| Composition |
Attributes |
| Motetti a voce sola, Op. 12 (Bassani, Giovanni Battista) for voice, 2 violins and continuo |
— |
| Bella Aurora (Brevi, Giovanni Battista) for alto and continuo |
— |
The Ariels Songs in the Play call'd The Tempest (Banister, John) for voice and lute
voice and viol
voice and continuo |
— |
| Cantatas for solo voice (Cavalli, Francesco) for voice and continuo |
selections |
| Acclamationi divote, Op. 10 (Legrenzi, Giovanni) for soprano and continuo |
selections |
| Attalo, re di Bitinia (Hasse, Johann Adolph) for 6 voices and orchestra |
selections |
| Act III, Sc.5. Aria of Arsinoe: Sento in riva a l'atre sponde from Attalo, re di Bitinia (Hasse, Johann Adolph) for 6 voices and orchestra |
parts |
| Dialogus inter Magdalenam et Jesum, H.423 (Charpentier, Marc-Antoine) for soprano, alto and continuo |
— |
| Tristis est anima mea, H.126 (Charpentier, Marc-Antoine) for 2 tenors and continuo |
— |
| Tantum ergo (Stradella, Alessandro) for soprano, alto and continuo |
— |
| Ave Regina coelorum (Stradella, Alessandro) for soprano, alto and continuo |
— |
| Laeti surgite pastores (Alveri, Giovanni Battista) for alto, 2 violins and continuo |
— |
Sacrae cantiones una, duabusque vocibus concinendae (Caprioli, Giovanni Paolo) for soprano and continuo
alto and continuo
tenor and continuo
bass and continuo
continuo and 2 sopranos
2 tenors and continuo
soprano, bass and continuo
tenor, bass and continuo
alto, bass and continuo
soprano, alto and continuo
alto, tenor and continuo |
— |
| Congratelamini mihi omnes (Caprioli, Giovanni Paolo) for alto and continuo |
— |
| Congratelamini mihi omnes (Caprioli, Giovanni Paolo) for alto and continuo |
— |
| Ombre larvae terrenae (Fioretti, Pietro Antonio) for alto and continuo |
— |
| Ecce filii (Pallavicino, Carlo) for alto and continuo |
— |
Antiphonæ, Op. 17 (Monferrato, Natale) for voice and continuo
alto and continuo
soprano and continuo
mezzosoprano and continuo |
selections |
| La divisione del mondo (Legrenzi, Giovanni) for 12 voices and orchestra |
selections |
| Motetti a voce sola, Op. 6 (Monferrato, Natale) for voice and continuo |
— |
| Motetti a voce sola, Op. 4 (Monferrato, Natale) for voice and continuo |
selections |
| Vanitas omnis humanitas (Cellini, Clemente) for alto and continuo |
— |
| Adoro te dulcissime Jesu (Filippucci, Agostino) for alto and continuo |
— |
| Motetti a voce sola (Rigatti, Giovanni Antonio) for voice and continuo |
— |
| Adjuva nos Deus (Veneziano, Gaetano) for alto and continuo |
— |
| Confiteor Deo in E minor (Nola, Antonio) for alto and continuo |
— |
| Confiteor Deo in G minor (Nola, Antonio) for soprano, alto and continuo |
— |
| Quis loquetur (Nola, Antonio) for soprano, alto and continuo |
— |
| Lamento degl'occhi per non potersi vedere l'un con l'altro (Caresana, Cristofaro) for 2 altos and continuo |
— |
Mottetti a voce sola, Op. 4 (Savioni, Mario) for soprano and continuo
mezzosoprano and continuo
bass and continuo |
— |
| Delirii d'amor divino, Op. 5 (Brevi, Giovanni Battista) for voice and continuo |
— |
| Dolor senza rimedio (Carissimi, Giacomo) for alto and continuo |
— |
| Jube Domine in E minor (Nola, Antonio) for soprano, mezzosoprano and continuo |
— |
| Jube Domine in G minor (Nola, Antonio) for soprano, alto and organ |
— |
| Cognoscam te Domine (Nola, Antonio) for soprano, alto and continuo |
— |
| O bone Jesu (Cavalli, Francesco) for soprano, alto and continuo |
— |
| Dulce sit vobis (Monferrato, Natale) for soprano, alto and continuo |
— |
| Acuto gelo (Rossi, Luigi) for voice and continuo |
— |
| Amicus meus, H.113 (Charpentier, Marc-Antoine) for alto and continuo |
— |
| Seniores populi, H.117 (Charpentier, Marc-Antoine) for alto and continuo |
— |
| Regina Caeli (No.4) from Arrangement of Regina Caeli (No.4) from Antifone Sacre, Op. 26 (Bassani, Giovanni Battista) for alto and continuo |
— |
| Alma Mater Redemptoris (No.5) from Arrangement of Alma Mater Redemptoris (No.5) from Antifone Sacre, Op. 26 (Bassani, Giovanni Battista) for alto, 2 violins and continuo |
— |
| Tantum ergo (No.6) from Arrangement of Tantum ergo (No.6) from Antifone Sacre, Op. 26 (Bassani, Giovanni Battista) for alto, 2 violins and continuo |
— |
| Exaudi Deus from Celesti Fiori musicali di varii Concerti Sacri a Voce sola, Op. 8 (Tarditi, Orazio) for voice and continuo |
— |
| Cantate, et Oratorii Spirituali a una, due, o tre voci.., Op. 10 (Albergati, Pirro Capacelli Conte) for |
— |
| Taedet animam meam (Veneziano, Gaetano) for alto, 2 violins and continuo |
— |
| Responde mihi (Veneziano, Gaetano) for alto, 2 violins and continuo |
— |
| Mitridate in Sebastia (Aldrovandini, Giuseppe Antonio Vincenzo) for |
selections |
| Aria die Ericlea "M'era dolce" from Mitridate in Sebastia (Aldrovandini, Giuseppe Antonio Vincenzo) for |
parts |
| Il ritorno d’Ulisse alla patria (Porsile, Giuseppe) for |
selections |
| Aria "La costanza con amore" from Il ritorno d’Ulisse alla patria (Porsile, Giuseppe) for |
parts |
| Lectio tertia fidelium defunctorum Alto Solo con V.V. (Nola, Antonio) for alto, 2 violins and continuo |
— |
| Aspice cor meum (Nola, Antonio) for organ and soprano |
— |
| Mein Herz ist bereit (Bertouch, Georg von) for alto and continuo |
— |
| Lamento di Floristella "Dolorosi occhi miei" (Act 3 Sc.2) from Adamiro, TN V.1b (Netti, Giovanni Cesare) for voices, mixed chorus, strings and continuo |
— |
| O voi che mi credete (Caresana, Cristofaro) for alto and continuo |
— |
| Lamentazione per il Giovedì Santo Lectio 3 (Caresana, Cristofaro) for alto and continuo |
— |
| Lamentazione per il Giovedì Santo Lettione terza (Veneziano, Gaetano) for alto and continuo |
— |
| Cor ferite, o coeli amores (Pollarolo, Carlo Francesco) for alto, violin, cello and continuo |
— |
Jesu dulcis memoria (Hasse, Johann Adolph) for alto, 2 violins, viola and continuo
alto, strings and continuo |
— |
Jesu dulcis memoria (Hasse, Johann Adolph) for alto, 2 violins, viola and continuo
alto, strings and continuo |
parts |
| Oh vita cui omnia (Carissimi, Giacomo) for alto and continuo |
— |
| Sinfonia in D major (Caldara, Antonio) for cello and continuo |
— |