| Title click for details |
Creators | View on IMSLP | Key | Opus | Composed | Instrumentation | Code |
|---|---|---|---|---|---|---|---|
| Malagueña-jaleada, Op. 183bis. | Óscar de la Cinna (composer) | ![]() |
D flat major | Op.183bis | piano | ||
| Brisas de España | Óscar de la Cinna (composer) | ![]() |
G major | Op.690 | piano | ||
| Estudiantina, No. 5, op. 287 | Óscar de la Cinna (composer) | ![]() |
D major | op. 287 | piano | ||
| Perla andaluza | Óscar de la Cinna (composer) | ![]() |
A flat major | Op. 424 | piano | ||
| Tableaux basques (baskenlust und leben), Pensée caractéristique | Óscar de la Cinna (composer) | ![]() |
E flat major | Op.57 | piano | ||
| Quatre morceaux de salon | Óscar de la Cinna (composer) | ![]() |
Opp.405, 491, 547, 546 | piano | |||
| Murmures d'amour | Óscar de la Cinna (composer) | ![]() |
E major | Op.125 | piano | ||
| Chant styrien | Óscar de la Cinna (composer) | ![]() |
A major | Op.66 | piano | ||
| In vino veritas | Óscar de la Cinna (composer) | ![]() |
F major | Op.159 | piano | ||
| Pompa di festa | Óscar de la Cinna (composer) | ![]() |
E flat major | Op.56 | piano | ||
| Sous les palmiers | Óscar de la Cinna (composer) | ![]() |
D minor | Op.667 | piano | ||
| Album des 6 pensées poétiques | Óscar de la Cinna (composer) | ![]() |
Opp.177, 156, 186, 152, 128, 155 | piano | |||
| Trois scènes guerrières mauresques | Óscar de la Cinna (composer) | ![]() |
Op.109,110,111 | piano | |||
| Malaguena, Genre Andalou | Óscar de la Cinna (composer) | ![]() |
B flat minor | Op.369 | piano | ||
| Le fou | Óscar de la Cinna (composer) | ![]() |
Op.81 | piano | |||
| Chanson andalouse | Óscar de la Cinna (composer) | ![]() |
E major | Op.348 | piano | ||
| Fiesta aragonesa | Óscar de la Cinna (composer) | ![]() |
C major | Op.184 | 2 pianos | ||
| Les oiseaux | Óscar de la Cinna (composer) | ![]() |
Op.49 | piano | |||
| Jota aragonesa | Óscar de la Cinna (composer) | ![]() |
piano | ||||
| In springtime | Óscar de la Cinna (composer) | ![]() |
G minor | piano |
©2025 David P. Anderson