Composition: School of Interpretation for the Violin, Op. 16 (Ševčík, Otakar)

Title School of Interpretation for the Violin
Alternative title School of Performing on a Melodical Basis; School of Interpretation for the violin on a Melodic Basis in 2 Parts
Creators Otakar Ševčík (composer)
Opus Op.16
Instrumentation violin and piano
Number of movements 45
Keys —
Composed 1929
First published 1932
Dedication —
Tempo markings —
Metronome markings —
Time signatures —
Average duration (sec) —
Number of measures —
Composition types Methods, Pieces
Period Romantic
View on IMSLP
Code

Sections

Title
click for details		 Metronome Key Measures
1. Rode: Melody, Concerto No.6, 1st Movement. (Styles of bowings on eighths) — — —
2. Rode: Introduction to Rondo Concerto No.6. (Styles of bowing on eighths in 6/8 time) — — —
3. Fiorillo: Andante, Etude No.13. (Shifting of position in various forms) — — —
4. Wieniawsky-Warlamoff: Romance from Souvenir de Moscou. (Bowing styles on triplets) — — —
5. Ševčík: Andante on the G string, Op.10/5. (Rhythmic studies) — — —
6. Leclair: Sarabande. (Introduction into 3/2 measure. Bowings for legatomartelé and staccato) — — —
7. Paganini: Theme from Non piú mesta. (Repeated raising of the bow at the up-stroke) — — —
8. Mendelssohn: Melody in G, Concerto E-minor I. (Shading and nuance of the tone) — — —
9. Rode: Adagio, Concerto No.7. (Studies on the G String) — — —
10. Rust: Gigue. (Bowing style Spiccato) — — —
11. Beethoven: Melody G-minor, Concerto in D-major III. (Rhythmical exercices in 6/8 time) — — —
12. Rode: Adagio, Concerto No.6. — — —
13. Wieniawski: Theme original from Op.15. (Drawn and sharp notes by turns) — — —
14. Ševčík: Introduction to the natural and artificial harmonic tones. — — —
15. Spohr: Introduction to I. Movement, Concerto No.2. — — —
16. Ernst: Melodic Scene in A-major from the III. Concerto in F-sharp minor. — — —
17. Rode: Introduction and Melody to the Concerto No.7-III. (on the dotted rhythm) — — —
18. Molique: F-major Melody, Concerto No.5-I. (Bowing styles accompanied by 2nd violin) — — —
19. Beethoven: Rondo theme from the Violin Concerto. — — —
20. Spohr: Marchscene, Concerto No.8-III. — — —
21. Viotti: Melody with Double-Stop Passages, Concerto No.18-I. — — —
22. Wieniawski: Cantabile A-major Concerto 1-I. (Rhythmical exercices in triplets) — — —
23. Vieuxtemps: Theme from the Fantasia Appassionata. (Softness of the tone) — — —
24. Paganini: Theme from I Palpiti. (Shading of the tone) — — —
25. Viotti: Rondo with Double-Stop Passage, Concerto No.28. — — —
26. Wieniawski: Theme form Carneval Russe. — — —
27. Molique: Ricochet-Scene from the Concerto No.5-III. — — —
28. Ernst: Andante from the Hung. Melodies. (Graded Studies of tone) — — —
29. Wieniawski: Melody with Octaves from the Concerto No.1-III. — — —
30. Paganini: 7 Variations from the Carneval of Venice. (Rhythmical Studies) — — —
31. Vieuxtemps: Serenade A-major on the G-string, Concerto No.1-III. — — —
32. Beriot: Melody in Octaves, Concerto No.9-I. (Independence of the fingers) — — —
33. Ševčík: Theme in Octaves Op.10/4. (Preparation for the sautillé and glissando) — — —
34. Beriot: Adagio from the Concerto No.7. (Chain-trills) — — —
35. Tartini: Largo and Allegro from the G-minor Sonata. (Double-stops and suppleness of the wrist) — — —
36. Beriot: Air varié No.1. (Double-stops and Chords in virtuoso form) — — —
37. Rust: Gigue for Solo Violin. (Pizzicato with the left hand) — — —
38. Spohr: Larghetto in Double-Stops. (Third double-stops in virtuoso form) — — —
39. Vieuxtemps: Andante sostenuto from the Concerto No.2 (Pliancy of Bowing) — — —
40. Wieniawski: Scherzo -Tarantelle — — —
41. Sarasate: Gipsy-Melodies — — —
42. Ernst: Hungarian Melodies — — —
43. Bazzini: Dance of Gnomes — — —
44. Paganini: Moses-Fantasy — — —
45. Paganini: Witches Dance — — —

Arrangements

(No arrangements)

Scores

Details Section Type Publisher Date File
view No.31 a. Serenade in A major (Vieuxtemps) and b. Andante Op. 10/4 (Ševčík) — Brno: Ol. Pazdírek 1931 Piano score, violin with 2nd violin, and exercises · view
view No.32 a. Melody from Concerto No. 9-I (Bériot) and b. Larghetto from Violin Sonata "Devil's Trill" (Tartini) — Brno: Ol. Pazdírek 1931 Piano score, violin with 2nd violin, and exercises · view
view No.33 a. Theme in Octaves op.10/4 (Ševčík) and b. Secondary Subject from Concerto No.2-II (Paganini) — Brno: Ol. Pazdírek 1931 Piano score, violin with 2nd violin, and exercises · view
view No.34 a.Adagio from Concerto No.7 (Bériot) and b.Melody and Octaves from the Polonaise in Virtuoso Form (Laub) — Brno: Ol. Pazdírek 1931 Piano score, violin with 2nd violin, and exercises · view
view No.35 Largo and Allegro from Violin Sonata in G minor (Tartini) — Brno: Ol. Pazdírek 1931 Piano score, violin with 2nd violin, and exercises · view
view No.36 Air varié No.1 (Bériot) — Brno: Ol. Pazdírek 1931 Piano score, violin with 2nd violin, and exercises · view
view No.37 a. Gigue for Solo Violin (Rust) and b. Courante from D Minor Sonata (Rust) — Brno: Ol. Pazdírek 1931 Piano score, violin with 2nd violin, and exercises · view
view No.38 Larghetto from Concerto No.22 II (Spohr) — Brno: Ol. Pazdírek 1931 Piano score, violin with 2nd violin, and exercises · view
view No.39 Andante sostenuto from Concerto No.2 (Vieuxtemps) — Brno: Ol. Pazdírek 1931 Piano score, violin part with 2nd violin, and exercises · view
view No.40 Scherzo - Tarantelle (Wieniawski) — Brno: Ol. Pazdírek 1931 Piano score, violin with 2nd violin, and exercises · view
view No.42 Hungarian Melodies (Ernst) — Brno: Ol. Pazdírek 1931 Solo violin part · view
Piano score · view
Exercises · view
view No.43 Dance of the Gnomes (Bazzini) — Brno: Ol. Pazdírek 1931 Exercises · view
view No.44 Moses-Fantasy (Paganini) — Brno: Ol. Pazdírek 1932 Violin Part (monochrome) · view
Violin Part (color) · view
Exercises · view
Piano Score (C minor) · view
Piano Score (Eminor) · view
view No.45 Le Streghe (Paganini) — Brno: Ol. Pazdírek 1932 Violin part · view
Piano score · view
Exercises · view

Recordings/Performances

(No recordings)

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