Works with Robert Browning as librettist
| Title click for details |
Creators | View on IMSLP | Key | Opus | Composed | Instrumentation | Code |
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| My Last Duchess | Lyle K. Neff (composer) and Robert Browning (librettist) |  |
1981 | baritone, recorder, percussion, viol and harpsichord baritone, flute, percussion, viol and harpsichord baritone, recorder, percussion, cello and harpsichord baritone, flute, percussion, cello and harpsichord |
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| 3 Songs, Op. 2 | Frederick Ayres (composer) and Robert Browning (librettist) and Margaret Fuller (librettist) | |
Op.2 | alto and piano | |
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| 3 Browning Songs | Amy Marcy Beach (composer) and Robert Browning (librettist) | |
Op.44 | 1899 | voice and piano | |
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| Rabbi Ben Ezra | Henry Kimball Hadley (composer) and Robert Browning (librettist) | |
F major | mixed chorus | |
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| What Are We Two? | Gena Branscombe (composer) and Robert Browning (librettist) | |
B flat major | voice and piano | |
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| Serenade | Gena Branscombe (composer) and Robert Browning (librettist) | |
F major | voice and piano | |
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| The Pied Piper of Hamelin | Charles Hubert Hastings Parry (composer) and Robert Browning (librettist) | |
1905 | tenor, bass, mixed chorus and orchestra | |
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| A Woman's Last Word | John Parsons Beach (composer) and Robert Browning (librettist) | |
E flat major | voice and piano | |
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| Ah, Love but a Day | Daniel Protheroe (composer) and Robert Browning (librettist) | |
voice and piano | |
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| Morning song | Harvey Worthington Loomis (composer) and Robert Browning (librettist) | |
voice and piano | |
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| 2 Poems by Robert Browning | Marshall Kernochan (composer) and Robert Browning (librettist) | |
1. E major | voice and piano | |
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| In a Gondola | John Parsons Beach (composer) and Robert Browning (librettist) | |
voice baritone and piano tenor and piano |
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| Is She Not Pure Gold | John Parsons Beach (composer) and Robert Browning (librettist) | |
voice and piano | |
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| The Pied Piper of Hamelin, Op. 23 | Arthur Bergh (composer) and Robert Browning (librettist) | |
Op.23 | narrator and piano | |
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| The Pied Piper of Hamelin | George Frederick Boyle (composer) and Robert Browning (librettist) | |
alto, tenor, baritone, mixed chorus and orchestra | |
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| Hervé Riel | Walford Davies (composer) and Robert Browning (librettist) | |
baritone, mixed chorus and orchestra | |
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| The Piper of Hamelin | A. Cyril Graham (composer) and Robert Browning (librettist) | |
tenor, female chorus and orchestra | |
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| My Star | Mildred Hill (composer) and Robert Browning (librettist) | |
E major | 1896 | voice and piano | |
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| Pied Piper of Hamelin | Craig Bakalian (composer) and Robert Browning (librettist) | |
multi | 2016 | narrator, mixed chorus, flute, percussion, double bass and piano | |
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| Album of 12 English Songs | Charles Villiers Stanford (composer) and Robert Browning (librettist) and John Keats (librettist) and Robert Herrick (librettist) | |
1877 | voice and piano | |
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| The Pied Piper | Mark Gotham (composer) and Robert Browning (librettist) | |
narrator, baritone, childrens chorus, mixed chorus, flute, percussion, double bass and piano narrator, baritone, childrens chorus, mixed chorus, flute, percussion and piano |
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| King Charles | Maude Valérie White (composer) and Robert Browning (librettist) | |
voice and piano | |
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| There's Heaven Above | Sidney Homer (composer) and Robert Browning (librettist) | |
Op.21, No.2 | 1910 | voice and piano | |
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| Boot, Saddle, to Horse, and Away! | George Dyson (composer) and Robert Browning (librettist) | |
D major | unison chorus and piano | |
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| One who never turned his back | Alexander Campbell Mackenzie (composer) and Robert Browning (librettist) | |
D major | 1914 | voice and piano | |
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| Ah! Love, But a Day | Hallet Gilberté (composer) and Robert Browning (librettist) | |
G minor | voice and piano | |
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| I Go To Prove My Soul | Ethel Rosalie Harraden (composer) and Robert Browning (librettist) | |
G major | voice and piano | |
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| Wilt Thou Change Too? | Ethel Rosalie Harraden (composer) and Robert Browning (librettist) | |
A major | voice and piano | |
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| The Pied Piper of Hamelin | Mark Alburger (composer) and Robert Browning (librettist) | |
Op.116 | 2004 | voices and orchestra | |
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| Browning Songs | Clara Kathleen Rogers (composer) and Robert Browning (librettist) | |
Op.32 | voice and piano | |
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| A Broken Arc | Arthur Somervell (composer) and Robert Browning (librettist) | |
voice and piano | |
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| James Lee's Wife | Arthur Somervell (composer) and Robert Browning (librettist) | |
alto and orchestra | |
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| Lyrics from 'Ferishtah's Fancies' | Granville Bantock (composer) and Robert Browning (librettist) | |
voice and orchestra voice and piano |
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| Love Incarnate | Basil Harwood (composer) and Robert Browning (librettist) and Bernard de Clairvaux (librettist) | |
Op.37 | 1923 | mixed chorus, organ and orchestra | |
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| 3 Choruses for Male Voices | Granville Bantock (composer) and Robert Browning (librettist) | |
male chorus 2 tenors and 2 basses |
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| The Lost Leader | Granville Bantock (composer) and Robert Browning (librettist) | |
2 tenors and 2 basses male chorus |
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| The Pied Piper of Hamelin | Richard Henry Walthew (composer) and Robert Browning (librettist) | |
tenor, bass, mixed chorus and orchestra | |
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| At The Window | Virginia Gabriel (composer) and Robert Browning (librettist) | |
voice and piano | |
©2025 David P. Anderson