concerto for 2 Pianos and Orchestra | Max Bruch, composer | A flat minor | Op.88a | 1912 | 2 pianos and orchestra | Romantic | Concertos | ||
| Damajanti | Max Bruch, composer | Op.78 | soprano, mixed chorus and orchestra | Romantic | Secular cantatas | ||||
| Das Feuerkreuz (The Fiery Cross) | Max Bruch, composer Heinrich Bulthaupt, librettist |
Op.52 | 1888 | soprano, baritone, bass, mixed chorus and orchestra | Romantic | Sacred oratorios | |||
| Das Lied vom Deutschen Kaiser | Max Bruch, composer Emanuel Geibel, librettist |
Op.37 | mixed chorus and orchestra | Romantic | Lieder | ||||
| Das Lied von der Glocke (The Song of the Bell) | Max Bruch, composer Friedrich Schiller, librettist |
Op.45 | 1877 | soprano, alto, tenor, bass, mixed chorus and orchestra | Romantic | Secular cantatas | |||
| Die Birken und die Erlen | Max Bruch, composer Gustav Pfarrius, librettist |
Op.8 | soprano, mixed chorus and orchestra | Romantic | Secular cantatas | ||||
| Die Loreley (Große romantische Oper 4 Akte) | Max Bruch, composer Emanuel Geibel, librettist |
Op.16 | 1863 | voices, mixed chorus and orchestra | Romantic | Grand operas | |||
| Die Macht des Gesanges | Max Bruch, composer Friedrich Schiller, librettist |
E flat major | Op.87 | baritone, mixed chorus and orchestra | Romantic | Secular cantatas | |||
| Dopel-Konzerte für Karinette (oder Violine), Viola und Orchester (Double Concerto in E minor for clarinet (or violin), viola and orchestra) | Max Bruch, composer | E minor | Op.88 | 1911 | clarinet, viola and orchestra violin, viola and orchestra |
Romantic | Concertos | ||
| Fantaisie for 2 Pianos | Max Bruch, composer | Op.11 | 2 pianos | Romantic | Fantasias | ||||
| Frithjof ; Scenen aus der Frithiofs-Sage (Scènes de la légende de Frithjof par E. Tégnès, composé pour choeur d'hommes soli et orchestre) | Max Bruch, composer Esaias Tegnér, librettist |
Op.23 (and 27) | 1864 | soprano, baritone, male chorus and orchestra | Romantic | Secular cantatas | |||
| Gruss an die heilige Nacht, Op. 62 (Weihnachtshymne) | Max Bruch, composer Robert Eduard Prutz, librettist |
Op.62 | alto, mixed chorus and orchestra | Romantic | Hymns | ||||
| Gustav Adolf (Oratorio) | Max Bruch, composer Albert Hackenberg, librettist |
Op.73 | 1897 | voices, mixed chorus and orchestra | Romantic | Secular oratorios | |||
| Hebräische Gesänge (Hebräische Gesänge (nach Byron’s Hebrew Melodies) Hebrew Songs) |
Max Bruch, composer George Gordon Byron, librettist |
mixed chorus and orchestra | Romantic | Songs | |||||
| Hymne, Op. 64 | Max Bruch, composer | Op.64 | mixed chorus and orchestra | Romantic | Hymns, Psalms | ||||
| In der Nacht | Max Bruch, composer Gerhard Tersteegen, librettist |
E flat major | Op.72 | 1897 | male chorus | Romantic | Sacred choruses | ||
| In Memoriam (Adagio) | Max Bruch, composer | C sharp minor | Op.65 | 1893 | violin and orchestra | Romantic | Adagios | ||
| Kol Nidrei (Kol Nidrei (Stimme des Gelübdes), Adagio for Cello and Orchestra) | Max Bruch, composer | Op.47 | 1880 | cello and orchestra | Romantic | Adagios | |||
| Konzertstück (Concertstück (Allegro appasionato und Adagio) für Violine mit Orchester.) | Max Bruch, composer | F sharp minor | Op.84 | 1910 | violin and orchestra | Romantic | Concertinos | ||
| Leonidas | Max Bruch, composer Heinrich Bulthaupt, librettist |
Op.66 | 1893 | baritone, male chorus and orchestra | Romantic | Secular cantatas | |||
| Lieder und Tänze nach Russischen und Schwedischen Volksmelodien (Lieder und Tänze nach Russischen und Schwedischen Volksmelodien frei bearbeitet für Violine und Klavier) | Max Bruch, composer | Op.79 | violin and piano | Romantic | Lieder, Dances | ||||
| Moses (Ein biblisches Oratorium) | Max Bruch, composer Ludwig Spitta, librettist |
Op.67 | 1894 | soprano, tenor, bass, mixed chorus and orchestra | Romantic | Sacred oratorios | |||
| Normannenzug | Max Bruch, composer Joseph Viktor von Scheffel, librettist |
Op.32 | baritone, male chorus and orchestra | Romantic | Secular choruses | ||||
| String Octet | Max Bruch, composer | B flat major | 1919 | 4 violins, 2 violas, cello and double bass strings |
Romantic | Octets | |||
| Odysseus (Szenen aus der Odyssee für Chor, Solostimmen und Orchester) | Max Bruch, composer Wilhelm Paul Graff, librettist |
Op.41 | 1871 | voices, mixed chorus and orchestra | Romantic | Secular oratorios | |||
| Osterkantate (Osterkantate für Chor, Sopran-Solo, Orchester und Orgel) | Max Bruch, composer Emanuel Geibel, librettist Eduard Mörike, librettist |
Op.81 | soprano, mixed chorus and orchestra | Romantic | Sacred cantatas | ||||
| Piano Quintet (Quintett for Pianoforte and Strings) | Max Bruch, composer | G minor | 1868 | 2 violins, viola, cello and piano | Romantic | Quintets | |||
| Piano Trio | Max Bruch, composer | C minor | Op.5 | violin, cello and piano | Romantic | Trios | |||
| Romanze (Romance Romanze für Violine und Orchester) |
Max Bruch, composer | A minor | Op.42 | violin and orchestra | Romantic | Romances | |||
| Romanze für Bratsche ind Orchester | Max Bruch, composer | Op.85 | 1911 | viola and orchestra | Romantic | Romances | |||
| Rorate coeli, Op. 29 | Max Bruch, composer | Op.29 | mixed chorus and orchestra | Romantic | Sacred choruses | ||||
| Salamis: Siegesgesang der Griechen (Salamis: Triumphal song of the Greeks) | Max Bruch, composer Hermann Lingg, librettist |
D major | Op.25 | 1866 | 2 tenors, 2 basses, male chorus and orchestra | Romantic | Secular choruses | ||
| Scherz, List und Rache (Komische Oper in einem Aufzuge) | Max Bruch, composer Johann Wolfgang von Goethe, librettist |
Op.1 | 1856 | soprano, tenor, baritone and orchestra | Romantic | Comic operas | |||
| Schön Ellen (Fair Ellen; Ballade) | Max Bruch, composer Emanuel Geibel, librettist |
Op.24 | 1867 | soprano, baritone, mixed chorus and orchestra | Romantic | Ballads | |||
| Schottische Fantasie (Fantasie für die Violine mit Orchester und Harfe unter freier Benutzung schottischer Volksmelodien) | Max Bruch, composer | Op.46 | 1880 | violin and orchestra | Romantic | Fantasias |
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