Compositions with Robert Browning as librettist
| Title click for details |
Creators | Key | Opus | Composed | Instrumentation | Period/style | Type | Listen | Code |
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| My Last Duchess | Lyle K. Neff, composer Robert Browning, librettist |
1981 | baritone, recorder, percussion, viol and harpsichord baritone, flute, percussion, viol and harpsichord baritone, recorder, percussion, cello and harpsichord baritone, flute, percussion, cello and harpsichord |
Modern | Songs |  |
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| 3 Songs, Op. 2 | Frederick Ayres, composer Robert Browning, librettist Margaret Fuller, librettist |
Op.2 | alto and piano | Early 20th century | Songs | |
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| 3 Browning Songs | Amy Marcy Beach, composer Robert Browning, librettist |
Op.44 | 1899 | voice and piano | Romantic | Songs | |
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| Rabbi Ben Ezra | Henry Kimball Hadley, composer Robert Browning, librettist |
F major | mixed chorus | Early 20th century | Secular choruses | |
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| What Are We Two? | Gena Branscombe, composer Robert Browning, librettist |
B flat major | voice and piano | Early 20th century | Songs | |
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| Serenade | Gena Branscombe, composer Robert Browning, librettist |
F major | voice and piano | Early 20th century | Serenades, Songs | |
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| The Pied Piper of Hamelin (The Pied Piper of Hamelin by Robert Browning set to music for tenor and bass soli, chorus and orchestra by C. Hubert H. Parry) | Charles Hubert Hastings Parry, composer Robert Browning, librettist |
1905 | tenor, bass, mixed chorus and orchestra | Romantic | Secular choruses | |
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| A Woman's Last Word | John Parsons Beach, composer Robert Browning, librettist |
E flat major | voice and piano | Early 20th century | Songs | |
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| Ah, Love but a Day | Daniel Protheroe, composer Robert Browning, librettist |
voice and piano | Romantic | Songs | |
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| Morning song | Harvey Worthington Loomis, composer Robert Browning, librettist |
voice and piano | Romantic | Songs | |
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| 2 Poems by Robert Browning | Marshall Kernochan, composer Robert Browning, librettist |
1. E major | voice and piano | Romantic | Songs | |
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| In a Gondola (Dramatic monologue for baritone or tenor) | John Parsons Beach, composer Robert Browning, librettist |
voice baritone and piano tenor and piano |
Early 20th century | Songs | |
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| Is She Not Pure Gold | John Parsons Beach, composer Robert Browning, librettist |
voice and piano | Early 20th century | Songs | |
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| The Pied Piper of Hamelin, Op. 23 (Recitation with pianoforte) | Arthur Bergh, composer Robert Browning, librettist |
Op.23 | narrator and piano | Early 20th century | Melodramas | |
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| The Pied Piper of Hamelin (Cantata for Soli (Contralto, Tenor and Baritone) Chorus and Orchestra) | George Frederick Boyle, composer Robert Browning, librettist |
alto, tenor, baritone, mixed chorus and orchestra | Romantic | Secular cantatas | |
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| Hervé Riel (A poem by Robert Browning, set to music for baritone solo, chorus, and orchestra) | Walford Davies, composer Robert Browning, librettist |
baritone, mixed chorus and orchestra | Romantic | Secular cantatas | |
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| The Piper of Hamelin (A cantata for chorus, s.s.a., tenor solo and orchestra) | A. Cyril Graham, composer Robert Browning, librettist |
tenor, female chorus and orchestra | Romantic | Secular cantatas | |
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| My Star | Mildred Hill, composer Robert Browning, librettist |
E major | 1896 | voice and piano | Romantic | Songs | |
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| Pied Piper of Hamelin (Pied Piper) | Craig Bakalian, composer Robert Browning, librettist |
multi | 2016 | narrator, mixed chorus, flute, percussion, double bass and piano | Modern | Secular choruses | |
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| Album of 12 English Songs | Charles Villiers Stanford, composer Robert Browning, librettist John Keats, librettist Robert Herrick, librettist |
1877 | voice and piano | Romantic | Songs | |
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| The Pied Piper (A Community Opera) | Mark Gotham, composer Robert Browning, librettist |
narrator, baritone, childrens chorus, mixed chorus, flute, percussion, double bass and piano narrator, baritone, childrens chorus, mixed chorus, flute, percussion and piano |
Modern | Operas | |
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| King Charles (Cavalier Song) | Maude Valérie White, composer Robert Browning, librettist |
voice and piano | Romantic | Songs | |
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| There's Heaven Above | Sidney Homer, composer Robert Browning, librettist |
Op.21, No.2 | 1910 | voice and piano | Early 20th century | Sacred songs | |
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| Boot, Saddle, to Horse, and Away! | George Dyson, composer Robert Browning, librettist |
D major | unison chorus and piano | Early 20th century | Songs | |
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| One who never turned his back | Alexander Campbell Mackenzie, composer Robert Browning, librettist |
D major | 1914 | voice and piano | Romantic | Songs | |
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| Ah! Love, But a Day | Hallet Gilberté, composer Robert Browning, librettist |
G minor | voice and piano | Early 20th century | Songs | |
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| I Go To Prove My Soul | Ethel Rosalie Harraden, composer Robert Browning, librettist |
G major | voice and piano | Romantic | Songs | |
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| Wilt Thou Change Too? | Ethel Rosalie Harraden, composer Robert Browning, librettist |
A major | voice and piano | Romantic | Songs | |
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| The Pied Piper of Hamelin (A Child's Opera) | Mark Alburger, composer Robert Browning, librettist |
Op.116 | 2004 | voices and orchestra | Modern | Operas | |
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| Browning Songs (Browning Songs Second Series) | Clara Kathleen Rogers, composer Robert Browning, librettist |
Op.32 | voice and piano | Romantic | Songs | |
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| A Broken Arc (Song Cycle) | Arthur Somervell, composer Robert Browning, librettist |
voice and piano | Early 20th century | Songs | |
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| James Lee's Wife (Song Cycle Selected from the Poem by Robert Browning Set to Music for Contralto Solo and Orchestra) | Arthur Somervell, composer Robert Browning, librettist |
alto and orchestra | Romantic | Songs | |
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| Lyrics from 'Ferishtah's Fancies' | Granville Bantock, composer Robert Browning, librettist |
voice and orchestra voice and piano |
Romantic | Songs | |
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| Love Incarnate (A Setting of Lines by Robert Browning with a Verse from the Hymn "Jesu, Dulcis Memoria" by St. Bernard of Clairvaux) | Basil Harwood, composer Robert Browning, librettist Bernard de Clairvaux, librettist |
Op.37 | 1923 | mixed chorus, organ and orchestra | Early 20th century | Sacred choruses | |
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| 3 Choruses for Male Voices | Granville Bantock, composer Robert Browning, librettist |
male chorus 2 tenors and 2 basses |
Early 20th century | Secular choruses | |
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| The Lost Leader (Part Song) | Granville Bantock, composer Robert Browning, librettist |
2 tenors and 2 basses male chorus |
Romantic | Songs | |
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| The Pied Piper of Hamelin | Richard Henry Walthew, composer Robert Browning, librettist |
tenor, bass, mixed chorus and orchestra | Romantic | Secular cantatas | |
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| At The Window | Virginia Gabriel, composer Robert Browning, librettist |
voice and piano | Romantic | Songs | |
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