| Title | 6 geistliche Lieder nach Gedichten von Eichendorff |
| Creators | Hugo Wolf (composer) and Joseph von Eichendorff (librettist) |
| Opus | — |
| Instrumentation | mixed chorus |
| Number of movements | 6 |
| Keys | — |
| Composed | 1881 |
| First published | 1903 |
| Dedication | — |
| Tempo markings | — |
| Metronome markings | — |
| Time signatures | — |
| Average duration (sec) | — |
| Number of measures | — |
| Composition types | Sacred songs, Lieder |
| Language | German |
| Period | Romantic |
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View |
| Code |
| Title click for details |
Metronome | Key | Measures |
|---|---|---|---|
| Aufblick | — | — | — |
| Einklang | — | — | — |
| Resignation | — | — | — |
| Letzte Bitte | — | — | — |
| Ergebung | — | — | — |
| Erhebung | — | — | — |
| Details | Section | Arranged for | Arranger |
|---|---|---|---|
| view | Selections | voice and piano voice and harmonium |
Friedrich Hermann Schneider |
| view | Ergebung (No.5) | mixed chorus | Michael Stenov |
| Details | Section | Type | Publisher | Date | File (click to view) |
|---|---|---|---|---|---|
| view | Complete | — | Leipzig: Lauterbach & Kuhn | 1903 | Complete Score |
| view | Complete | — | Published under licence by Wien: Ludwig Doblinger (Bernhard Herzmansky) | — | Complete Score |
| view | Aufblick (No.1) | — | Jürgen Knuth | — | Complete Score Engraving files (Capella) |
| view | Resignation (No.3) | — | — | — | Complete Score |
| view | Ergebung (No.5) | — | Jürgen Knuth | — | Complete Score Engraving files (Capella) |
| view | Complete | Arrangement for voice and piano voice and harmonium |
Bote & Bock | 1921 | 4. Letzte Bitte 5. Ergebung |
| view | Ergebung (No.5) | Arrangement for mixed chorus |
— | — | 5. Ergebung |
| Details | Type | Section | Performers | Arranged for | Files (click to listen) |
|---|---|---|---|---|---|
| view | Ergebung (No.5) | Cantores Carmeli Linz (performer) and Michael Stenov (organ) | For Mixed Chorus (Stenov) | Complete Recording | |
| view | Synthesized | — | — | Aufblick (No.1) Ergebung (No.5) |
©2026 David P. Anderson