| Composition | Attributes | 
| Musicke & Mirth from Captain Humes Poeticall Musicke (Hume, Tobias) for viol 2 viols
 3 viols
 2 lutes and viol
 soprano and bass
 voice and viol
 voice and 2 viols
 voice and 3 viols
 voice, lute and viol
 voice, 2 lutes and viol
 | — | 
| The Spirit of Gambo from Captain Humes Poeticall Musicke (Hume, Tobias) for viol 2 viols
 3 viols
 2 lutes and viol
 soprano and bass
 voice and viol
 voice and 2 viols
 voice and 3 viols
 voice, lute and viol
 voice, 2 lutes and viol
 | — | 
| The First Part of Ayres, French, Pollish and Others (Hume, Tobias) for voice and viol voice and lute
 voice, lute and viol
 viol
 2 viols
 3 viols
 | selections | 
| Fantasy for 3 Bass Viols (Lupo, Thomas) for 3 viols | — | 
| Fantasias of 3 Parts (Gibbons, Orlando) for alto, tenor and bass 3 viols
 | — | 
| Manchester Gamba Book (Various) for viol lute
 | selections | 
| Galliard for 3 Viols (Gibbons, Orlando) for 3 viols | — | 
| Fantasias for 2 Viols (Gibbons, Orlando) for 2 viols | — | 
| Fantasias for 2 Viols (East, Michael) for 2 viols | — | 
| Fantasias for 3 Viols (Blankes, Edward) for 3 viols | — | 
| Fantasias for 3 Viols (Lupo, Thomas) for 3 viols | — | 
| Recercada segunda sobre tenores Italianos (Ortiz, Diego) for viol and 4 Unspecified instruments | — | 
| Recercada primera sobre tenores italianos (Ortiz, Diego) for viol and 4 Unspecified instruments viol
 | — | 
| In Nomine No. 1 (Weelkes, Thomas) for 4 viols 4 Unspecified instruments
 | — | 
| Tander Naken (Henry VIII) for 3 Unspecified instruments alto, tenor and bass
 | — | 
| The Spirit of Gambo (Hume, Tobias) for viol lute
 | — | 
| Fantasia upon One Note, Z.745 (Purcell, Henry) for 5 viols 5 Unspecified instruments
 | — | 
| In Nomine of Six Parts, Z.746 (Purcell, Henry) for 6 viols 6 Unspecified instruments
 | — | 
| Fantasia 'Di sei bassi' (Ferrabosco Sr., Alfonso) for tenor and 5 basses 6 viols
 | — | 
| Love's Farewell (Hume, Tobias) for viol | — | 
| Canzon prima à 4 'La Borromea' (No.17) from Sacri concerti (Rusca, Claudia Francesca) for soprano and continuo tenor and continuo
 continuo and 2 sopranos
 2 tenors and continuo
 soprano, tenor and continuo
 soprano, alto and continuo
 alto, tenor and continuo
 soprano, violin, violone and continuo
 tenor, violin, violone and continuo
 violone, continuo and soprano
 tenor, violone and continuo
 soprano, trombone, violin and continuo
 tenor, trombone, violin and continuo
 trombone, continuo and soprano
 tenor, trombone and continuo
 2 sopranos, bass and continuo
 2 tenors, bass and continuo
 soprano, alto, violin, violone and continuo
 soprano, alto, violone and continuo
 soprano, alto, trombone and continuo
 soprano, alto, trombone, violin and continuo
 2 sopranos, alto, tenor, bass and continuo
 soprano, alto, tenor and bass
 soprano, alto, tenor, bass and continuo
 soprano, alto, tenor, bass and continuo
 2 sopranos, 2 altos, 2 tenors, 2 basses and 2 continuos
 2 mixed chorus and 2 continuos
 2 sopranos, 2 altos, 2 tenors, 2 basses and 2 organs
 2 mixed chorus and 2 organs
 | — | 
| Canzon seconda à 4 (No.18) from Sacri concerti (Rusca, Claudia Francesca) for soprano and continuo tenor and continuo
 continuo and 2 sopranos
 2 tenors and continuo
 soprano, tenor and continuo
 soprano, alto and continuo
 alto, tenor and continuo
 soprano, violin, violone and continuo
 tenor, violin, violone and continuo
 violone, continuo and soprano
 tenor, violone and continuo
 soprano, trombone, violin and continuo
 tenor, trombone, violin and continuo
 trombone, continuo and soprano
 tenor, trombone and continuo
 2 sopranos, bass and continuo
 2 tenors, bass and continuo
 soprano, alto, violin, violone and continuo
 soprano, alto, violone and continuo
 soprano, alto, trombone and continuo
 soprano, alto, trombone, violin and continuo
 2 sopranos, alto, tenor, bass and continuo
 soprano, alto, tenor and bass
 soprano, alto, tenor, bass and continuo
 soprano, alto, tenor, bass and continuo
 2 sopranos, 2 altos, 2 tenors, 2 basses and 2 continuos
 2 mixed chorus and 2 continuos
 2 sopranos, 2 altos, 2 tenors, 2 basses and 2 organs
 2 mixed chorus and 2 organs
 | — | 
| Follow Me Close (East, Michael) for 2 viols | — | 
| Ut, Re, Mi, Fa, Sol, La (East, Michael) for 2 viols | — | 
| I As Well As Thou (East, Michael) for 2 viols | — | 
| Love Cannot Dissemble (East, Michael) for 2 viols | — | 
| Both Alike (East, Michael) for 2 viols | — | 
| Dally Not With This (East, Michael) for 2 viols | — | 
| Draw Out the End (East, Michael) for 2 viols | — | 
| Hold Right (East, Michael) for 2 viols | — | 
| Captaine Humes Pavan (Hume, Tobias) for viol lute
 | — | 
| Queene Maries Dumpe (Sumarte, Richard) for viol lute
 | parts | 
| La Rêveuse (Marais, Marin) for viol and continuo | parts | 
| Deth (Hume, Tobias) for viol lute
 | parts | 
| Life (Hume, Tobias) for viol lute
 | — | 
| I am Falling (Hume, Tobias) for viol lute
 | parts | 
| An English Frenchman (Hume, Tobias) for viol lute
 | parts | 
| Good againe (Hume, Tobias) for viol lute
 | parts | 
| A Question (Hume, Tobias) for viol lute
 | parts | 
| An Aunswere (Hume, Tobias) for viol lute
 | parts | 
| A Pollish Ayre (Hume, Tobias) for viol lute
 | — | 
| Duke John of Polland his Galiard (Hume, Tobias) for viol lute
 | — | 
| Loves Galiard (Hume, Tobias) for viol lute
 | — | 
| Harke, Harke (Hume, Tobias) for viol lute
 | — | 
| A Souldiers Resolution (Hume, Tobias) for viol lute
 | — | 
| The State of Gambo (Hume, Tobias) for 3 viols | — | 
| Musicke & Mirth (Hume, Tobias) for viol 2 viols
 3 viols
 lute
 2 lutes
 3 lutes
 | — | 
| Fantasia for 5 Viols (Blankes, Edward) for 5 viols | — | 
| Credo Quod Redemptor à12 (Blankes, Edward) for 12 viols 12 Unspecified instruments
 3 sopranos, 3 altos, 3 tenors and 3 basses
 strings
 | — | 
| Lachryme (Sumarte, Richard) for viol lute
 | parts | 
| Fortune (Sumarte, Richard) for viol lute
 | parts | 
| Monnsiers Allman (Sumarte, Richard) for viol lute
 | parts | 
| Dafne (Sumarte, Richard) for viol lute
 | parts | 
| Roben is to the Greense-Woode Gon (Sumarte, Richard) for viol lute
 | parts | 
| Canzon prima à 4 'La Borromea' (Rusca, Claudia Francesca) for 4 viols 4 Unspecified instruments
 soprano, alto, tenor and bass
 | — | 
| Canzon Seconda à 4 (Rusca, Claudia Francesca) for 4 viols 4 Unspecified instruments
 soprano, alto, tenor and bass
 | — | 
| Nouveau recueil d'airs sérieux et à boire (Pinel, Julie) for bass 2 voices
 voice and continuo
 2 voices and continuo
 voice, violin and continuo
 voice, flute and continuo
 | — | 
| Fantasias for 4 Viols (Gibbons, Orlando) for 4 viols | — | 
| Fantasias for 4 Viols (Gibbons, Orlando) for 4 viols | — | 
| Galliard Ferrabosco (Ferrabosco Jr., Alfonso) for soprano and bass | — | 
| Fantasia 'Di sei soprani’ (Daman, William) for 6 sopranos | — | 
| In Nomine for 4 Viols (Gibbons, Orlando) for 4 viols | — | 
| In Nomine II à 7 (Parsons, Robert) for 7 viols 7 Unspecified instruments
 | — | 
| Ut re mi fa sol la à 4 (Parsons, Robert) for 4 viols 4 Unspecified instruments
 | — | 
| A Duo upon Ut Re Me Fa, No. 1 (Baldwin, John) for 2 viols 2 Unspecified instruments
 | — | 
| A Duo upon Ut Re Me Fa, No. 2 (Baldwin, John) for 2 viols 2 Unspecified instruments
 | — | 
| Vt re mee fa à3 (Woodson, Thomas) for 3 viols 3 Unspecified instruments
 | — | 
| Proporcions to the Minum à 4 (Baldwin, John) for 4 viols 4 Unspecified instruments
 | — | 
| In Nomine No. 1 (Bevin, Elway) for 5 viols 5 Unspecified instruments
 | — | 
| In Nomine No. 2 (Bevin, Elway) for 5 viols 5 Unspecified instruments
 | — | 
| In Nomine of Seven Parts, Z.747 (Purcell, Henry) for 7 viols 7 Unspecified instruments
 | — |