School of Interpretation for the Violin, Op. 16 (Ševčík, Otakar)

Title	School of Interpretation for the Violin
Alternative title	School of Performing on a Melodical Basis; School of Interpretation for the violin on a Melodic Basis in 2 Parts
Creators	Otakar Ševčík, composer
Opus	Op.16
Instrumentation	violin and piano
Number of movements	45
Keys	—
Composed	1929
First published	1932
Dedication	—
Tempo markings	—
Metronome markings	—
Time signatures	—
Average duration (sec)	—
Number of measures	—
Composition types	Methods, Pieces
Period	Romantic
	View
Code

Title click for details	Metronome	Key	Measures
1. Rode: Melody, Concerto No.6, 1st Movement. (Styles of bowings on eighths)	—	—	—
2. Rode: Introduction to Rondo Concerto No.6. (Styles of bowing on eighths in 6/8 time)	—	—	—
3. Fiorillo: Andante, Etude No.13. (Shifting of position in various forms)	—	—	—
4. Wieniawsky-Warlamoff: Romance from Souvenir de Moscou. (Bowing styles on triplets)	—	—	—
5. Ševčík: Andante on the G string, Op.10/5. (Rhythmic studies)	—	—	—
6. Leclair: Sarabande. (Introduction into 3/2 measure. Bowings for legatomartelé and staccato)	—	—	—
7. Paganini: Theme from Non piú mesta. (Repeated raising of the bow at the up-stroke)	—	—	—
8. Mendelssohn: Melody in G, Concerto E-minor I. (Shading and nuance of the tone)	—	—	—
9. Rode: Adagio, Concerto No.7. (Studies on the G String)	—	—	—
10. Rust: Gigue. (Bowing style Spiccato)	—	—	—
11. Beethoven: Melody G-minor, Concerto in D-major III. (Rhythmical exercices in 6/8 time)	—	—	—
12. Rode: Adagio, Concerto No.6.	—	—	—
13. Wieniawski: Theme original from Op.15. (Drawn and sharp notes by turns)	—	—	—
14. Ševčík: Introduction to the natural and artificial harmonic tones.	—	—	—
15. Spohr: Introduction to I. Movement, Concerto No.2.	—	—	—
16. Ernst: Melodic Scene in A-major from the III. Concerto in F-sharp minor.	—	—	—
17. Rode: Introduction and Melody to the Concerto No.7-III. (on the dotted rhythm)	—	—	—
18. Molique: F-major Melody, Concerto No.5-I. (Bowing styles accompanied by 2nd violin)	—	—	—
19. Beethoven: Rondo theme from the Violin Concerto.	—	—	—
20. Spohr: Marchscene, Concerto No.8-III.	—	—	—
21. Viotti: Melody with Double-Stop Passages, Concerto No.18-I.	—	—	—
22. Wieniawski: Cantabile A-major Concerto 1-I. (Rhythmical exercices in triplets)	—	—	—
23. Vieuxtemps: Theme from the Fantasia Appassionata. (Softness of the tone)	—	—	—
24. Paganini: Theme from I Palpiti. (Shading of the tone)	—	—	—
25. Viotti: Rondo with Double-Stop Passage, Concerto No.28.	—	—	—
26. Wieniawski: Theme form Carneval Russe.	—	—	—
27. Molique: Ricochet-Scene from the Concerto No.5-III.	—	—	—
28. Ernst: Andante from the Hung. Melodies. (Graded Studies of tone)	—	—	—
29. Wieniawski: Melody with Octaves from the Concerto No.1-III.	—	—	—
30. Paganini: 7 Variations from the Carneval of Venice. (Rhythmical Studies)	—	—	—
31. Vieuxtemps: Serenade A-major on the G-string, Concerto No.1-III.	—	—	—
32. Beriot: Melody in Octaves, Concerto No.9-I. (Independence of the fingers)	—	—	—
33. Ševčík: Theme in Octaves Op.10/4. (Preparation for the sautillé and glissando)	—	—	—
34. Beriot: Adagio from the Concerto No.7. (Chain-trills)	—	—	—
35. Tartini: Largo and Allegro from the G-minor Sonata. (Double-stops and suppleness of the wrist)	—	—	—
36. Beriot: Air varié No.1. (Double-stops and Chords in virtuoso form)	—	—	—
37. Rust: Gigue for Solo Violin. (Pizzicato with the left hand)	—	—	—
38. Spohr: Larghetto in Double-Stops. (Third double-stops in virtuoso form)	—	—	—
39. Vieuxtemps: Andante sostenuto from the Concerto No.2 (Pliancy of Bowing)	—	—	—
40. Wieniawski: Scherzo -Tarantelle	—	—	—
41. Sarasate: Gipsy-Melodies	—	—	—
42. Ernst: Hungarian Melodies	—	—	—
43. Bazzini: Dance of Gnomes	—	—	—
44. Paganini: Moses-Fantasy	—	—	—
45. Paganini: Witches Dance	—	—	—

Details	Section	Type	Publisher	Date	File (click to view)
View	No.31 a. Serenade in A major (Vieuxtemps) and b. Andante Op. 10/4 (Ševčík)	—	Brno: Ol. Pazdírek	1931	Piano score, violin with 2nd violin, and exercises
View	No.32 a. Melody from Concerto No. 9-I (Bériot) and b. Larghetto from Violin Sonata "Devil's Trill" (Tartini)	—	Brno: Ol. Pazdírek	1931	Piano score, violin with 2nd violin, and exercises
View	No.33 a. Theme in Octaves op.10/4 (Ševčík) and b. Secondary Subject from Concerto No.2-II (Paganini)	—	Brno: Ol. Pazdírek	1931	Piano score, violin with 2nd violin, and exercises
View	No.34 a.Adagio from Concerto No.7 (Bériot) and b.Melody and Octaves from the Polonaise in Virtuoso Form (Laub)	—	Brno: Ol. Pazdírek	1931	Piano score, violin with 2nd violin, and exercises
View	No.35 Largo and Allegro from Violin Sonata in G minor (Tartini)	—	Brno: Ol. Pazdírek	1931	Piano score, violin with 2nd violin, and exercises
View	No.36 Air varié No.1 (Bériot)	—	Brno: Ol. Pazdírek	1931	Piano score, violin with 2nd violin, and exercises
View	No.37 a. Gigue for Solo Violin (Rust) and b. Courante from D Minor Sonata (Rust)	—	Brno: Ol. Pazdírek	1931	Piano score, violin with 2nd violin, and exercises
View	No.38 Larghetto from Concerto No.22 II (Spohr)	—	Brno: Ol. Pazdírek	1931	Piano score, violin with 2nd violin, and exercises
View	No.39 Andante sostenuto from Concerto No.2 (Vieuxtemps)	—	Brno: Ol. Pazdírek	1931	Piano score, violin part with 2nd violin, and exercises
View	No.40 Scherzo - Tarantelle (Wieniawski)	—	Brno: Ol. Pazdírek	1931	Piano score, violin with 2nd violin, and exercises
View	No.42 Hungarian Melodies (Ernst)	—	Brno: Ol. Pazdírek	1931	Solo violin part Piano score Exercises
View	No.43 Dance of the Gnomes (Bazzini)	—	Brno: Ol. Pazdírek	1931	Exercises
View	No.44 Moses-Fantasy (Paganini)	—	Brno: Ol. Pazdírek	1932	Violin Part (monochrome) Violin Part (color) Exercises Piano Score (C minor) Piano Score (Eminor)
View	No.45 Le Streghe (Paganini)	—	Brno: Ol. Pazdírek	1932	Violin part Piano score Exercises

School of Interpretation for the Violin, Op. 16 (Ševčík, Otakar)

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