| Title | 12 Concertos, Op. 9 |
| Alternative title | Twelve Concertos (Divided into two Sets) for two violins, one alto viola, and a violoncello. This work is also adapted to the practice of the organ or harpsichord alone. Or these to serve as an accompanyment to the parts in concert, which may be reinforced at pleasure |
| Creators | Charles Avison, composer |
| Opus | Op.9 |
| Instrumentation | strings and continuo organ harpsichord organ and strings harpsichord and strings organ, strings and continuo harpsichord, strings and continuo |
| Number of movements | — |
| Keys | — |
| Composed | — |
| First published | 1766 |
| Dedication | — |
| Tempo markings | — |
| Metronome markings | — |
| Time signatures | — |
| Average duration (sec) | — |
| Number of measures | — |
| Composition types | Concertos |
| Period | Baroque |
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View |
| Code |
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| Details | Section | Arranged for | Arranger |
|---|---|---|---|
| View | Concerto in Bmajor (No.8) | 4 voices | Theodore Edson Perkins |
| View | Concerto in Bmajor (No.8) | 4 voices | Adam Wright |
| Details | Section | Type | Publisher | Date | File (click to view) |
|---|---|---|---|---|---|
| View | Complete | — | Robert Bremner | — | Complete Parts |
| View | Complete | — | — | — | Concerto No.1 Concerto No.2 |
| View | Concerto in Bmajor (No.8) | Arrangement for 4 voices |
Philadelphia: American Sunday School Union | 1875 | Andante cantabile |
| View | Concerto in Bmajor (No.8) | Arrangement for 4 voices |
London | — | Andante cantabile |
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