| Title click for details | Creators | View on IMSLP | Key | Opus | Composed | Instrumentation | Code | 
|---|---|---|---|---|---|---|---|
| Vereinfachte Harmonielehre oder die Lehre von den tonalen Funktionen der Akkorde | Hugo Riemann (composer) |  |  | ||||
| String Quartet | Hugo Riemann (composer) |  | G minor | Op.26 | 2 violins, viola and cello |  | |
| Piano Trio | Hugo Riemann (composer) |  | E major | Op.47 | violin, cello and piano |  | |
| Technical Studies | Hugo Riemann (composer) |  | piano |  | |||
| Musiklexikon | Hugo Riemann (composer) |  |  | ||||
| Handbuch der Musikgeschichte | Hugo Riemann (composer) |  | 5 |  | |||
| Katechismus der Musikinstrumente | Hugo Riemann (composer) |  | 1888 |  | |||
| Anleitung zum Generalbass-Spielen | Hugo Riemann (composer) |  | piano |  | |||
| Katechismus des Musik-Diktats : systematische Gehörsbildung | Hugo Riemann (composer) |  |  | ||||
| Musikgeschichte in Beispielen | Hugo Riemann (composer) |  |  | ||||
| Rococo | Hugo Riemann (composer) |  | piano |  | |||
| Liederhort | Hugo Riemann (composer) |  | voice and piano |  | |||
| Kantaten-frühling | Hugo Riemann (composer) |  | voice and continuo soprano, bass and continuo |  | |||
| Wie hören wir Musik? | Hugo Riemann (composer) |  |  | ||||
| Valse and Valsette | Hugo Riemann (composer) |  | Op.25 | piano |  | ||
| Mannheimer Kammermusik des 18. Jahrhunderts | Hugo Riemann (composer) |  | StWV 192/2 (for Sterkel) | 2 violins, viola and cello 2 violins, 2 violas and cello flute, violin, viola and cello flute, violin, viola and 2 cellos oboe, clarinet, bassoon and horn clarinet, violin, viola and cello oboe, violin, viola and cello flute, oboe, clarinet, bassoon and horn flute, cello and harpsichord violin, cello and harpsichord 2 violins and cello 2 violins and continuo violin and continuo violin and piano viola damore and cello viola damore and continuo harpsichord |  | ||
| Sinfonien der pfalzbayerischen Schule | Hugo Riemann (composer) |  | DTB 3/1, 7/2, 8/2 | orchestra |  | ||
| Systematische Modulationslehre als Grundlage der musikalischen Formenlehre | Hugo Riemann (composer) |  |  | ||||
| Hausmusik aus alter Zeit | Hugo Riemann (composer) |  | voice, violin, viola and cello voice, 2 violins, viola and cello voice, 2 violins and cello alto, violin, viola and cello tenor, 2 violins and 2 cellos |  | |||
| Grundriß der Musikwissenschaft | Hugo Riemann (composer) |  |  | ||||
| Das Problem des harmonischen Dualismus: Ein Beitrag zur Ästhetik der Musik | Hugo Riemann (composer) |  |  | ||||
| 3 Lieder | Hugo Riemann (composer) and Victor Hugo (librettist) |  | Op.51 | voice and piano |  | ||
| System der musikalischen Rhythmik und Metrik | Hugo Riemann (composer) |  |  | 
©2025 David P. Anderson