Composition: High Jinks (Friml, Rudolf)
| Title | High Jinks |
| Alternative title | A musical farce in 3 acts. "Before and After" (early title) |
| Creators | Rudolf Friml (composer) and Otto Harbach (librettist) and Leo Ditrichstein (librettist) |
| Opus | |
| Instrumentation | voices, mixed chorus and orchestra |
| Number of movements | — |
| Keys | — |
| Composed | 1913 |
| First published | 1913 |
| Dedication | — |
| Tempo markings | — |
| Metronome markings | — |
| Time signatures | — |
| Average duration (sec) | — |
| Number of measures | — |
| Composition types | Musicals, Farces |
| Language | English |
| Period | Romantic |
| View on IMSLP |  |
| Code |  |
Sections
(No sections)
Arrangements
| Details | Section | Arranged for | Arranger |
|---|---|---|---|
| view | Selections | theater orchestra | Otto Langey and Gustav Hinrichs |
| view | Selections | theater orchestra | Tom Clark |
| view | Selections | piano | Domenico Savino |
| view | Sympathy Waltz | piano | — |
| view | Tingle-ingleing | theater orchestra | Domenico Savino |
Scores
| Details | Section | Type | Publisher | Date | File |
|---|---|---|---|---|---|
| view | Complete | vocal score | Schirmer | 1913 | Complete Score · view Color Cover · view |
| view | Complete | vocal score | Schirmer | 1913 | Complete Score · view |
| view | Complete | selections,vocal score | Schirmer | 1913 | Jim · view High Jinks · view The Bubble · view When Sammy Sing the Marseillaise · view |
| view | Complete | Arrangement for theater orchestra |
Schirmer | 1913 | Violins I · view |
| view | Complete | Arrangement for theater orchestra |
Schirmer | 1914 | Tuba 1 · view |
| view | Complete | Arrangement for piano |
Schirmer | 1914 | One-Step ("Jim" and "When Sammy sang the Marseillaise") · view Waltzes · view Something Seems Tingle-ingleing (One-Step) · view |
| view | Sympathy Waltz | Arrangement for piano | Schirmer | 1912 | Complete Score · view |
| view | Tingle-ingleing | Arrangement for theater orchestra |
Schirmer | 1914 | Complete Parts · view |
Recordings/Performances
(No recordings)
©2025 David P. Anderson