Scores with André Vierendeels as editor

Composition Score attributes
Carmen super Pange Lingua (Coclico, Adrianus Petit) for soprano and 2 tenors —
Canzon VIII (Maschera, Florentio) for soprano, alto, tenor and bass —
Fuga quarti toni (Coclico, Adrianus Petit) for soprano, tenor and bass —
Fuga quinti toni (Coclico, Adrianus Petit) for soprano, alto and bass —
Canon a 4 (Penna, Lorenzo) for 4 sopranos —
Canon enimmatico (Penna, Lorenzo) for soprano, 2 tenors and bass —
Canzon (Lassus, Ferdinand de) for 2 sopranos, tenor and bass —
Canzon (Stadlmayr, Johann) for 2 sopranos and bass —
Fuga primi toni (Coclico, Adrianus Petit) for soprano, tenor and bass —
Fuga secundi toni (Coclico, Adrianus Petit) for soprano, tenor and bass —
Fuga tertii toni (Coclico, Adrianus Petit) for soprano and 2 tenors —
Carmen Ave mater omnium (Van Weerbeke, Gaspar) for soprano, 2 tenors and bass —
Carmen VIII toni (Van Weerbeke, Gaspar) for soprano, 2 tenors and bass —
Bicinium super Salve sancta parens (Coclico, Adrianus Petit) for tenor and bass —
Canzon XIX (Maschera, Florentio) for soprano, alto, tenor and bass —
Canzon XVI (Maschera, Florentio) for soprano, alto, tenor and bass —
Canzon XI (Maschera, Florentio) for soprano, alto, tenor and bass —
Canzon IX (Maschera, Florentio) for soprano, alto, tenor and bass —
Canzon VI (Maschera, Florentio) for soprano, alto, tenor and bass —
Canzon IV (Maschera, Florentio) for soprano, alto, tenor and bass —
Canzon XIV (Maschera, Florentio) for soprano, alto, tenor and bass —
Canon omnis consummationis (Coclico, Adrianus Petit) for mixed chorus —
Fuga septimi toni (Coclico, Adrianus Petit) for soprano, tenor and bass —
Fuga sexti toni (Coclico, Adrianus Petit) for soprano, tenor and bass —
Ricercar VI del' ottavo tono (Padovano, Annibale) for soprano, 2 tenors and bass —
Ricercar VIII del ottavo tono (Padovano, Annibale) for soprano, 2 tenors and bass —
Ricercar XI del' terzo tono (Padovano, Annibale) for soprano, 2 tenors and bass —
Ricercar XIII del sesto tono (Padovano, Annibale) for soprano, alto and 2 tenors —
Bicinium super Omnis arbor (Coclico, Adrianus Petit) for 2 tenors —
Ricercar III del sesto tono (Padovano, Annibale) for soprano, 2 tenors and bass —
Canzon II (Maschera, Florentio) for soprano, alto, tenor and bass —
Canzon XVIII (Maschera, Florentio) for soprano, alto, tenor and bass —
Canzon X (Maschera, Florentio) for soprano, alto, tenor and bass —
Canzon XII (Maschera, Florentio) for soprano, alto, tenor and bass —
Canzon XVII (Maschera, Florentio) for soprano, alto, tenor and bass —
Canzon XX (Maschera, Florentio) for soprano, alto, tenor and bass —
Canzon XXI (Maschera, Florentio) for soprano, alto, tenor and bass —
Fantasia VII (Banchieri, Adriano) for soprano, 2 tenors and bass —
Fantasia X (Banchieri, Adriano) for soprano, 2 altos and tenor —
Fantasia XII (Banchieri, Adriano) for soprano, alto and 2 tenors —
Fantasia XVI (Banchieri, Adriano) for soprano, 2 tenors and bass —
Fuga octavi toni (Coclico, Adrianus Petit) for soprano and 2 tenors —
Fantasia IX (Banchieri, Adriano) for soprano, alto and 2 tenors —
Sinfonie from Intermedi (Vitali, Filippo) —
Sinfonia (from Bella Dea) from Musiche, Libro 1 (Vitali, Filippo) for 2 sopranos, alto, tenor and bass —
Bicinium (Klingenstein, Bernhard) for 2 Unspecified instruments —
Bicinium (Brumel, Antoine) for 2 Unspecified instruments —
Bicinium I (Josquin Desprez) for 2 Unspecified instruments —
Bicinium III (Pevernage, André) for 2 Unspecified instruments —
Bicinium III (Josquin Desprez) for 2 Unspecified instruments —
Carmen II (Verdonck, Cornelis) for soprano and alto —
Bicinium IV (Josquin Desprez) for 2 Unspecified instruments —
Carmen I (Verdonck, Cornelis) for soprano and alto —
Bicinium I (Pevernage, André) for 2 Unspecified instruments —
Bicinium II (Pevernage, André) for 2 Unspecified instruments —
Bicinium IV (Pevernage, André) for 2 Unspecified instruments —
Bicinium II (Josquin Desprez) for 2 Unspecified instruments —


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