| Composition |
Score attributes |
| Agnus Dei (Dunstaple, John) for mixed chorus |
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| Albanus roseo - Quoque ferendus (Dunstaple, John) for soprano and 2 altos |
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| Ascendit Christus (Dunstaple, John) for mixed chorus |
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| Gaude felix - Gaude mater - Anna perens (Dunstaple, John) for mixed chorus |
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| Beata dei genitrix (Dunstaple, John) for mixed chorus |
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| Gloria in F major (Dunstaple, John) for mixed chorus |
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| Gaude virgo Katerina (Dunstaple, John) for mixed chorus |
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| Gaude virgo - Virgo mater (Dunstaple, John) for mixed chorus |
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| Christe sanctorum - Tibi Christe (Dunstaple, John) for 3 voices |
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| Credo (Dunstaple, John) for mixed chorus |
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| Alma redemptoris Mater, IJD 3 (Dunstaple, John) for soprano, alto and tenor or mixed chorus |
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| Alma redemptoris Mater, IJD 22 (Dunstaple, John) for mixed chorus |
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| Sancta Maria succurre (Dunstaple, John) for mixed chorus |
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| Preco preheminencie - Precursor (Dunstaple, John) for mixed chorus |
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| Missa for 2 or 3 voices (Dunstaple, John) for mixed chorus |
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| Salve scema - Salve salus (Dunstaple, John) for mixed chorus |
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| Regina celi (Dunstaple, John) for mixed chorus |
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| Salve regina mater mire (Dunstaple, John) for mixed chorus or soprano, alto and tenor |
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| Sanctus (Dunstaple, John) for mixed chorus |
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| Kyrie (Dunstaple, John) for mixed chorus |
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| Specialis virgo (Dunstaple, John) for mixed chorus |
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| Speciosa facta es (Dunstaple, John) for mixed chorus |
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| Sanctus (Anglicanus) for mixed chorus |
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| Salve cara deo tellus (Arimino, Ludvicus de) for 3 voices |
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| Missa Dueil angouisseux (Bedyngham, John) for mixed chorus |
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| Chomos condrosi (Battre, H.) for 3 voices |
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| Gloria (Battre, H.) for mixed chorus |
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| Agnus Dei à 3 (Battre, H.) for mixed chorus |
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| Dulcissime frater (Battre, H.) for voices |
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| Gloria (Benet, John) for 3 voices |
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| De qua natus (Battre, H.) for mixed chorus or 3 voices |
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| Veni creator (Battre, H.) for 4 voices |
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| Agnus dei (Binchois, Gilles) for male chorus or mixed chorus |
selections |
| Credo (Binchois, Gilles) for mixed chorus or soprano, alto and tenor |
— |
| Gloria Settings (Binchois, Gilles) for soprano and 2 altos or soprano, alto and tenor or soprano and 2 tenors |
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| Kyrie Settings (Binchois, Gilles) for 3 voices |
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| Sanctus Settings (Binchois, Gilles) for soprano and 2 basses or 3 voices |
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| Te dignitas presularis (Brassart, Johannes) for 3 voices |
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| Credo (Zachara da Teramo, Antonio) for mixed chorus or soprano, alto and tenor |
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| Gloria (Ciconia, Johannes) for voices |
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| Credo (Ciconia, Johannes) for voices |
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| Plaude decus mundi (Cristoforus de Monte) for 4 voices |
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| Garrit gallus - In nova fert (Vitry, Philippe de) for 3 voices |
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| Hugo princeps - Cum structura (Vitry, Philippe de) for 3 voices |
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| O domina gloriosa (Verben, Johannes) for 3 voices |
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| Et in terra pax hominibus (Power, Leonel) for soprano, alto and tenor |
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| Ave maris stella (Power, Leonel) for soprano, alto, 2 tenors, baritone and 2 basses or mixed chorus |
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| Adoretur, In ultimo, Dies datur, Lilia nunc flores, Pacem (Anonymous) for 5 voices |
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| Anima mea liquefacta est (Anonymous) for soprano, alto and tenor or soprano, alto, tenor and bass |
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| Trent Codices (Various) |
selections |
| Trent Codices (Various) |
selections |
| Trent Codices (Various) |
selections |