| Title click for details |
Creators | Key | Opus | Composed | Instrumentation | Period/style | Type | Listen | Code |
|---|---|---|---|---|---|---|---|---|---|
| Jupiter and Europa | William Hayes, composer | C | soprano and continuo | Baroque | Secular cantatas | ||||
| A Song for St Cecilia's Day | William Hayes, composer | D major | soprano, flute, strings and continuo | Baroque | Songs | ||||
| Harpsichord Concerto in G | William Hayes, composer | G major | harpsichord and orchestra | Baroque | Concertos | ||||
| Chloe's Dream | William Hayes, composer Phanuel Bacon, librettist |
A major | 1748 | soprano, 2 violins and continuo | Baroque | Secular cantatas | |||
| Melting Airs | William Hayes, composer John Hughes, librettist |
B flat major | 3 sopranos and bass 3 tenors and bass |
Baroque | Glees | ||||
| The Thirsty Vampires | William Hayes, composer | G major | 1763 | Baroque | Catches | ||||
| A Winter Scene (A Winter Scene at Ross in Herefordshire) | William Hayes, composer | A minor | soprano and continuo | Baroque | Secular cantatas | ||||
| An Ode to Echo | William Hayes, composer | C major | 1748 | voice, flute, 2 recorders, 2 violins, viola and continuo | Baroque | Odes | |||
| Why Lysidas should man be vain? | William Hayes, composer Matthew Pilkington, librettist |
B flat major | 1748 | soprano, 2 violins and continuo | Baroque | Secular cantatas | |||
| Cobweb Breeches, Hedgehog Saddles (A Toast. Canon) | William Hayes, composer | F major | continuo | Baroque | Canons | ||||
| The Art of Composing Music by a Method Entirely New | William Hayes, composer | Baroque | Music theory, Music criticism | ||||||
| Anecdotes of the 5 Music-Meetings, on Account of the Charitable Foundations at Church Langton: in which Many Misrepresentations, and Gross Falsehoods, Contained in a Book, intitled, The History of the above Foundations, are fully detected, and Confuted, upon Indubitable Evidence. With an Appendix, containing Several Original Letters with Remarks | William Hayes, composer | Baroque | Music history | ||||||
| Catches, Glees and Canons (Catches, Glees and Canons, for Three, Four and Five Voices) | William Hayes, composer | RISM A/I: H 4893-4895 | 3 voices 4 voices 5 voices 6 voices 8 voices |
Baroque | Catches, Glees, Canons, Elegies | ||||
| Wind, Gentle Evergreen (Catch for Three Voices. On Sophocles by Simonides) | William Hayes, composer | G major | Classical | Catches | |||||
| Blessed are all they (Blessed are all they that fear the Lord) | William Hayes, composer | D major | voice and organ | Baroque | Sacred songs | ||||
| Orpheus and Euridice (An Ode. Being Part of an Exercise Perform'd for a Bachelor's Degree in Musick) | William Hayes, composer | 1735 | voices, mixed chorus and orchestra | Baroque | Odes, Secular cantatas | ||||
| Circe (The Masque of Circe) | William Hayes, composer | voices, mixed chorus and orchestra | Baroque | Masques | |||||
| Trio Sonata in F major (A Sonata or Trio) | William Hayes, composer | oboe, violin and continuo 2 flutes and continuo flute, violin and continuo |
Baroque | Sonatas, Trios | |||||
| When Damon first his passion broke (A Song) | William Hayes, composer | B flat major | soprano, strings and continuo | Baroque | Songs | ||||
| Stella and Flavia | William Hayes, composer | G major | voice and continuo | Baroque | Songs | ||||
| Chloe's Conquest (Cloe's Conquest) | William Hayes, composer | E major | voice and continuo | Baroque | Songs | ||||
| To Sylvia (To Sylvia, written on a frozen pane of glass) | William Hayes, composer | E minor | voice and continuo | Baroque | Songs | ||||
| To heal the smart (A Song) | William Hayes, composer | F major | voice and continuo | Baroque | Songs | ||||
| So calm and so serene (Cantata) | William Hayes, composer George Granville, librettist |
G minor | soprano, 2 violins and continuo | Baroque | Secular cantatas | ||||
| The Choice (A Song) | William Hayes, composer | E flat major | voice and continuo | Baroque | Songs | ||||
| Great God of Sleep (Cantata) | William Hayes, composer | F major | voice and continuo | Baroque | Secular cantatas | ||||
| Remarks on Mr. Avison's Essay on Musical Expression (Remarks on Mr. Avison's Essay on Musical Expression, wherein the characters of several great masters, both ancient and modern, are rescued from the misrepresentations of the above author; and their real merit asserted and vindicated. In a letter from a Gentleman in London to his Friend in the Country. [William Hayes, anonymously]) | William Hayes, composer | Baroque | Music criticism, Music analysis | ||||||
| 6 Cantatas (Six Cantatas set to Musick by William Hayes) | William Hayes, composer | RISM A/I: H 4898 | voice and continuo voice, 2 violins and continuo voice, flute, 2 recorders, 2 violins, viola and continuo |
Baroque | Secular cantatas | ||||
| Bring thy Treasures | William Hayes, composer | G major | 3 voices childrens chorus |
Classical | Songs | ||||
| 12 Arietts or Ballads and 2 Cantatas (Twelve Arietts or Ballads, and Two Cantatas) | William Hayes, composer | voice and continuo voice, violin, viola and continuo voice, violin and continuo |
Baroque | Ariettas, Ballads, Secular cantatas | |||||
| Cantate Domino and Deus Misereatur in E flat major | William Hayes, composer | E flat major | mixed chorus and organ | Classical | Sacred choruses | ||||
| O Lord, Look Down | William Hayes, composer | C minor | continuo and 2 sopranos | Baroque | Anthems | ||||
| An Ode Sacred to Masonry | William Hayes, composer Brother Jackson, librettist |
G major | 1763 | 4 voices and continuo 2 tenors, bass, male chorus and continuo |
Baroque | Odes |
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