| Title click for details |
Creators | Key | Opus | Composed | Instrumentation | Period/style | Type | Listen | Code |
|---|---|---|---|---|---|---|---|---|---|
| An Adieu to the Rocks of Lannow | Philip Hayes, composer Miss Seward, librettist |
E flat major | soprano and orchestra | Classical | Secular cantatas | ||||
| The Highland Laddie | Philip Hayes, composer | E major | 1771 | soprano, 2 flutes, bassoon, strings and continuo | Classical | Folksongs | |||
| A Catch | Philip Hayes, composer | A major | Classical | Catches | |||||
| 6 Keyboard Concertos and a Sonata (Six Concertos, with Accompaniments; for the Organ, Harpsichord or Forte-Piano; to which is added a Harpsichord Sonata) | Philip Hayes, composer | organ and orchestra harpsichord and orchestra piano and orchestra harpsichord keyboard |
Baroque | Concertos, Sonatas | |||||
| The Muses Delight: Catches, Glees, Canzonets and Canons (The Muses Delight: Catches, Glees, Canzonets and Canons composed by Dr. Philip Hayes, Professor of Music in the University of Oxford The Muses’ Delight; The Muse’s Delight) |
Philip Hayes, composer | 2 voices 3 voices 4 voices 5 voices 6 voices 2 voices and continuo 4 voices and continuo |
Classical | Catches, Glees, Canzonets, Canons | |||||
| 3-part canon | Philip Hayes, composer | F major | Baroque | Canons | |||||
| The Lord Descended From Above (Anthem) | Philip Hayes, composer | 4 voices and continuo mixed chorus and continuo |
Classical | Anthems | |||||
| The Lord is full of compassion and mercy (An Anthem Composed for a Country Church.) | Philip Hayes, composer | mixed chorus and bassoon mixed chorus and continuo soprano, alto, tenor, bass and bassoon soprano, alto, tenor, bass and continuo |
Classical | Anthems |
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