Composition: School of Intonation on an Harmonic Basis for Violin, Op. 11 (Ševčík, Otakar)
| Title | School of Intonation on an Harmonic Basis for Violin |
| Creators | Otakar Ševčík (composer) |
| Opus | Op.11 |
| Instrumentation | violin |
| Number of movements | — |
| Keys | — |
| Composed | 1922 |
| First published | — |
| Dedication | — |
| Tempo markings | — |
| Metronome markings | — |
| Time signatures | — |
| Average duration (sec) | — |
| Number of measures | — |
| Composition types | Methods |
| Language | English |
| Period | Classical |
| View on IMSLP |  |
| Code |  |
Sections
(No sections)
Arrangements
(No arrangements)
Scores
| Details | Section | Type | Publisher | Date | File |
|---|---|---|---|---|---|
| view | Book I: Elementary Studies in the 1st position | — | New York: Harms | 1922 | Part I. General Introduction · view Part IIa. The Semitone and Tritone · view Part IIb. The Semitone and Tritone. 12 Major Scales · view Part III. Chromatic Shifting and Chromatic Tone-succession. · view Part IV. Dissonant Chords · view |
| view | Book II: Elementary Studies from the 2nd to the 7th Position | — | New York: Harms | 1922 | Part V. Introduction to the Positions 2nd-7th · view Part VIa. 2nd-7th Position Suppementary · view Part VIb. 2nd-7th Position Suppementary · view Part VIc. Remarks on Interpretation, Remarks on Tremolendo, 40 Duettinos on Bohemian Melodies for 2 Violins · view |
| view | Book III: Intermediate Studies from the 2nd to the 7th Position | — | New York: Harms | 1922 | Part VII. Chromatic Shifting · view Part VIII. Consonant Chords - DIssonant Chords · view Part IX. The Diminished Triad · view Part X. The Chord of the Dominant Seventh in All Keys · view Part XI. The Chord of the Diminished Seventh · view |
| view | Book IV: Advanced Studies form the 2nd to the 7th Position | — | New York: Harms | 1922 | Part XII. Introduction to Shifting · view Part XIII. Change of Position, Transition-Tone · view Part XIV. Double Stops, The Trill · view |
Recordings/Performances
(No recordings)
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