| Composition |
Score attributes |
| Musicke & Mirth from Captain Humes Poeticall Musicke (Hume, Tobias) for viol or 2 viols or 3 viols or 2 lutes and viol or soprano and bass or voice and viol or voice and 2 viols or voice and 3 viols or voice, lute and viol or voice, 2 lutes and viol |
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| The Spirit of Gambo from Captain Humes Poeticall Musicke (Hume, Tobias) for viol or 2 viols or 3 viols or 2 lutes and viol or soprano and bass or voice and viol or voice and 2 viols or voice and 3 viols or voice, lute and viol or voice, 2 lutes and viol |
— |
| The First Part of Ayres, French, Pollish and Others (Hume, Tobias) for voice and viol or voice and lute or voice, lute and viol or viol or 2 viols or 3 viols |
selections |
| Fantasy for 3 Bass Viols (Lupo, Thomas) for 3 viols |
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| Fantasias of 3 Parts (Gibbons, Orlando) for alto, tenor and bass or 3 viols |
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| Manchester Gamba Book (Various) for viol or lute |
selections |
| Galliard for 3 Viols (Gibbons, Orlando) for 3 viols |
— |
| Fantasias for 2 Viols (Gibbons, Orlando) for 2 viols |
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| Fantasias for 2 Viols (East, Michael) for 2 viols |
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| Fantasias for 3 Viols (Blankes, Edward) for 3 viols |
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| Fantasias for 3 Viols (Lupo, Thomas) for 3 viols |
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| Recercada segunda sobre tenores Italianos (Ortiz, Diego) for viol and 4 Unspecified instruments |
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| Recercada primera sobre tenores italianos (Ortiz, Diego) for viol and 4 Unspecified instruments or viol |
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| In Nomine No. 1 (Weelkes, Thomas) for 4 viols or 4 Unspecified instruments |
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| Tander Naken (Henry VIII) for 3 Unspecified instruments or alto, tenor and bass |
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| The Spirit of Gambo (Hume, Tobias) for viol or lute |
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| Fantasia upon One Note, Z.745 (Purcell, Henry) for 5 viols or 5 Unspecified instruments |
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| In Nomine of Six Parts, Z.746 (Purcell, Henry) for 6 viols or 6 Unspecified instruments |
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| Fantasia 'Di sei bassi' (Ferrabosco Sr., Alfonso) for tenor and 5 basses or 6 viols |
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| Love's Farewell (Hume, Tobias) for viol |
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| Canzon prima à 4 'La Borromea' (No.17) from Sacri concerti (Rusca, Claudia Francesca) for soprano and continuo or tenor and continuo or continuo and 2 sopranos or 2 tenors and continuo or soprano, tenor and continuo or soprano, alto and continuo or alto, tenor and continuo or soprano, violin, violone and continuo or tenor, violin, violone and continuo or violone, continuo and soprano or tenor, violone and continuo or soprano, trombone, violin and continuo or tenor, trombone, violin and continuo or trombone, continuo and soprano or tenor, trombone and continuo or 2 sopranos, bass and continuo or 2 tenors, bass and continuo or soprano, alto, violin, violone and continuo or soprano, alto, violone and continuo or soprano, alto, trombone and continuo or soprano, alto, trombone, violin and continuo or 2 sopranos, alto, tenor, bass and continuo or soprano, alto, tenor and bass or soprano, alto, tenor, bass and continuo or soprano, alto, tenor, bass and continuo or 2 sopranos, 2 altos, 2 tenors, 2 basses and 2 continuos or 2 mixed chorus and 2 continuos or 2 sopranos, 2 altos, 2 tenors, 2 basses and 2 organs or 2 mixed chorus and 2 organs |
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| Canzon seconda à 4 (No.18) from Sacri concerti (Rusca, Claudia Francesca) for soprano and continuo or tenor and continuo or continuo and 2 sopranos or 2 tenors and continuo or soprano, tenor and continuo or soprano, alto and continuo or alto, tenor and continuo or soprano, violin, violone and continuo or tenor, violin, violone and continuo or violone, continuo and soprano or tenor, violone and continuo or soprano, trombone, violin and continuo or tenor, trombone, violin and continuo or trombone, continuo and soprano or tenor, trombone and continuo or 2 sopranos, bass and continuo or 2 tenors, bass and continuo or soprano, alto, violin, violone and continuo or soprano, alto, violone and continuo or soprano, alto, trombone and continuo or soprano, alto, trombone, violin and continuo or 2 sopranos, alto, tenor, bass and continuo or soprano, alto, tenor and bass or soprano, alto, tenor, bass and continuo or soprano, alto, tenor, bass and continuo or 2 sopranos, 2 altos, 2 tenors, 2 basses and 2 continuos or 2 mixed chorus and 2 continuos or 2 sopranos, 2 altos, 2 tenors, 2 basses and 2 organs or 2 mixed chorus and 2 organs |
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| Follow Me Close (East, Michael) for 2 viols |
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| Ut, Re, Mi, Fa, Sol, La (East, Michael) for 2 viols |
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| I As Well As Thou (East, Michael) for 2 viols |
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| Love Cannot Dissemble (East, Michael) for 2 viols |
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| Both Alike (East, Michael) for 2 viols |
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| Dally Not With This (East, Michael) for 2 viols |
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| Draw Out the End (East, Michael) for 2 viols |
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| Hold Right (East, Michael) for 2 viols |
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| Captaine Humes Pavan (Hume, Tobias) for viol or lute |
— |
| Queene Maries Dumpe (Sumarte, Richard) for viol or lute |
parts |
| La Rêveuse (Marais, Marin) for viol and continuo |
parts |
| Deth (Hume, Tobias) for viol or lute |
parts |
| Life (Hume, Tobias) for viol or lute |
— |
| I am Falling (Hume, Tobias) for viol or lute |
parts |
| An English Frenchman (Hume, Tobias) for viol or lute |
parts |
| Good againe (Hume, Tobias) for viol or lute |
parts |
| A Question (Hume, Tobias) for viol or lute |
parts |
| An Aunswere (Hume, Tobias) for viol or lute |
parts |
| A Pollish Ayre (Hume, Tobias) for viol or lute |
— |
| Duke John of Polland his Galiard (Hume, Tobias) for viol or lute |
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| Loves Galiard (Hume, Tobias) for viol or lute |
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| Harke, Harke (Hume, Tobias) for viol or lute |
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| A Souldiers Resolution (Hume, Tobias) for viol or lute |
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| The State of Gambo (Hume, Tobias) for 3 viols |
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| Musicke & Mirth (Hume, Tobias) for viol or 2 viols or 3 viols or lute or 2 lutes or 3 lutes |
— |
| Fantasia for 5 Viols (Blankes, Edward) for 5 viols |
— |
| Credo Quod Redemptor à12 (Blankes, Edward) for 12 viols or 12 Unspecified instruments or 3 sopranos, 3 altos, 3 tenors and 3 basses or strings |
— |
| Lachryme (Sumarte, Richard) for viol or lute |
parts |
| Fortune (Sumarte, Richard) for viol or lute |
parts |
| Monnsiers Allman (Sumarte, Richard) for viol or lute |
parts |
| Dafne (Sumarte, Richard) for viol or lute |
parts |
| Roben is to the Greense-Woode Gon (Sumarte, Richard) for viol or lute |
parts |
| Canzon prima à 4 'La Borromea' (Rusca, Claudia Francesca) for 4 viols or 4 Unspecified instruments or soprano, alto, tenor and bass |
— |
| Canzon Seconda à 4 (Rusca, Claudia Francesca) for 4 viols or 4 Unspecified instruments or soprano, alto, tenor and bass |
— |
| Nouveau recueil d'airs sérieux et à boire (Pinel, Julie) for bass or 2 voices or voice and continuo or 2 voices and continuo or voice, violin and continuo or voice, flute and continuo |
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| Fantasias for 4 Viols (Gibbons, Orlando) for 4 viols |
— |
| Fantasias for 4 Viols (Gibbons, Orlando) for 4 viols |
— |
| Galliard Ferrabosco (Ferrabosco Jr., Alfonso) for soprano and bass |
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| Fantasia 'Di sei soprani’ (Daman, William) for 6 sopranos |
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| In Nomine for 4 Viols (Gibbons, Orlando) for 4 viols |
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| In Nomine II à 7 (Parsons, Robert) for 7 viols or 7 Unspecified instruments |
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| Ut re mi fa sol la à 4 (Parsons, Robert) for 4 viols or 4 Unspecified instruments |
— |
| A Duo upon Ut Re Me Fa, No. 1 (Baldwin, John) for 2 viols or 2 Unspecified instruments |
— |
| A Duo upon Ut Re Me Fa, No. 2 (Baldwin, John) for 2 viols or 2 Unspecified instruments |
— |
| Vt re mee fa à3 (Woodson, Thomas) for 3 viols or 3 Unspecified instruments |
— |
| Proporcions to the Minum à 4 (Baldwin, John) for 4 viols or 4 Unspecified instruments |
— |
| In Nomine No. 1 (Bevin, Elway) for 5 viols or 5 Unspecified instruments |
— |
| In Nomine No. 2 (Bevin, Elway) for 5 viols or 5 Unspecified instruments |
— |
| In Nomine of Seven Parts, Z.747 (Purcell, Henry) for 7 viols or 7 Unspecified instruments |
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